Sonnet 142

Sonnet 142 in the 1609 Quarto

Q1 Q2 Q3 C	Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving: O, but with mine compare thou thine own state, And thou shalt find it merits not reproving; Or, if it do, not from those lips of thine, That have profan’d their scarlet ornaments And seal’d false bonds of love as oft as mine, Robb’d others’ beds’ revenues of their rents. Be it lawful I love thee, as thou lov’st those Whom thine eyes woo as mine importune thee: Root pity in thy heart, that, when it grows, Thy pity may deserve to pitied be. If thou dost seek to have what thou dost hide, By self-example mayst thou be denied!	4 8 12 14
	—William Shakespeare^[1]

Sonnet 142 is one of 154 sonnets written by the English playwright and poet William Shakespeare.

Structure

Sonnet 142 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 14th line exemplifies a regular iambic pentameter:

 ×  /   × /  ×   /      ×   /  × / 
By self-example mayst thou be denied! (142.14)

The 2nd line contains three common metrical variants: an initial reversal, a mid-line reversal, and a final extrametrical syllable or feminine ending:

 /   ×   ×  /     /   ×  ×   /  ×   /(×) 
Hate of my sin, grounded on sinful loving: (142.2)

/ = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.

Line 4 necessarily shares a feminine ending. An initial reversal can also be found in line 1, and potentially in lines 3, 5, 8, and 12; another mid-line reversal can be found in line 5.

The meter demands two variant (and unusual to modern ears) pronunciations: line 8's "revenues" is stressed on the second syllable, and line 9's "Be it" functions as one syllable.^[2]

While frequently the rhythm of iambic pentameter lines arises from the implicit emphasis of its words, this sonnet affords several examples of the implicit emphasis of words arising from the meter. For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them:

 ×     /  ×  /  ×     /   ×    /   ×       / 
Be it lawful I love thee, as thou lov'st those (142.9)

Interpretations

Sylvia Syms, for the 2002 compilation album, When Love Speaks (EMI)

Notes

↑ Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.
↑ Booth 2000, p. 492-93.

References

First edition and facsimile

Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Company. OCLC 234756.
Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC 6028485.

Modern critical editions

Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN 0-300-01959-9. OCLC 2968040.
Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare, Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951.
Evans, G. Blakemore, ed. (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.
Orgel, Stephen, ed. (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.

External links

Shakespeare sonnets.com

William Shakespeare

Plays

Tragedies	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Sir Thomas More* Timon of Athens Titus Andronicus Troilus and Cressida

Comedies	All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre* The Taming of the Shrew The Tempest Twelfth Night The Two Gentlemen of Verona The Two Noble Kinsmen* The Winter's Tale Cardenio* Love's Labour's Won

Histories	King John Edward III* Richard II 1 Henry IV 2 Henry IV Henry V 1 Henry VI* 2 Henry VI* 3 Henry VI* Richard III Henry VIII*

See also	Problem plays Late romances Characters A–K L–Z Chronology Performances Settings Quarto publications First Folio Second Folio

Poems

Life
and works

Legacy

* Shakespeare and other authors
Lost

Shakespeare's sonnets

"Fair Youth" sonnets

Procreation sonnets	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Rival Poet sonnets	78 79 80 81 82 83 84 85 86

"Envoy"	126

"Dark Lady" sonnets

"Anacreontics"	153 154

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