Robert Neppach
Robert Neppach | |
---|---|
Born |
2 March 1890 Vienna, Austro-Hungarian Empire |
Died |
18 August 1939 (aged 49) Zurich, Switzerland |
Occupation |
Film producer Art director |
Years active | 1919-1937 (film) |
Robert Neppach (2 March 1890 – 18 August 1939) was an Austrian architect, film producer and art director. Neppach worked from 1919 in the German film industry. He oversaw the art direction of over eighty films during his career, including F.W. Murnau's Desire (1921) and Richard Oswald's Lucrezia Borgia (1922).[1] Neppach was comparatively unusual among set designers during the era in having university training.[2]
In 1932 he switched to concentrate on film production. In May 1933, his first Jewish wife Nelly, a successful tennis player, took her life because of the discrimination and prosecution of Jews in Nazi Germany. He married Grete Walter, daughter of the composer Bruno Walter, in autumn of 1933. With his Jewish wife, life grew increasingly difficult for him under the Nazis. He began to work as an architect again and the couple emigrated to Switzerland. In 1939, shortly before the outbreak of the Second World War, he shot himself and his wife.
Selected filmography
Art director
- The Rats (1921)
- Desire (1921)
- Miss Venus (1921)
- Lucrezia Borgia (1922)
- Earth Spirit (1923)
- Bismarck (1925)
- The Man Who Sold Himself (1925)
- Darling, Count the Cash (1926)
- The Master of Death (1926)
- The Son of Hannibal (1926)
- At the Edge of the World (1927)
- Princess Olala (1928)
- Parisiennes (1928)
- Vienna, City of My Dreams (1928)
- The Woman One Longs For (1929)
- Father and Son (1929)
- The Green Monocle (1929)
- My Daughter's Tutor (1929)
- Katharina Knie (1929)
- Die Abenteurerin von Tunis (1931)
- Panic in Chicago (1931)
- The Street Song (1931)
- Weekend in Paradise (1931)
Producer
- Little Man, What Now? (1933)
- Punks kommt aus Amerika (1935)
- Kater Lampe (1936)
- Hilde Petersen postlagernd (1936)
References
Bibliography
- Bergfelder, Tim, Harris,Sue & Street, Sarah. Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema. Amsterdam University Press, 2007.
- Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. University of California Press, 2008.