Biblical Magi

The Three Magi, Byzantine mosaic c. 565, Basilica of Sant'Apollinare Nuovo, Ravenna, Italy (restored during the 18th century). As here Byzantine art usually depicts the Magi in Persian clothing which includes breeches, capes, and Phrygian caps.

Events in the
Life of Jesus according to the Gospels
Early life Annunciation Visitation Nativity Virgin birth Adoration of the Shepherds Circumcision Presentation Adoration of the Magi Flight into Egypt Massacre of the Innocents Return to Nazareth Finding in the Temple
Ministry Baptism Temptation Commissioning the Twelve Sermon on the Mount / Plain Miracles Parables Rejection Transfiguration
Passion Triumphal entry into Jerusalem Temple cleansing Second coming prophecy Anointing Last Supper Farewell Discourse Paraclete promised Agony in the Garden Kiss of Judas Arrest Sanhedrin trial Mocking Herod's court Pilate's court Flagellation Crown of Thorns Via Dolorosa Crucifixion Descent from the Cross Entombment Harrowing of Hell
Resurrection Empty tomb Appearances Noli me tangere Road to Emmaus Great Commission Ascension
In rest of the NT Road to Damascus John's vision
Portals: Christianity Bible  Book:Life of Jesus

The Magi (/ˈmædʒaɪ/^[1] or /ˈmeɪdʒaɪ/; Greek: μάγοι, magoi), also referred to as the (Three) Wise Men or (Three) Kings, were, in the Gospel of Matthew and Christian tradition, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition.

According to Matthew, the only one of the four Canonical gospels to mention the Magi, they came "from the east" to worship the "king of the Jews".^[2] Although the account does not mention the number of Magi, the three gifts has led to the widespread assumption that there were three men.^[3] In Eastern Christianity, especially the Syriac churches, the Magi often number twelve.^[4] Their identification as kings in later Christian writings is probably linked to Psalms 72:11, "May all kings fall down before him".^[5][6]

Biblical account

Traditional nativity scenes depict three "kings" visiting the infant Jesus on the night of his birth, in a manger accompanied by the shepherds and angels, but this should be understood as an artistic convention allowing the two separate scenes of the Adoration of the Shepherds on the birth night and the later Adoration of the Magi to be combined for convenience.^[7] The single biblical account in Matthew simply presents an event at an unspecified point after Christ's birth in which an unnumbered party of unnamed "wise men" ("μάγοι") visits him in a house ("οἰκίαν"),^[8] not a stable, with only "his mother" mentioned as present. The New Revised Standard Version of Matthew 2:1–12 describes the visit of the Magi in this manner:

In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, "Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage." When King Herod heard this, he was frightened and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, "In Bethlehem of Judea; for so it has been written by the prophet: 'And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'" Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, "Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage." When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path.

The Bible specifies no interval between the birth and the visit, and artistic depictions and the closeness of the traditional dates of December 25 and January 6 encourage the popular assumption that the visit took place the same winter as the birth, but later traditions varied, with the visit taken as occurring up to two winters later. This maximum interval explained Herod's command at Matthew 2:16–18 that the Massacre of the Innocents included boys up to two years old. More recent commentators, not tied to the traditional feast days, may suggest a variety of intervals.^[9] One indication of the timing is also that Luke 2:22 mentions Joseph and Mary visiting the temple in Jerusalem when Jesus was 40 days old (this was required by the law). As soon as the "kings" had left, Joseph had a dream to warn him about Herod's planned massacre of innocents, and immediately departed to Egypt. This indicates that the visit by the "kings" occurred at least later than 40 days after Jesus' birth.

The wise men are mentioned twice shortly thereafter in verse 16, in reference to their avoidance of Herod after seeing Jesus, and what Herod had learned from their earlier meeting. The star which they followed has traditionally become known as the Star of Bethlehem.

Description

The Magi are popularly referred to as wise men and kings. The word magi is the plural of Latin magus, borrowed from Greek μάγος magos,^[10] as used in the original Greek text of the Gospel of Matthew ("μάγοι"). Greek magos itself is derived from Old Persian maguŝ from the Avestan magâunô, i.e., the religious caste into which Zoroaster was born (see Yasna 33.7: "ýâ sruyê parê magâunô" = "so I can be heard beyond Magi"). The term refers to the Persian priestly caste of Zoroastrianism.^[11] As part of their religion, these priests paid particular attention to the stars and gained an international reputation for astrology, which was at that time highly regarded as a science. Their religious practices and use of astrology caused derivatives of the term Magi to be applied to the occult in general and led to the English term magic, although Zoroastrianism was in fact strongly opposed to sorcery. The King James Version translates the term as wise men; the same translation is applied to the wise men led by Daniel of earlier Hebrew Scriptures (Daniel 2:48). The same word is given as sorcerer and sorcery when describing "Elymas the sorcerer" in Acts 13:6–11, and Simon Magus, considered a heretic by the early Church, in Acts 8:9–13. Several translations refer to the men outright as astrologers at Matthew Chapter 2, including New English Bible (1961); Phillips New Testament in Modern English (J.B.Phillips, 1972); Twentieth Century New Testament (1904 revised edition); Amplified Bible (1958-New Testament); An American Translation (1935, Goodspeed); and The Living Bible (K. Taylor, 1962-New Testament).

