Piñata (Freddie Gibbs and Madlib album)

Piñata
Studio album by Freddie Gibbs & Madlib
Released	March 18, 2014
Recorded	2011–13
Genre	Hip hop
Length	60:21
Label	Madlib Invazion
Producer	Madlib
Freddie Gibbs & Madlib chronology
Deeper (2013) Piñata (2014) Knicks (Remix) (2014)
Freddie Gibbs chronology
Deeper (2013) Piñata (2014) Shadow of a Doubt (2015)
Madlib chronology
Rock Konducta Pt. 1 (2013) Piñata (2014) Piñata Beats (2014)
Singles from Piñata
"Thuggin'" Released: November 21, 2011 "Shame" Released: June 26, 2012 "Deeper" Released: September 24, 2013

Piñata is the first collaborative studio album by Indiana rapper Freddie Gibbs and California hip hop musician Madlib. The album was released on March 18, 2014, under Madlib Invazion.^[1] Entirely produced by Madlib, the 17-track LP features contributions from Raekwon, Earl Sweatshirt, Danny Brown, Domo Genesis, Scarface, BJ the Chicago Kid, Ab-Soul, Casey Veggies, Meechy Darko, Mac Miller and more.^[2] The album was recorded by Josh "The Goon" Fadem and Glenn "G-Wiz" Browder between January 2011 and October 2013.^[3] It was mixed and mastered by Dave Cooley for Elysian Masters, except for "Shame" and "Terrorist", mixed by Kelly Hibbert.^[3]

The album was preceded by three EPs including Thuggin' (2011), Shame (2012) and Deeper (2013). Piñata received widespread acclaim from critics, it debuted at number 39 on the Billboard 200 chart, with first-week sales of 9,000 copies in the United States.

Background

In a press release, Freddie Gibbs described Piñata as "a gangster Blaxploitation film on wax. I will show you my flaws, I'll show you what I've done wrong and what I've fucked up at. "I don't regret shit, but I'll show you the things I'm not proud of. I'm about to show niggas how to rap again. Everybody else is going to fall in line."^[1] Additionally, Madlib, added "My stuff, it ain't fully quantized… it has more of a human feel, so it might slow down or speed up. So you have to be the type of rapper, like [MF Doom] or Freddie, who can catch that, or else you'll be sounding crazy."^[1]

In February 2014, the track list and the cover art of the album was released. The cover art features Gibbs wearing a black Adidas tracksuit and hanging out in a neighborhood park, with a zebra print border surrounding the image.^[5] In a March 2014, interview with Rolling Stone, Madlib spoke about how they started working on the album, saying: "I met him through Ben Lambo. He used to work at Stones Throw. I heard some of an earlier album with Jeezy on it [Gibbs' Cold Day In Hell]. And Lambo wanted to see if he could do something different over my style of beats. That's where it all started… I had gotten over eight CDs worth of music to him, and just let him pick out whatever he could vibe to. I didn't do anything special, I just let him pick stuff that he could write to. I thought he'd pick different types of beats, [but it was] all raw shit. I didn't have to tell him, but that's what he wanted to record."^[6] He also spoke about how they recorded the album separately, saying: "No, he recorded the vocals on his own. Like, I handed him all the CDs, and he picked out all the beats he wanted, he recorded them at his studio, then he handed those off to me, then we finished it. I would add little things, like these choruses. That's what usually happens: I let 'em record what they want, then I add stuff as needed after that, like extra horns or whatever… I'm usually working on other thangs, you know what I mean? I don't have time to sit there and coach somebody that just already knows what to do, and that's the kind of people I usually work with… I don't want to sit there like a babysitter."^[6] Gibbs also spoke about how the album was recorded over three years, saying: "We two different guys, man. I was still in the streets when I first started that Madlib album. I was, then I wasn't. You can tell the progression on the record, though. You can tell the different places that I'm in, 'cause I did it over the course of three years, coming up with the ideas and concepts."^[6]

