1999 (Prince album)

1999
Studio album by Prince and The Revolution
Released	October 27, 1982
Recorded	1982
Studio	Kiowa Trail Home Studio (Chanhassen, Minnesota) Sunset Sound Recorders (Hollywood, California)
Genre	Minneapolis sound funk[1][2] synthpop[3] art pop[4]
Length	70:33
Label	Warner Bros.
Producer	Prince
Prince and The Revolution chronology
Controversy (1981) 1999 (1982) Purple Rain (1984)
Singles from 1999
"1999" Released: September 24, 1982 "Little Red Corvette" Released: February 9, 1983 "Delirious" Released: August 17, 1983 "D.M.S.R." Released: 1983(promo) "Automatic" Released: August 1983[5] "Let's Pretend We're Married" Released: November 23, 1983

1999 is the fifth studio album by American recording artist Prince and the first to feature his backing band The Revolution. It was released on October 27, 1982 by Warner Bros. Records. 1999 was Prince's breakthrough album, but his next album, Purple Rain, would become his most successful. The title track was a protest against nuclear proliferation and became his first top ten hit in countries outside the United States. The album was his first top ten album on the Billboard 200 chart in the United States (peaking at number 9, besting that peak at number 7 after his death in 2016) and became the fifth best-selling album of 1983 and was certified Multi-Platinum by RIAA.

Composition

The album's opening title track, "1999", was also its first single, initially peaking at 41 on the US Billboard Hot 100.^[6] It was later re-released, hitting number 12^[7] on the chart once interest in the album had increased with the release of 1999's second single, "Little Red Corvette", which peaked at number 6 on the US Billboard Hot 100, and heralded Prince's rise to superstardom. The music videos for both songs were significant in itself as one of the first videos by a black artist to receive "heavy rotation" airplay on the newly launched music video channel, MTV. The two tracks were later combined as a double A-side single in the United Kingdom, peaking at number 2. A third single, "Delirious", still managed top ten status in the United States, but a fourth, the double-sided single "Let's Pretend We're Married"/"Irresistible Bitch", got no further than number 52.

While "Little Red Corvette" helped Prince cross over to the wider rock audience, the rest of the album retains the elements of previous albums and is dominated by funk and synthesizer dance tracks. The album is, however, notable amongst Prince's catalogue for its wide variety of imagery and themes besides the sexual themes that had already become something of a trademark on previous albums. "Automatic", extending to almost ten minutes, starts side three of the album with a prominent synthesizer melody and bondage-inspired lyrical imagery which, transplanted to the music video for the track (with a scene that depicted Prince being tied up and whipped by band-members Lisa Coleman and Jill Jones), was, in 1983, considered too sexual for MTV.

"Free" is a delicate piano ballad expressing patriotism, and how fellow Americans should appreciate their freedom, while "Something in the Water (Does Not Compute)", an ode to a harsh lover, is the centerpiece of a preoccupation with Computer Age themes that would continue into future albums. This "computer" theme is also reflected in the album's instrumentation, with Prince fully embracing the gadgetry and sounds of emergent electro-funk and '80s sequencing technology on tracks like "Let's Pretend We're Married" and "All the Critics Love U in New York", songs that widen his use of synthesizers and effects and prominently feature his noted uses of the Linn LM-1 drum machine. Prince himself admitted at the time the movie Blade Runner was an influence on the album's synth sound and look for the music videos for the album.

Reception and legacy

Professional ratings
Review scores
Source	Rating
AllMusic	[1]
Blender	[8]
Entertainment Weekly	A–[9]
The Guardian	[10]
Pitchfork	10/10[11]
Rolling Stone	[3]
The Rolling Stone Album Guide	[12]
Slant Magazine	[13]
Spin Alternative Record Guide	8/10[14]
The Village Voice	A–[2]

1999 received widespread acclaim from critics. The album's critical and commercial success secured Prince a place in the public psyche, and marked the beginning of two years of heightened fame via massively successful tours, hit singles and a Hollywood movie. According to the Rolling Stone Album Guide, "1999 may be Prince's most influential album: Its synth-and-drum machine-heavy arrangements codified the Minneapolis sound that loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno."^[15]

In 2003, the TV network VH1 placed 1999 49th in its list of the greatest albums of all time.^[16] The album was also part of Slant Magazine's list "The 50 Most Essential Pop Albums"^[17] and the magazine listed the album at #8 on its list of "Best Albums of the 1980s".^[18]

In 2003, the album was ranked #163 on Rolling Stone magazine's list of the 500 greatest albums of all time while in 1989 it was ranked the 16th "100 Greatest Albums of the 1980s".^[19]

The album was inducted into the Grammy Hall of Fame in 2008.^[20] The album was also included in the book 1001 Albums You Must Hear Before You Die.^[21]

Artwork

The album's cover features elements from the front cover of Prince's previous album, Controversy; namely the eyes and the "Rude Boy" pin in the "1999", the jacket studs in the "R" and the smile in the "P". The "I" in "Prince" contains the words "and the Revolution" written backwards (as "dna eht noituloveR"), both acknowledging his backing band and foreshadowing the next four years of his career. The "1" in the "1999" has an almost phallic shape, perhaps reflecting the heavy sexuality of much of his material up to, and even after, that particular album's release.

Track listing

All tracks written by Prince. 

Alternate formats

• Originally released on vinyl as a double LP (the first of a number of double sets from Prince), 1999 was cut to a single vinyl edition in some countries; Brazil, for example, opted to issue the release as two separate vinyl albums, 1999 I and 1999 II.^[22]
• The original compact disc version of the album was also cut, omitting "D.M.S.R.". There is a disclaimer on the back cover of the original compact disc pressing that reads "To enable the release of 1999 as a single compact disc, the song DMSR has been omitted from the original LP edition".^[23] Later compact disc pressings (from a 1990 reissue onward) included the track.
• On the cassette release, "Free" was placed after "D.M.S.R." to end the first side, balancing out the lengths of both sides of the cassette.

Personnel

• Prince - lead vocals and various instruments
• Dez Dickerson - co-lead vocals (1), guitar solos and backing vocals (2)
• Lisa Coleman - co-lead vocals (1), backing vocals (2, 3, 5, 6, 8)
• Jill Jones - co-lead vocals (1), backing vocals (6, 8, 9)
• Vanity – backing vocals (8)
• Wendy Melvoin - backing vocals (8)^[24]

While not performance credited for the studio recordings, band members Doctor Fink (keyboards), Bobby Z. (drums) and Brown Mark (bass) do appear in the music videos.

Singles

• "1999" (#12 US, #4 US R&B, #25 UK)

1. "1999"
2. "How Come U Don't Call Me Anymore?"

• "Little Red Corvette" (#6 US, #15 US R&B, #54 UK)

1. "Little Red Corvette"
2. "All the Critics Love U in New York"

• "Delirious" (#8 US, #18 US R&B)

1. "Delirious"
2. "Horny Toad"

• "Automatic" (AUS)

1. "Automatic"
2. "Something in the Water (Does Not Compute)"

• "Let's Pretend We're Married" (#52 US, #55 US R&B)

1. "Let's Pretend We're Married"
2. "Irresistible Bitch"

Charts

Certifications

Notes

References

• Nathan Brackett, Christian Hoard (2004). The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. Simon and Schuster. ISBN 978-0-7432-0169-8. 

External links

• 1999 at Discogs
• 1999 at Prince Vault