Names

The New Testament does not give the names of the Magi. However, traditions and legends identify a variety of different names for them.^[12] In the Western Christian church, they have been all regarded as saints and are commonly known as:

Herrad of Landsberg: The three Magi (named as Patisar, Caspara and Melchior), illustration from the Hortus deliciarum (12th century)

• Melchior (/ˈmɛlkiˌɔːr/;^[13] also Melichior^[14]), a Persian scholar;
• Caspar (/ˈkæspər/ or /ˈkæspɑːr/;^[15] also Gaspar, Jaspar, Jaspas, Gathaspa,^[14][16] and other variations), an Indian scholar;
• Balthazar (/ˈbælθəˌzɑːr/ or /bælˈθæzər/;^[17] also Balthasar, Balthassar, and Bithisarea^[14]), a Babylonian scholar.

Encyclopædia Britannica^[18] states: "according to Western church tradition, Balthasar is often represented as a king of Arabia, Melchior as a king of Persia, and Gaspar as a king of India." These names apparently derive from a Greek manuscript probably composed in Alexandria around 500, and which has been translated into Latin with the title Excerpta Latina Barbari.^[14] Another Greek document from the 8th century, of presumed Irish origin and translated into Latin with the title Collectanea et Flores, continues the tradition of three kings and their names and gives additional details.^[19][20]

One candidate for the origin of the name Caspar appears in the Acts of Thomas as Gondophares (21 – c. AD 47), i.e., Gudapharasa (from which "Caspar" might derive as corruption of "Gaspar"). This Gondophares declared independence from the Arsacids to become the first Indo-Parthian king, and he was allegedly visited by Thomas the Apostle. According to Ernst Herzfeld, his name is perpetuated in the name of the Afghan city Kandahar, which he is said to have founded under the name Gundopharron.^[21]

In contrast, many Syrian Christians name the Magi Larvandad, Gushnasaph, and Hormisdas.^[22] These names have a far greater likelihood of being originally Persian, though that does not, of course, guarantee their authenticity.

In the Eastern churches, Ethiopian Christianity, for instance, has Hor, Karsudan, and Basanater, while the Armenians have Kagpha, Badadakharida and Badadilma.^[23][24] Many Chinese Christians believe that one of the magi came from China.^[25]

Country of origin and journey

The phrase from the east (ἀπὸ ἀνατολῶν), more literally from the rising [of the sun], is the only information Matthew provides about the region from which they came. Traditionally the view developed that they were Babylonians, Persians, or Jews from Yemen as the kings of Yemen then were Jews, a view held for example by John Chrysostom. There is an Armenian tradition identifying the "Magi of Bethlehem" as Balthasar of Arabia, Melchior of Persia, and Gaspar of India.^[26] Bible historian Chuck Missler has also written about this tradition.^[27] Historian John of Hildesheim relates a tradition in the ancient silk road city of Taxila (near Islamabad in Pakistan) that one of the Magi passed through the city on the way to Bethlehem.^[28]

James Tissot: The Magi Journeying (c. 1890), Brooklyn Museum, New York City

After the visit, the Magi leave the narrative by returning another way so as to avoid Herod, and do not reappear. There are many traditional stories about what happened to the Magi after this, with one having them baptised by St. Thomas on his way to India. Another has their remains found by Saint Helena and brought to Constantinople, and eventually making their way to Germany and the Shrine of the Three Kings at Cologne Cathedral.

Sebastian Brock, a historian of Christianity, has said: "It was no doubt among converts from Zoroastrianism that… certain legends were developed around the Magi of the Gospels".^[29][30] And Anders Hultgård concluded that the Gospel story of the Magi was influenced by an Iranian legend concerning magi and a star, which was connected with Persian beliefs in the rise of a star predicting the birth of a ruler and with myths describing the manifestation of a divine figure in fire and light.^[31]

A model for the homage of the Magi might have been provided, it has been suggested, by the journey to Rome of King Tiridates I of Armenia, with his magi, to pay homage to the Emperor Nero, which took place in 66 AD, a few years before the date assigned to the composition of the Gospel of Matthew.^[32][33]

