Peter Seabourne

Peter Seabourne (b.1960) is a contemporary classical composer based in Lincolnshire, United Kingdom.[1]

A Peter Seabourne composer
Peter Seabourne - composer

Biography

Seabourne studied at Clare College, Cambridge with Robin Holloway, and York University with David Blake.[2]

In 1984 he was joint winner of the Overseas League Composition Competition, and was second in the Benjamin Britten Prize in 1986. In his student years works were performed in the Camden, York, Huddersfield, Cambridge and Devizes Festivals and three times in the Purcell Room on London's South Bank, by Lontano], Tapestry, Endymion and others.

Around 1989 he abandoned composition, feeling a growing separation with the new music world, and doubting his technique and voice. He remained silent for some 12 years and rejected all his work to date.

In 2001 he resumed composition, rapidly creating a large number of pieces. Since this time he has been awarded several times in international competitions. In 2004 his 1st Piano Concerto won 3rd Prize and joint-orchestra prize in the 1st Uuno Klami Competition in Finland.[3] In the same year he took 3rd prize in the Ivan Spassov competition in Bulgaria with Soaring. In 2005 his song cycle Sappho Songs was highly commended in the IMRO International Competition in Ireland, and the following year his Soaring took 1st prize. Also in 2006 his septet My River was selected by North/South Consonance Ensemble from over two hundred scores and performed in New York City .[4]

Seabourne's work has been commissioned by the Rio International 'Cello Festival (On the blue shore of silence 2007), Rheinische Philharmonie/Daniel Raiskin (Tu Sospiri? 2010),[5][6] Paul Klee Zentrum/Kaspar Zehnder (Storyteller for solo double bass and ensemble 2011),[7] Moravská Filharmonie/Ondrej Vrabec (Double Concerto for Horn and Orchestra 2011),[8] Coull Quartet (Accept these few roses 2011), Vestfold Festival/Henning Kraggerud,[9] Spalding Flower Festival (Mille Fiori for four trumpets 2011),[10] Norfolk Concerts and Douglas Gowan (String Quintet 2012)[11] and Deutsche Kammerakademie Neuss am Rhein (Give to Me a Song Once More for solo violin and strings 2016).

Seabourne's work has been broadcast in Norway, Czech Republic, Finland, Germany, Switzerland and US. It has been played in many European countries, the Americas, China and in Armenia.[12]

The Italian label Sheva Collection has issued seven CDs of the composer's work. Four have been reviewed in Gramophone Magazine, BBC Music Magazine, The Strad in the UK, and elsewhere[13] [14] [15] .[16] A further work is included on SIMAX (Norway).[17][18] [19] His catalogue includes symphonic and chamber works, song cycles and an ongoing, large-scale piano cycle series called Steps (five volumes).

Compositional style

Seabourne's work has roots in the neo-Romantic tradition, with influences from Janáček, Mahler, Ravel, Prokofiev, Sibelius, Carl Nielsen and Robin Holloway. However his musical language is distinctively idiosyncratic, with its own modernity. It is particularly "inventive with regard to rhythm" [20] and hovers on the edge of tonality.

List of works

Orchestral:
The Darkness of Ages - poem for orchestra 12mins - 2001 rev.2009
Piano Concerto no.1 - dur. 28mins - 2004 rev. 2006
This is a song for you alone - solo violin and strings - dur 15mins - 2003 rev. 2006 and 2012 (première Mainz 2011 Irina Borissova and Mainzer Virtuosi under Dmitry Khakhalin [21]
Scherzo Serioso - dur. 10mins - 2005 (arrangement for 2 pianos 2014)
Piano Concerto no.2 - dur. 25 mins - 2006 [22] (première Kristina Stepasjuková, piano, with Ondřej Vrabec and the Academy Orchestra of the Czech Philharmonic March 2016)
Tu Sospiri? - dur. 13mins - 2010 [23]
Double Concerto for Horn and Orchestra - dur. 23mins - 2011
Cor Anglais Concerto - dur. 26mins - 2013
Symphony of Roses - dur 32mins - 2014 [24] (première Biel-Bienne May 2016 Sinfonie Orchester Biel Solothurn conducted by Kaspar Zehnder)
Symphony no.2 - dur 45mins - 2014
Symphony no.3 - dur 30mins - 2016
Give to Me a Song Once More - solo violin and strings - dur 8mins - 2016

