Thomas Cromwell Corner

Thomas Cromwell Corner (1865–1938) was a noted portrait artist from Baltimore, Maryland, USA and founding member of the Baltimore Museum of Art.

Early years

Thomas Cromwell Corner was born in Baltimore to William and Camilla Corner on February 2, 1865.[1] As a seventeen-year-old student at Baltimore City College, Corner became interested in painting and studied under George B. Way, a local landscape painter.[2] He then went on to further his education at the Maryland Institute College of Art and Art Students League in New York under J. Alden Weir and Kenyon Cox before enrolling in the Acadêmie Jullian in the fall of 1888.[3] While in Paris, Corner attended classes led by Jean-Joseph Benjamin-Constant, Jules Joseph Lefebvre, Gabriel Ferrier, and François Flameng. In 1891, he exhibited a portrait at the salon.[4]

Career

Henry Walters (Thomas Cromwell Corner, 1938)

In 1892, he returned to Baltimore where he embarked on a successful career as a portrait artist.[4] Thomas Cromwell Corner is most known for his portraits of prominent businessmen,[5] but he also painted other notary members of society including Sir William Osler, Dr. William H. Welch, Henry Walters, Edward Cooper, the Mayor of New York, and Reverend Edward G. Helfenstein, the Bishop of Maryland.[1] His portrait of Chief Justice Charles Evans Hughes hangs in the New York State Capital [4] and his rendition of Gal Warfield is displayed in the Annapolis State House.[1] Corner’s works are also held by The Baltimore Museum of Art and the Enoch Pratt Free Library.[6][7] During his lifetime, Corner often showcased his paintings at the University Club of Johns Hopkins University.[8]

Community presence

Corner served on the City-Wide Congress Committee on Founding an Art Museum (1911-1914) as well as on the first board of trustees of the Baltimore Museum of Art.[9] As both an artist and trustee of The Baltimore Museum of Art, Corner was able to act as an emissary between the realm of the museum and the world of artists.[10] He was well respected and valuable to the accessions committee of the Baltimore Museum of Art due to his wide background in and knowledge of the field.[11] In addition to his role at the Baltimore Museum of Art, Corner also was a long-time member of the Charcoal Club of Baltimore as well as the president of the Maryland Institute Alumni Association.[1] MedChi, The Maryland State Medical Society holds six paintings by Corner in their art collection, including one of Sir William Osler, MD.

References

  1. 1 2 3 4 “T.C. Corner, Artist, Dies Unexpectedly: Embolism Proves Fatal after Fracture of Arm in Fall.” 5 Sept. 1938. The Sun, 14
  2. ↑ J.G.D. Paul, “An Appreciation.”Thomas Cromwell Corner: An Appreciation. A Memoir. An Alphabetical and Chronological Index of the Portraits Painted and Forty-Nine Reproductions. John Henry Scarff, ed. (Baltimore: Privately Printed, 1940)
  3. ↑ “Maryland Artists from the Collection, 1890-1970.”
  4. 1 2 3 “Thomas Cromwell Corner,” Painting and Sculpture in the Collection of the National Academy of Design (Manchester, Vermont: The National Academy of Design, 2001), 115.
  5. ↑ “Art Museum Gets $100,000: Thomas C. Corner, Artist, Left Estate in Trust.” 17 May 1962. The Sun, 15
  6. ↑ Glenn McNatt, “Art of the State: A Baltimore Museum of Art Exhibit Catches Up with the Works of Some Familiar and Some Not-So-Familiar Maryland Artists from the Post-Impressionist Era Forward.” 1 May 2002. The Sun.
  7. ↑ Michael J. Deas, “Thomas C. Corner,” The Portraits and Daguerreotypes of Edgar Allan Poe, 1989. Last Updated 27 Apr. 2011.
  8. ↑ ”21 Portraits Meet Subjects at Party at University Club.” 17 Apr. 1936. Baltimore Morning Sun
  9. ↑ The Baltimore Museum of Art, Annual 1 The Museum: It's First Half Century (Baltimore, Maryland: The Baltimore Museum of Art, 1966), 3
  10. ↑ J. Gilman D’Arcy Paul, “Thomas C. Corner Memorial Exhibition. Mar. 24-Apr. 16, 1939.” The Baltimore Museum of Art.
  11. ↑ ”Art Museum Gets $100,000: Thomas C. Corner, Artist, Left Estate in Trust.” 17 May 1962. The Sun, 15

External references

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