There was a tradition that the Central Asian Naimans and their Christian relatives, the Keraites, were descended from the Biblical Magi.^[34] This heritage passed to the Mongol dynasty of Genghis Khan when Sorghaghtani, niece of the Keraite ruler Toghrul, married Tolui the youngest son of Genghis and became the mother of Möngke Khan and his younger brother and successor, Kublai Khan. Toghrul became identified with the legendary Central Asian Christian king, Prester John, whose Mongol descendants were sought as allies against the Muslims by contemporary European monarchs and popes.^[35] Sempad the Constable, elder brother of King Hetoum I of Cilician Armenia, visited the Mongol court in Karakorum in 1247–1250 and in 1254. He wrote a letter to Henry I King of Cyprus and Queen Stephanie (Sempad’s sister) from Samarkand in 1243, in which he said: “Tanchat [Tangut, or Western Xia], which is the land from whence came the Three Kings to Bethlehem to worship the Lord Jesus which was born. And know that the power of Christ has been, and is, so great, that the people of that land are Christians; and the whole land of Chata [Khitai, or Kara-Khitai] believes those Three Kings. I have myself been in their churches and have seen pictures of Jesus Christ and the Three Kings, one offering gold, the second frankincense, and the third myrrh. And it is through those Three Kings that they believe in Christ, and that the Chan and his people have now become Christians”.^[36] The legendary Christian ruler of Central Asia, Prester John was reportedly a descendant of one of the Magi.^[37]

"Long before the time of Christ, India had trade relations with Palestine; much of the commerce between the Orient and the Mediterranean civilizations (including Egypt, Greece, and Rome) passed through Jerusalem", so it is very likely that Wise Men could have been "great sages of India", as Paramahansa Yogananda wrote in his “The Second Coming of Christ – The Resurrection of the Christ Within You” (2004, pp. 56–59).

Gestures of respect

Adorazione dei Magi by Bartolomé Esteban Murillo, c. 1655 (Toledo Museum of Art, Ohio

The Magi are described as "falling down", "kneeling" or "bowing" in the worship of Jesus.^[38] This gesture, together with Luke's birth narrative, had an important effect on Christian religious practices. They were indicative of great respect, and typically used when venerating a king. Inspired by these verses, kneeling and prostration were adopted in the early Church. While prostration is now rarely practised in the West it is still relatively common in the Eastern Churches, especially during Lent. Kneeling has remained an important element of Christian worship to this day.

Traditional identities and symbolism

Apart from their names, the three Magi developed distinct characteristics in Christian tradition, so that between them they represented the three ages of (adult) man, three geographical and cultural areas, and sometimes other things. In the normal Western account, reflected in art by the 14th century (for example in the Arena Chapel by Giotto in 1305) Caspar is old, normally with a white beard, and gives the gold; he is "King of Tarsus, land of merchants" on the Mediterranean coast of modern Turkey, and is first in line to kneel to Christ. Melchior is middle-aged, giving frankincense from his native Arabia, and Balthazar is a young man, very often and increasingly black-skinned, with myrrh from Saba (modern south Yemen). Their ages were often given as 60, 40 and 20 respectively, and their geographical origins were rather variable, with Balthazar increasingly coming from Ethiopia or other parts of Africa, and being represented accordingly.^[39] Balthazar's blackness has been the subject of considerable recent scholarly attention; in art it is found mostly in northern Europe, beginning from the 12th century, and becoming very common in the north by the 15th.^[40]

Gifts

Three gifts are explicitly identified in Matthew: gold, frankincense, and myrrh, in Koine Greek: chrysós (χρυσός), líbanos (λίβανος) and smýrna (σμύρνα). Many different theories of the meaning and symbolism of the gifts have been brought forward. While gold is fairly obviously explained, frankincense, and particularly myrrh, are much more obscure. See the previous section for who gave which.

One of the earliest known depictions from a third-century sarcophagus (Vatican Museums)

The theories generally break down into two groups:

1. All three gifts are ordinary offerings and gifts given to a king. Myrrh being commonly used as an anointing oil, frankincense as a perfume, and gold as a valuable.
2. The three gifts had a spiritual meaning: gold as a symbol of kingship on earth, frankincense (an incense) as a symbol of deity, and myrrh (an embalming oil) as a symbol of death.

   • This dates back to Origen in Contra Celsum: "gold, as to a king; myrrh, as to one who was mortal; and incense, as to a God."^[41]
   • These interpretations are alluded to in the verses of the popular carol "We Three Kings" in which the magi describe their gifts. The last verse includes a summary of the interpretation: "Glorious now behold Him arise/King and God and sacrifice."
   • Sometimes this is described more generally as gold symbolizing virtue, frankincense symbolizing prayer, and myrrh symbolizing suffering.

