Rover Thomas
| Rover Thomas | |
|---|---|
| Born |
1926 Western Australia, Australia |
| Died |
11 April 1998 (aged 71–72) Warmun (Turkey Creek), East Kimberley, Western Australia, Australia |
| Other names | Roba |
| Known for | Painting |
Rover Thomas Joolama (c. 1926 – 11 April 1998) was an Indigenous Australian artist.
Early life
Rover Thomas was born near Gunawaggi, at Well 33 on the Canning Stock Route, in the Great Sandy Desert of Western Australia.[1] At the age of 10 Thomas and his family moved to the Kimberley where, as was usual at the time, he began work as a stockman. Later in his life Thomas lived at Turkey Creek where he and his friend Paddy Tjamati broke away from the tradition of producing tribal art on canvas and instead painted landscapes on dismembered tea chests. He then, in the 1970s, created the style of ochre painting on canvas, called East Kimberley School.
Artist
Thomas was awarded the John McCaughey Prize in 1990 at the Art Gallery of New South Wales. Thomas was one of the two Aboriginal Australians to exhibit in the Venice Biennale in 1990, alongside Trevor Nickolls.[2] He was the subject of the important solo exhibition Roads Cross: The Paintings of Rover Thomas, National Gallery of Australia, Canberra in 1994.
In 2000, Thomas's work was amongst that of eight individual and collaborative groups of Indigenous Australian artists shown in the prestigious Nicholas Hall at the Hermitage Museum in Russia. The exhibition received a positive reception from Russian critics, one of whom wrote:
This is an exhibition of contemporary art, not in the sense that it was done recently, but in that it is cased in the mentality, technology and philosophy of radical art of the most recent times. No one, other than the Aborigines of Australia, has succeeded in exhibiting such art at the Hermitage.[3]
Thomas and Emily Kame Kngwarreye were amongst the most successful Australian artists in the national and global art markets.
See also
Collections
References
- ↑ Murphy, Gráinne. "Rover's Legacy". Australian Museum. Retrieved 2012-04-30.
- ↑ "Retrospective works display rare intensity.". The Canberra Times. Australian Capital Territory: National Library of Australia. 12 March 1994. p. 7. Retrieved 1 December 2013.
- ↑ Grishin, Sasha (15 April 2000). "Aboriginal art makes it to the top". Canberra Times.
- ↑ "The Holmes à Court Collection". Holmes à Court Gallery. Archived from the original on 19 July 2008. Retrieved 13 January 2011.
Bibliography
- McAlpine, Lord Alistair (2002). Adventures of a Collector. Allen and Unwin. ISBN 1-86508-786-6.
- Van Den Bosch, Annette (2005). Australian Art World: Aesthetics in a Global Market. Allen and Unwin. ISBN 1-74114-455-8.