Critical reception

Professional ratings
Aggregate scores
Source	Rating
AnyDecentMusic?	7.7/10[7]
Metacritic	82/100[8]
Review scores
Source	Rating
AllMusic	[9]
The A.V. Club	B+[10]
Consequence of Sound	B+[11]
The Guardian	[12]
HipHopDX	4.5/5[13]
NME	8/10[14]
Pitchfork	8/10[15]
Rolling Stone	[16]
Slant Magazine	[17]
Spin	7/10[18]

Piñata received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82, based on 19 reviews.^[8] Brian Josephs of Consequence of Sound said, "Piñata comes with just enough to reduce the daunting 17-track length to a non-factor, although it drags a bit with overt nostalgia toward the fourth quarter. But sometimes nostalgia is good, especially when it's interpreted with the right amount of imagination."^[11] Nate Patrin of Pitchfork said, "It doesn't matter if Gibbs and Madlib were once considered artists playing to different audiences -- united in their uncompromising, independent-as-fuck visions, they put together something hardcore hip-hop heads on both sides should feel."^[15] Simon Vozick-Levinson of Rolling Stone said, "At its best, Piñata recalls the dark-alley vibes of Raekwon's classic, RZA-produced 1994 debut, Only Built 4 Cuban Linx... It's no coincidence that one of the strongest tracks features an excellently grim guest verse from Rae himself."^[16]

Joe Sweeney of Slant Magazine said, "Piñata does suffer from a bloated middle, with a few too many beats derived from '70s slow jams (imagine Shaft with less Richard Roundtree gunplay and more Richard Roundtree "gunplay"). But by the time the title track hits its groove to close things out, it's clear that all the foreplay was worth it."^[17] Paul MacInnes of The Guardian said, "It doesn't always seem a perfect fit – Gibbs' rough edges scrap up against Madlib's strings, and sometimes Piñata sounds like a low-key affair. It also feels a little dated, because Madlib has been practicing this kind of project for a decade – alongside similarly independent-minded artists like J Dilla and Doom. A-list guest appearances from Raekwon, Scarface and Earl Sweatshirt enliven the recipe, however."^[12] David Jeffries of AllMusic said, "Startling numbers like the block-rockin' then dissolving "Real" crop up throughout the album and make this project even more than a sum of its parts, and with the track list flowing smoothly as attractive guests (Danny Brown, Raekwon, Scarface, Mac Miller, and the list goes diversely and gloriously on) come and go, Piñata winds up excellent overall. Extra points are added for being a peerless success while still giving fans of Mobb Deep, Slum Village, Young Buck, Odd Future, and David Banner enough familiar touchstones for easy access."^[9]

Jay Balfour of HipHopDX said, "As Gangster Rap, Piñata is free of conceptual pretense; it's a slice more than a thesis. It's also a new benchmark for Gibbs and may end up as a career calling card. If nothing else, it quickly sounds like one of the year's best."^[13] Ben Cardew of NME said, "At its best – as on the heart-rending 'Deeper' – Piñata sounds like a close cousin to Raekwon's classic Only Built 4 Cuban Linx (indeed Raekwon guests on Piñata track 'Bomb'). And that is a compliment indeed. The only complaint, surely, is that the duo dropped the original title: Cocaine Piñata."^[14] Kevin Jones of Exclaim! said, "While the beats and rhymes — helped along to varying degrees by guests Domo, Earl Sweatshirt, Ab-Soul and Danny Brown, among others — are as tight and efficient as you might expect, the record's many time-honoured hood tropes and (admittedly restrained) Blaxploitation elements simply fail to inspire through certain segments."^[19]

Accolades

Commercial performance

The album debuted at number 39 on the Billboard 200 chart, with first-week sales of 9,000 copies in the United States.^[29]

Track listing

• All tracks produced by Madlib.^[5]

Credits and personnel

Credits for Piñata adapted from AllMusic.^[31]

Charts

References