Myrrh was used as an embalming ointment and as a penitential incense in funerals and cremations until the 15th century. The "holy oil" traditionally used by the Eastern Orthodox Church for performing the sacraments of chrismation and unction is traditionally scented with myrrh, and receiving either of these sacraments is commonly referred to as "receiving the myrrh". The picture of the Magi on the 7th century Franks Casket shows the third visitor – he who brings myrrh – with a valknut over his back, a pagan symbol referring to Death.^[42]

It has been suggested by scholars that the "gifts" were medicinal rather than precious material for tribute.^[43][44][45]

The Syrian King Seleucus II Callinicus is recorded to have offered gold, frankincense and myrrh (among other items) to Apollo in his temple at Miletus in 243 BC, and this may have been the precedent for the mention of these three gifts in Gospel of Matthew (2:11). It was these three gifts, it is thought, which were the chief cause for the number of the Magi becoming fixed eventually at three.^[46]

This episode can be linked to Isaiah 60 and to Psalm 72 which report gifts being given by kings, and this has played a central role in the perception of the Magi as kings, rather than as astronomer-priests. In a hymn of the late 4th-century hispanic poet Prudentius, the three gifts have already gained their medieval interpretation as prophetic emblems of Jesus' identity, familiar in the carol "We Three Kings" by John Henry Hopkins, Jr., 1857.

John Chrysostom suggested that the gifts were fit to be given not just to a king but to God, and contrasted them with the Jews' traditional offerings of sheep and calves, and accordingly Chrysostom asserts that the Magi worshiped Jesus as God.

Adoración de los Reyes Magos by El Greco, 1568 (Museo Soumaya, Mexico City)

What subsequently happened to these gifts is never mentioned in the scripture, but several traditions have developed.^[47] One story has the gold being stolen by the two thieves who were later crucified alongside Jesus. Another tale has it being entrusted to and then misappropriated by Judas. One tradition suggests that Joseph and Mary used the gold to finance their travels when they fled Bethlehem after an angel had warned, in a dream, about King Herod's plan to kill Jesus. And another story proposes the theory that the myrrh given to them at Jesus' birth was used to anoint Jesus' body after his crucifixion.

There was a 15th-century golden case purportedly containing the Gift of the Magi housed in the Monastery of St. Paul of Mount Athos. It was donated to the monastery in the 15th century by Mara Branković, daughter of the King of Serbia Đurađ Branković, wife to the Ottoman Sultan Murat II and godmother to Mehmet II the Conqueror (of Constantinople). They were apparently part of the relics of the Holy Palace of Constantinople and it is claimed they were displayed there since the 4th century. After the Athens earthquake of September 9, 1999 they were temporarily displayed in Athens in order to strengthen faith and raise money for earthquake victims. The relics were displayed in Ukraine and Belarus in Christmas of 2014, and thus left Greece for the first time since the 15th century.^[48]

Martyrdom traditions

The Three Wise Kings, Catalan Atlas, 1375, fol. V: "This province is called Tarshish, from which came the Three Wise Kings, and they came to Bethlehem in Judaea with their gifts and worshipped Jesus Christ, and they are entombed in the city of Cologne two days journey from Bruges."

Christian Scriptures record nothing about the Biblical Magi after reporting their going back to their own country. Two separate traditions have surfaced claiming that they were so moved by their encounter with Jesus that they either became Christians on their own or were quick to convert fully upon later encountering an Apostle of Jesus. The traditions claim that they were so strong in their beliefs that they willingly embraced martyrdom.

Chronicon of Dexter

One tradition gained popularity in Spain during the 17th century, it was found in a work called the Chronicon of Dexter. The work was ascribed to Flavius Lucius Dexter the bishop of Barcelona, under Theodosius the Great. The tradition appears in the form of a simple martyrology reading "In Arabia Felix, in the city of Sessania of the Adrumeti, the martyrdom of the holy kings, the three Magi, Gaspar, Balthassar, and Melchior who adored Christ."^[49] First appearing in 1610, the Chronicon of Dexter was immensely popular along with the traditions it contained throughout the 17th century – later this was all brought into question when historians and the Catholic hierarchy in Rome declared the work a pious forgery.^[50]

Relics at Cologne

A competing tradition asserts that the Biblical Magi "were martyred for the faith, and that their bodies were first venerated at Constantinople; thence they were transferred to Milan in 344. It is certain that when Frederick I, Holy Roman Emperor (Barbarossa) imposed his authority on Milan, the relics there were transferred to Cologne Cathedral, housed in the Shrine of the Three Kings, and are venerated there today."^[49] The Milanese treated the fragments of masonry from their now empty tomb as secondary relics and these were widely distributed around the region, including southern France, accounting for the frequency with which the Magi appear on chasse reliquaries in Limoges enamel.^[51]

Tombs

There are several traditions on where the remains of the Magi are located, although none of the traditions is considered as an established fact or even as particularly likely by secular history. Marco Polo claimed that he was shown the three tombs of the Magi at Saveh south of Tehran in the 1270s:

In Persia is the city of Saba, from which the Three Magi set out and in this city they are buried, in three very large and beautiful monuments, side by side. And above them there is a square building, beautifully kept. The bodies are still entire, with hair and beard remaining.

