Stealin'

For the Uriah Heep single of the same name, see Stealin' (Uriah Heep).
"Stealin'"
Single by Grateful Dead
B-side Don't Ease Me In
Released June 1966
Format 7"
Recorded June 1966
Genre Blues rock Psychedelic rock
Length 2:36
Label Scorpio Records
Writer(s) Gus Cannon
Producer(s) Gene Estribou
Grateful Dead singles chronology
Stealin' / Don't Ease Me In
(1966)		 The Golden Road (To Unlimited Devotion) / Cream Puff War
(1967)
Wikisource has original text related to this article:

Stealin' (also called Stealin', Stealin') is an American folk song from the 1920s. The song is particularly identified with the jug band tradition, but gained wider popularity after several folk and blues artists recorded it in the 1960s.

Although different artists have recorded different verses, the chorus has remained consistent:

Stealin', stealin', pretty mama don't you tell on me
I'm stealin' back to my same old used to be

Origins

The lines “If you don’t believe I love you, look what a fool I’ve been / If you don’t believe I’d fall for you, look what a hole I’m in” were recorded by the New Orleans jazz musician Clarence Williams in 1921 and again by Leona Williams in 1922 as “If You Don't Believe I Love You, Look What a Fool I've Been.”

Gus Cannon claimed to have written the opening line, "Put your arms around me like a circle 'round the sun." On this basis, Cannon is sometimes credited with authorship of the song. However, this line doesn’t appear in any of his recorded songs. It does appear in the folk song “I Know You Rider” and may actually predate Cannon.

Another lyric associated with Gus Cannon is “She's a married woman, but she comes to see me all the time,” which appeared in his “Minglewood Blues,” recorded January 30, 1928.

Memphis Jug Band

The song as we know it today was first recorded by the Memphis Jug Band as "Stealin' Stealin'." This recording session took place on September 15, 1928 in Memphis, TN and featured Will Shade (harmonica), Vol Stevens (acoustic guitar), Ben Ramey (kazoo), and Jab Jones (vocals, jug).

The label on this release named Will Shade as the composer, and the copyright is still administered by Shade’s publisher, Peermusic (formerly known as the Southern Music Publishing Company). By some standards, this is correct, as a compilation of earlier lyrics is often equated with authorship in the blues genre. On the other hand, most of the lyrics clearly predated the Memphis Jug Band recording. In any case, this recording provided the basis for modern remakes after it was re-released on a compilation called The Country Blues in 1959. When the Grateful Dead recorded it seven years later, they may have mistakenly attributed the song to Gus Cannon because Cannon's song "Walk Right In" appeared on the same compilation.

Grateful Dead

The song was part of the first ever release by the San Francisco, CA based psychedelic rock band the Grateful Dead, along with "Don't Ease Me In." The Scorpio Sessions, as the recording session was known, comprised several tracks which were released in limited supply by Scorpio Records in July 1966.

Years later, the sessions would appear on the band's twelve-CD box set The Golden Road (1965-1973) released on October 21, 2002 before released as part of the stand-alone album Birth of the Dead in March 2003. Other Dead albums the song has appeared on including:

Jerry Garcia also recorded the song with friend and collaborator David Grisman. "Stealin'" appeared performed by them on the album Shady Grove in 1996 and on the compilation album Acoustic Disc 100% Handmade Music, Volume 3 in 1997.

Album appearances

References

  1. ↑ Fontana TL5390, track 6
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