The Shrike (film)
| The Shrike | |
|---|---|
| Directed by | José Ferrer |
| Produced by | Aaron Rosenberg |
| Written by | Ketti Frings |
| Based on |
The Shrike by Joseph Kramm |
| Starring |
José Ferrer June Allyson Joy Page |
| Music by | Frank Skinner |
| Cinematography | William H. Daniels |
| Edited by | Frank Gross |
| Distributed by | Universal-International |
Release dates |
(Japan) |
Running time | 88 minutes |
| Country | United States |
| Language | English |
The Shrike is a 1955 drama film based on Joseph Kramm's play of the same name.[1] José Ferrer directed and starred in Ketti Frings' screenplay adaptation.[2]
Synopsis
Successful stage director Jim Downs (Ferrer) is driven to a mental breakdown by his domineering wife Ann (June Allyson). Institutionalized, he confides in Dr. Bellman (Kendall Clark) and Dr. Barrow (Isabel Bonner), and he finds a kindred spirit in Charlotte Moore (Joy Page).
Cast
- José Ferrer as Jim Downs
- June Allyson as Ann Downs
- Joy Page as Charlotte Moore
- Kendall Clark as Dr. R. S. Bellman
- Isabel Bonner as Dr. Barrow
- Jay Barney as Dr. Kramer
- Somar Alberg as Dr. Schlesinger
- Edward Platt as Harry Downs
- Richard Benedict as Gregory
- Herbie Faye as Tager
Reception
Reviewing for The New York Times, A.H. Weiler wrote:
- José Ferrer, the director and star of the play, again is portraying the Broadway director who struggles to be released from the confines of the psychiatric ward even though it means a return to a hateful marriage. And, in making his debut as a film director, Mr. Ferrer proves that he is as expert behind the camera as he is across the footlights. Since he obviously is no stranger to his source material, his performance is at once polished, powerful and moving. And many of his principals, who are re-enacting the roles they created on stage, forcefully enhance the stark vista of life in a mental ward... As our sorely beset hero relates in flashback to probing psychiatrists, it was a happy union at first, full of love and companionship. It deteriorated slowly but inexorably, as did his career, when her insatiable yearning for the life of an actress and her meddling in his affairs reached a point of no return... Backstage and hospital sequences have a documentary authenticity heightened in effect by Mr. Ferrer's portrayal. His scenes in the nightmarish world of the mental ward and his climactic session with the psychiatrists as he tearfully and desperately agrees to return to his wife, is acting of a rare order... Although The Shrike has changed its tune it still is an unusual and immensely interesting film drama.[3]
Production
Much of the film was shot on location at Bellevue Hospital and around Times Square in New York City.
The music score was by Frank Skinner. Ferrer composed "Conversation (The Shrike)", recorded by Pete Rugolo on his 1955 album New Sounds (Harmony HL7003).[4] The opening title sequence was created by Saul Bass.
See also
References
Sources
- Kramm, Joseph (1998). The Shrike (1st ed.). New York City: Dramatists Play Service. p. 3. ISBN 978-0822210269.