— Marco Polo, Polo, Marco, The Book of the Million, book i.

The Shrine of the Three Kings in Cologne Cathedral, Germany, c. 1200.

A Shrine of the Three Kings at Cologne Cathedral, according to tradition, contains the bones of the Three Wise Men. Reputedly they were first discovered by Saint Helena on her famous pilgrimage to Palestine and the Holy Lands. She took the remains to the church of Hagia Sophia in Constantinople; they were later moved to Milan (some sources say by the city's bishop, Eustorgius I^[52]), before being sent to their current resting place by the Holy Roman Emperor Frederick I in 1164. The Milanese celebrate their part in the tradition by holding a medieval costume parade every 6 January.

A version of the detailed elaboration familiar to us is laid out by the 14th century cleric John of Hildesheim's Historia Trium Regum ("History of the Three Kings"). In accounting for the presence in Cologne of their mummified relics, he begins with the journey of Helena, mother of Constantine I to Jerusalem, where she recovered the True Cross and other relics:

Journey of the Magi (top) and Adoration of the Magi (side) on a Limoges champlevé chasse, c. 1200 (Musée de Cluny, Paris)

Queen Helen… began to think greatly of the bodies of these three kings, and she arrayed herself, and accompanied by many attendants, went into the Land of Ind… after she had found the bodies of Melchior, Balthazar, and Gaspar, Queen Helen put them into one chest and ornamented it with great riches, and she brought them into Constantinople... and laid them in a church that is called Saint Sophia.

Religious significance

The visit of the Magi is commemorated in most Western Christian churches by the observance of Epiphany, 6 January, which also serves as the feast of the three as saints. The Eastern Orthodox celebrate the visit of the Magi on 25 December.

The identification of the Magi as kings is linked to Old Testament prophesies that have the Messiah being worshipped by kings in Isaiah 60:3, Psalm 72:10, and Psalm 68:29. Early readers reinterpreted Matthew in light of these prophecies and elevated the Magi to kings. By AD 500 all commentators adopted the prevalent tradition that the three were kings, and this continued until the Protestant Reformation.^[53]

Though the Qur'an omits Matthew's episode of the Magi, it was well known in Arabia. The Muslim encyclopaedist al-Tabari, writing in the 9th century, gives the familiar symbolism of the gifts of the Magi. Al-Tabari gave his source for the information to be the later 7th century writer Wahb ibn Munabbih.^[54]

Traditions

Holidays celebrating the arrival of the Magi traditionally recognise a distinction between the date of their arrival and the date of Jesus' birth. The account given in the Gospel of Matthew does not state that they were present on the night of the birth; in the Gospel of Luke, Joseph and Mary remain in Bethlehem until it is time for Jesus' dedication, in Jerusalem, and then return to their home in Nazareth.

Spanish customs

The Three Wise Men receiving children at a shopping centre in Spain. Letters with gift requests are left in the letterbox on the left-hand side.

Western Christianity celebrates the Magi on the day of Epiphany, January 6, the day immediately following the twelve days of Christmas, particularly in the Spanish-speaking parts of the world. In these areas, the Three Kings ("los Reyes Magos de Oriente", also "Los Tres Reyes Magos" and "Los Reyes Magos") receive letters from children and so bring them gifts on the night before Epiphany. In Spain, each one of the Magi is supposed to represent one different continent, Europe (Melchior), Asia (Caspar) and Africa (Balthasar). According to the tradition, the Magi come from the Orient on their camels to visit the houses of all the children, much like Sinterklaas and Santa Claus with his reindeer elsewhere, they visit everyone in one night. In some areas, children prepare a drink for each of the Magi. It is also traditional to prepare food and drink for the camels, because this is the only night of the year when they eat.

