Sonnet 132

The first stanza of Sonnet 132 in the 1609 Quarto

Q1 Q2 Q3 C	Thine eyes I love, and they, as pitying me, Knowing thy heart torments me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even Doth half that glory to the sober west, As those two mourning eyes become thy face: O, let it then as well beseem thy heart To mourn for me, since mourning doth thee grace, And suit thy pity like in every part. Then will I swear beauty herself is black, And all they foul that thy complexion lack.	4 8 12 14
	—William Shakespeare^[1]

Sonnet 132 is one of 154 sonnets written by the English playwright and poet William Shakespeare.

Structure

Sonnet 132 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 3rd line exemplifies a regular iambic pentameter:

 ×    /  ×    /   ×    / ×    /   ×    / 
Have put on black and loving mourners be, (132.3)

/ = ictus, a metrically strong syllabic position. × = nonictus.

Line 13 features a mid-line reversal and, potentially, an initial reversal:

  /   ×   ×   /    /   ×  ×  /   ×    / 
Then will I swear beauty herself is black, (132.13)

Lines 2, 4, and 6 also exhibit initial reversals. Line 6 may be scanned as exhibiting a mid-line reversal; such a reversal is normally preceded by at least a slight intonational break, which "grey cheeks" does not allow. Peter Groves calls this a "harsh mapping", and recommends that in performance "the best thing to do is to prolong the subordinated S-syllable [here, "grey"] ... the effect of this is to throw a degree of emphasis on it".^[2]

Some rhythmic uncertainty at the beginning of lines 7 and 9 may be resolved by applying contrastive accent to line 7's "that" and line 9's "those", rendering both lines regular and foregrounding a characteristically Shakespearean antithetical construction.

The meter demands that line 1's "pitying" function as two syllables.^[3] Regarding lines 5 and 7's rhymes "heaven" and "even", Booth regards them as monosyllabic, whereas Kerrigan evidently reads them as disyllabic.^[4]^[5]

Interpretations

Matthew Rhys, for the 2002 compilation album, When Love Speaks (EMI Classics)

Notes

↑ Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.
↑ Groves, Peter (2013). Rhythm and Meaning in Shakespeare: A Guide for Readers and Actors. Melbourne: Monash University Publishing. pp. 42–43. ISBN 978-1-921867-81-1.
↑ Booth 2000, p. 457.
↑ Booth 2000, p. 115.
↑ Kerrigan 1995, pp. 362, 210.

References

First edition and facsimile

Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Company. OCLC 234756.
Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC 6028485.

Modern critical editions

Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN 0-300-01959-9. OCLC 2968040.
Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare, Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951.
Evans, G. Blakemore, ed. (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.
Orgel, Stephen, ed. (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.

William Shakespeare

Plays

Tragedies	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Sir Thomas More* Timon of Athens Titus Andronicus Troilus and Cressida

Comedies	All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre* The Taming of the Shrew The Tempest Twelfth Night The Two Gentlemen of Verona The Two Noble Kinsmen* The Winter's Tale Cardenio* Love's Labour's Won

Histories	King John Edward III* Richard II 1 Henry IV 2 Henry IV Henry V 1 Henry VI* 2 Henry VI* 3 Henry VI* Richard III Henry VIII*

See also	Problem plays Late romances Characters A–K L–Z Chronology Performances Settings Quarto publications First Folio Second Folio

Poems

Life
and works

Legacy

* Shakespeare and other authors
Lost

Shakespeare's sonnets

"Fair Youth" sonnets

Procreation sonnets	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Rival Poet sonnets	78 79 80 81 82 83 84 85 86

"Envoy"	126

"Dark Lady" sonnets

"Anacreontics"	153 154

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