Là ci darem la mano
"Là ci darem la mano" (Italian for "There we will give each other our hands") is a duet for the characters Don Giovanni (baritone) and Zerlina (soprano) in Mozart's 1787 opera Don Giovanni.
Text
The duet, with words by Lorenzo Da Ponte, is sung during the first act of the opera. Don Giovanni has just met Zerlina and her betrothed, Masetto. In an attempt to distract Masetto and have him removed from the scene, Giovanni offers to host a wedding celebration for the couple at his castle. When Masetto has left, Giovanni attempts to seduce Zerlina to accompany him to his castle. However, after the end of the duet Donna Elvira arrives and thwarts the seduction, leaving with Zerlina.
Don Giovanni |
Là ci darem la mano, |
Give me thy hand, oh fairest, |
There we will give each other our hands, |
Zerlina |
(Vorrei e non vorrei, |
I would, and yet I would not, |
I would like to, and I wouldn't, |
Don Giovanni | Vieni, mio bel diletto! | Come, dearest, let me guide thee. | Come, my beautiful delight! |
Zerlina | (Mi fa pietà Masetto.) | Masetto sure will chide me! | I feel sorry for Masetto. |
Don Giovanni | Io cangierò tua sorte. | Danger shall ne'er come nigh thee! | I will change your fate. |
Zerlina | Presto ... non son più forte. | Ah ... that I could deny thee! | Soon...I won't be strong anymore. |
Don Giovanni | Andiam! Andiam! | Let's go! Let's go! | Let's go! Let's go! |
Zerlina | Andiam! | Let's go! | Let's go! |
Both |
Andiam, andiam, mio bene, |
With thee, with thee, my treasure,
|
Let's go, let's go, my dear, |
Music
Don Giovanni | Zerlina |
"Là ci darem la mano", number 7 in the score, starts in the key of A major with a tempo indication of andante and a time signature of 2
4. The vocal range for Don Giovanni covers E3 to E4, Zerlina's range covers E4 to F♯5. The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam!. Until then, Giovanni tries to seduce Zerlina, but she is torn between Giovanni's exhortations and her fidelity to Masetto. Finally, the signal for her submission is a swerving chromatic melodic line, falling over almost an octave during 3 1/2 bars. After a fermata emphasising Zerlina's weakening resolve, the tempo then changes to allegro and the time signature to 6
8. A proper two-part duet, much of it in third parallels, is then sung for most of the remaining 32 bars. A performance takes between 3 and 3 1/2 minutes.
Influence
The duet has been the basis of several other works, including:
- Variations on "Là ci darem la mano" for two oboes and English horn, WoO 28 (1796) by Ludwig van Beethoven
- Fantasy on "Là ci darem la mano" for clarinet and orchestra by Franz Danzi (1763–1826)
- Variations on "Là ci darem la mano", Op. 2 (1827) for solo piano, and also a version for piano and orchestra, both by Frédéric Chopin
- Variations for guitar on "Là ci darem la mano" (1828) by Hector Berlioz
- Réminiscences de Don Juan, S. 418 for solo piano, by Franz Liszt
References
External links
- "Là ci darem la mano": Scores at the International Music Score Library Project
- Là ci darem la mano on YouTube, Bryn Terfel, Hong Hei-Kyung, Metropolitan Opera, 2001
- Là ci darem la mano on YouTube, Frank Sinatra, Kathryn Grayson, from It Happened in Brooklyn (1947)