• In Spain, Argentina, México, Paraguay and Uruguay, there is a long tradition for having the children receive presents by the three "Reyes Magos" on the night of January 5 (Epiphany Eve) or morning of January 6. Almost every Spanish city or town organises cabalgatas in the evening, in which the kings and their servants parade and throw sweets to the children (and parents) in attendance. The cavalcade of the three kings in Alcoy claims to be the oldest in the world, having started in 1886. The Mystery Play of the Three Magic Kings is also presented on Epiphany Eve. There is also a "Roscón" (Spain) or "Rosca de Reyes" (Mexico) as explained below.
• In the Philippines, beliefs concerning the Three Kings (Filipino: Tatlóng Haring Mago, lit. "Three Magi Kings"; shortened to Tatlóng Harì or Spanish Tres Reyes) follows Hispanic influence, with the Feast of the Epiphany considered by many Filipinos as the traditional end of their Christmas season. The tradition of the Three Kings' cabalgada is today done only in some areas, such as the old city of Intramuros in Manila, and the island of Marinduque. Another dying custom is children leaving shoes out on Epiphany Eve, so that they may receive sweets and money from the Three Kings. With the arrival of American culture in the early 20th century, the Three Kings as gift-givers have been largely replaced in urban areas by Santa Claus, and they only survive in the greeting "Happy Three Kings!" and the surname Tatlóngharì. The Three Kings are especially revered in Gapan, Nueva Ecija, where they are the town's joint patron saints.
• In Paraguay, Puerto Rico and the Dominican Republic, children cut grass or greenery on January 5 and put it in a box under their bed for the Kings' camels. Children receive gifts on January 6, which is called Día de Reyes, and is traditionally the day in which the Magi arrived bearing gifts for the Christ child. Christmas starts in December and ends in January after Epiphany, although in Puerto Rico there are eight more days of celebration (las octavitas).

Campaign for a real black Balthazar in Spain

In 2009 a campaign started in Spain over the fact that Balthazar is commonly played by a white person in blackface.^[55][56]

Central Europe

Sternsinger in Vienna, Austria.

Sternsinger – Christmas carolers in Sanok, Poland.

• A tradition in Poland and German-speaking Catholic areas is the writing of the three kings' initials (C+M+B or C M B, or K+M+B in those areas where Caspar is spelled Kaspar) above the main door of Catholic homes in chalk. This is a new year's blessing for the occupants and the initials also are believed to also stand for "Christus mansionem benedicat" ("May/Let Christ Bless This House").^[57] Depending on the city or town, this will be happen sometime between Christmas and the Epiphany, with most municipalities celebrating closer to the Epiphany.
• In Catholic parts of the German-speaking world, these markings are made by the "Sternsinger" (literally, "star singers") – a group of three elementary school children dressed up as the magi.^[58] The Sternsinger carry a star representing the one followed by the biblical magi and sing Christmas carols as they go door to door. An adult chaperones the group but stays in the background of the performance. After singing, the children write the three kings' initials on the door frame in exchange for charitable donations. Each year, German and Austrian dioceses pick one charity towards which all Sternsinger donations nationwide will be contributed. Traditionally, one child in the Sternsinger group is said to represent Baltasar from Africa and so, that child typically wears blackface makeup.^[59][60][61] Many Germans do not consider this to be racist because it is not intended to be a negative portrayal of a black person, but rather, a "realistic" or "traditional" portrayal of one.^[62] The dialogue surrounding the politics of traditions involving blackface is not as developed as in Spain or the Netherlands. In the past, photographs of German politicians together with children in blackface have caused a stir in English-language press.^[63][64] Moreover, Afro-Germans have written that this use of blackface is a missed opportunity to be truly inclusive of Afro-Germans in German-speaking communities and contribute to the equation of "blackness" with "foreignness" and "otherness" in German culture.^[65]
• In 2010 the day of Epiphany, January 6, was made a holiday in Poland and thus a pre-war tradition was revived.^[66]
• Since 2011, celebrations with biblical costuming have taken place throughout the country. For example, in Warsaw there are processions from Plac Zamkowy down Krakowskie Przedmieście to Plac Piłsudskiego.^[67]

Roscón de Reyes

• In Spain and in Portugal (where it is called Bolo-rei^[68]), the cake, which is ring-shaped, is most commonly bought, not baked, and it contains both a small figurine of one of the Magi (or another surprise depending on the region) and an actual dry broad bean. The one who gets the figurine is "crowned" (with a crown made of cardboard or paper), but whoever gets the bean has to pay the value of the cake to the person who originally bought it.
• In France and Belgium, a cake containing a small figure of the baby Jesus, known as the "broad bean", is shared within the family. Whoever gets the bean is crowned king for the remainder of the holiday and wears a cardboard crown purchased with the cake. A similar practice is common in many areas of Switzerland, but the figurine is a miniature king. The practice is known as tirer les Rois (Drawing the Kings). A queen is sometimes also chosen.
• In México they also have the same ring-shaped cake Rosca de Reyes (Kings Bagel or Thread) with figurines inside it. Whoever gets a figurine is supposed to organize and be the host of the family celebration for the Candelaria feast on February 2.
• In New Orleans, Louisiana, parts of southern Texas, and surrounding regions, a similar ring-shaped cake known as a "King Cake" traditionally becomes available in bakeries from Epiphany to Mardi Gras. The baby Jesus figurine is inserted into the cake from underneath, and the person who gets the slice with the figurine is expected to buy or bake the next King Cake. There is wide variation among the types of pastry that may be called a King Cake, but most are a baked cinnamon-flavoured twisted dough with thin frosting and additional sugar on top in the traditional Mardi Gras colours of gold, green and purple. To prevent accidental injury or choking, the baby Jesus figurine is frequently not inserted into the cake at the bakery, but included in the packaging for optional use by the buyer to insert it themselves. Mardi Gras-style beads and doubloons may be included as well.

In art

Painting

Adoration of the Magi, tondo by Fra Angelico and Filippo Lippi, c. 1450 (NGA, Washington)

The Magi most frequently appear in European art in the Adoration of the Magi; less often The Journey of the Magi has been a popular topos, and other scenes such as the Magi before Herod and the Dream of the Magi also appear in the Middle Ages. In Byzantine art they are depicted as Persians, wearing trousers and phrygian caps. Crowns appear from the 10th century. Despite being saints, they are very often shown without halos, perhaps to avoid distracting attention from either their crowns or the halos of the Holy Family. Sometimes only the lead king, kneeling to Christ, has a halo the two others lack, probably indicating that the two behind had not yet performed the act of worship that would ensure their status as saints. Medieval artists also allegorised the theme to represent the three ages of man. Beginning in the 12th century, and very often by the 15th, the Kings also represent the three parts of the known (pre-Columbian) world in Western art, especially in Northern Europe. Balthasar is thus represented as a young African or Moor and Caspar may be depicted with distinctly Oriental features.

An early Anglo-Saxon depiction survives on the Franks Casket (early 7th century, whalebone carving), the only Christian scene, which is combined with pagan and classical imagery. In its composition it follows the oriental style, which renders a courtly scene, with the Virgin and Christ facing the spectator, while the Magi devoutly approach from the (left) side. Even amongst non-Christians who had heard of the Christian story of the Magi, the motif was quite popular, since the Magi had endured a long journey and were generous. Instead of an angel, the picture places a swan-like bird, perhaps interpretable as the hero's fylgja (a protecting spirit, and shapeshifter).

Austrian artist Gottfried Helnwein depicted a more controversial tableau in his painting, Epiphany I: Adoration of the Magi (1996). Intended to represent the "many connections between the Third Reich and the Christian churches in Austria and Germany",^[69] Nazi officers in uniform stand around an Aryan woman, a Madonna. The Christ toddler who stands on Mary's lap resembles Adolf Hitler.^[70]

More generally they appear in popular Nativity scenes and other Christmas decorations that have their origins in the Neapolitan variety of the Italian presepio or Nativity crèche.

Literature

• The Other Wise Man is a story by Henry van Dyke, published in 1896. It describes a fourth wise man who sets off with the other three, but turns aside along the way to perform acts of charity and arrives in Bethlehem too late to see the Christ Child.^[71] The story has been adapted numerous times for theatre, opera, and television.
• T. S. Eliot's poem The Journey of the Magi (1927) re-tells the story with a foreshadowing of the crucifixion, as does the poem Visit of the Wise Men by Timothy Dudley-Smith.^[72]
• Further sentimental narrative detail was added in the novel and movie Ben-Hur, where Balthasar (Finlay Currie) appears as an old man, who goes back to Palestine to see the former child Jesus become an adult.
• In the German children's two-part novel Jim Button by Michael Ende, the titular character is revealed as the last descendant of Caspar.
• The Magi are the subject of Norah Lofts' 1965 novel How Far To Bethlehem?
• They are also the subject of the 1980 novel Gaspard, Melchior and Balthasar by the French author Michel Tournier.
• Christopher Moore explores the idea that one of the three kings was of Chinese origin in his 2002 absurdist novel, Lamb: The Gospel According to Biff, Christ's Childhood Pal.
• In David Morrell's 2008 novella The Spy Who Came for Christmas, the Magi were intelligence agents sent to destabilise Herod's government.
• The trio play major roles in the 2012 Seth Grahame-Smith novel, Unholy Night, re-imagined as infamous thieves and swordsmen fleeing Herod, whose paths fortuitously cross with those of Mary, Joseph, and Jesus. Their lands of origin are Syria (for Balthazar), Ethiopia (for Gaspar), and Samos (for Melchyor).
• Following Yonder Star written by Martin Gibbs describes the journey of Balthazar, Melchior, and Jaspar. It is based upon the Historia Trium Regum, and is considered historical fiction.
• In Lavie Tidhar's novella, Jesus and the Eightfold Path, the three magi are Monkey, Pigsy and Sandy from the Chinese classic, Journey to the West. They travel to Judea, where they save the baby Jesus and later train him in Kung Fu.

Film

• In the film Donovan's Reef, a Christmas play is held in French Polynesia. However, instead of the traditional correspondence of Magi to continents, the version for Polynesian Catholics features the king of Polynesia, the king of America, and the king of China.
• In the 1959 film Ben Hur, the narrator is the English actor Finley Currie who also plays the role of Balthasar. Balthasar has significant interaction with the title character Ben Hur (played by Charlton Heston).
• The Spanish 2003 animated film Los Reyes Magos by Antonio Navarro

Music

• Italian composer Ottorino Respighi wrote a composition called Trittico Botticelliano (Botticellian Tryptich) in 1927, based on three paintings by Botticelli, and one of the movements is called Adoration of the Magi.
• James Taylor's 1988 song "Home By Another Way" discusses the Magi's visit to Jesus and, specifically, their decision to avoid seeing Herod on their way home. Low's song "Long Way Around the Sea," from their 1999 Christmas album, explores similar themes.
• German composer Ludger Stühlmeyer wrote a song: Die Legende von den drei weisen Königen for children's choir and piano/organ, text: Rolf Krenzer. It was the theme song of the German caroller event 1999, ZDF.

Theatre

• The Magi are featured in Menotti's opera Amahl and the Night Visitors, and in several Christmas carols, of which the best-known English one is "We Three Kings".

See also

• Astronomy
• Christian views on astrology
• List of names for the biblical nameless
• Mystery play
• Saint Caspar
• Saint Nicholas
• Simon Magus

Notes

References

• Giffords, Gloria Fraser, Sanctuaries of Earth, Stone, and Light: The Churches of Northern New Spain, 1530–1821, 2007, University of Arizona Press, ISBN 0816525897, 9780816525898, google books
• Metzger, Bruce, New Testament Studies: Philological, Versional, and Patristic, Volume 10, 1980, BRILL, ISBN 9004061630, 9789004061637, google books
• Penny, Nicholas, National Gallery Catalogues (new series): The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600, 2008, National Gallery Publications Ltd, ISBN 1857099133
• Schiller, Gertud, Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0853312702

Further reading

• Albright, W. F. and C. S. Mann. "Matthew." The Anchor Bible Series. New York: Doubleday & Company, 1971.
• Becker, Alfred: Franks Casket. Zu den Bildern und Inschriften des Runenkästchens von Auzon (Regensburg, 1973) pp. 125–142, Ikonographie der Magierbilder, Inschriften.
• Benecke, P. V. M. (1900). "Magi". In James Hastings. A Dictionary of the Bible. III. pp. 203–206. 
• Brown, Raymond E. The Birth of the Messiah: A Commentary on the Infancy Narratives in Matthew and Luke. London: G. Chapman, 1977.
• Clarke, Howard W. The Gospel of Matthew and its Readers: A Historical Introduction to the First Gospel. Bloomington.
• Chrysostom, John "Homilies on Matthew: Homily VI". c. 4th century.
• France, R. T. The Gospel According to Matthew: an Introduction and Commentary. Leicester: Inter-Varsity, 1985.
• Gundry, Robert H. Matthew a Commentary on his Literary and Theological Art. Grand Rapids: William B. Eerdmans Publishing Company, 1982.
• Hill, David. The Gospel of Matthew. Grand Rapids: Eerdmans, 1981
• Lambert, John Chisholm, A Dictionary of Christ and the Gospels. Page 97 – 101.
• Levine, Amy-Jill. "Matthew." Women's Bible Commentary. Carol A. Newsom and Sharon H. Ringe, eds. Louisville: Westminster John Knox Press, 1998.
• Molnar, Michael R., The Star of Bethlehem: The Legacy of the Magi. Rutgers University Press, 1999. 187 pages. ISBN 0-8135-2701-5
• Powell, Mark Allan. "The Magi as Wise Men: Re-examining a Basic Supposition." New Testament Studies. Vol. 46, 2000.
• Schweizer, Eduard. The Good News According to Matthew. Atlanta: John Knox Press, 1975.
• Trexler, Richard C. Journey of the Magi: Meanings in History of a Christian Story. Princeton University Press, 1997.
• Watson, Richard, A Biblical and Theological Dictionary, Page 608–611.
• Hegedus, Tim (2003). "The Magi and the Star in the Gospel of Matthew and Early Christian Tradition". Laval théologique et philosophique. 59 (1): 81–95. doi:10.7202/000790ar. 

External links

Wikimedia Commons has media related to Three Wise Men.

• Mark Rose, "The Three Kings & the Star": the Cologne reliquary and the BBC popular documentary
• Alfred Becker, Franks Casket
• Caroline Stone, "We Three Kings of Orient Were"
• Magi Catholic Encyclopedia
• "Procession of the Three Kings in Valencia"