Chamber/ensemble:
A music beginning - violin/piano 11mins. 2001 (première Stamford International Chamber Music Festival 2005 - Andrew Smith/Wayman Chin)[25]
The Sadness of the King - septet (clt. bsn. hrn. 2vln. vla. pno) dur. 13mins - 2002
Child’s Play... - wind quintet - dur. 30mins - 2003 and 2006 (one movement also arranged as scherzo for octet (clt. bsn. hrn. 2vln. vla. vc. cb) and for chamber orchestra dur. 5mins)
Soaring - oboe and piano (also as an arrangement for oboe and string quartet) - dur. 12 mins - 2003 (première Arklow Festival - Chris Redgate/Mary Dullea 2006), (2nd movement première Naomi Ozawa, Pam Yan Los Angeles 2014)[26]
accept these few roses... - string quartet - 10mins - 2005/2011
My River - (flt. ob. clt. vln. vla. vc. pno.) - 10mins - 2005
Autumnal Dances - clarinet and piano - dur. 17mins
Pietà - viola and piano - dur. 29mins - 2007
On the blue shore of silence - ‘cello and piano - dur. 23mins - 2007
Adrift! (Chamber Concerto no.1) - dectet (flt/picc. ob. clt. bsn. hrn. 2vln. vla. vc. cb.) - dur. 16mins - 2008
Phantasy Caprices (Chamber Concerto no.2) - dectet (flt. ob. clt. bsn. hrn. vln. vla. vc. cb. pno.) - dur. 18mins - 2009
Last Dance - piano trio - dur. 7mins - 2010 (première Philharmonic Hall, Lviv 2010 - Ostap and Olga Shutko, Myroslav Dragan).[27] Also played in King's Lynn Festival, UK [28]
Storyteller (Chamber Concerto no.3) - solo double bass with fl. ob. clt. bsn. hrn. vln. vc. pno - dur. 12mins - 2010
A Portrait and Four Nocturnes - violin and piano - dur. 19mins - 2010
String Quintet - 2vlns, vla, 2 vc - dur. 25mins - 2011
Sonata Appassionata - violin and ’cello - dur. 21mins - 2012

Solo:
Steps volume 1. - 12 collected pieces for piano - dur. c85 mins - 2001-6
Steps volume 2: Studies of Invention - piano - dur. 48mins - 2006-7
Steps Volume 3: Arabesques - piano - dur.35mins - 2008-12 (première Clothworkers Hall, Leeds 2014)[29]
Steps volume 4: Libro di Canti Italiano - piano - dur. 50mins - 2009-2011
Steps volume 5: Sixteen Scenes before a Crucifixion - piano - dur. 50mins - 2013-14
Persephone - harp - 4 mins - 2004
Møte - solo violin - dur. 5 mins - 2010

Song and vocal:
September, Just Septembers - 9 settings of Emily Dickinson (sop and piano) dur. 18mins - 2002
Sappho Songs - 4 settings of Sappho in French Translations by Renée Vivien (sop and piano) dur. 8mins -2002
Moon Beyond the White Clouds - 4 settings of classical Chinese texts in English (sop and piano) dur. 8mins - 2003
The Garden in the Brain - 7 Songs to words of Emily Dickinson - dur. 13 mins - 2003
There was a Maid - carol for SATB + organ - 4 minutes - Commissioned by Repton School, Derbyshire - 2003
Sea Song - 6-word opera (sop. bar. clt. vc. sus-cym. pno) - dur. 2 mins
Sonnets to Orpheus - Eleven settings of Rainer Maria Rilke (mezzo-soprano and piano) - dur. 35mins - 2013
Orpheus. Eurydike. Hermes. - scena setting Rainer Maria Rilke (mezzo-soprano and chamber orchestra) - dur. 28mins - 2004-2016

Recordings

Steps Volume 2: Studies of Invention - Giovanni Santini, piano - Sheva Contemporary SH065 [30] (review in Gramophone Magazine 2013) [31] (review - Music-Web international 2013)
Steps Volume 3: Arabesques - Michael Bell, piano - Sheva Contemporary SH088 [32] (review in Gramophone Magazine 2013)
Steps Volume 4: Libro di Canti Italiano - Fabio Menchetti, piano - Sheva Contemporary SH104 [33] (review in Gramophone Magazine 2014)
Sonata Appassionata;A music beginning;On the blue shore of silence - Ostap Shutko, violin;Olga Shutko, 'cello; Myroslav Dragan, piano - Sheva Contemporary SH82
This is a song for you alone (violin concerto) - Irina Borissova, violin, with Mainzer Virtuosi, conductor Dmitry Khakhalin - SH091 [34] (review in Gramophone Magazine 2015)
Møte (Meeting) from The Munch Suite - Henning Kraggerud, violin - SIMAX[35] [36] (review in The Independent)
Steps Volume 5: Sixteen Scenes Before a Crucifixion Alessandro Viale piano - Sheva Contemporary SH136 [37] (review in The Classical Reviewer 2015)
Pietà Georg Hamann, viola, and Akari Komiya, piano - Sheva Contemporary SH137 VIOLA DOLOROSA [38] (review in The Strad 2015) [39](review - The Classical Reviewer 2015)

References

  1. ↑ Peter Seabourne - composer
  2. ↑ Sound and Music - UK New Music Body
  3. ↑ Uuno Klami Competition
  4. ↑ North/South Consonance Ensemble, New York
  5. ↑ Kultur Info 4-12
  6. ↑ Rhein Zeitung
  7. ↑ Radio Swiss Classic
  8. ↑ Olomouc.cz
  9. ↑ Vestfold Festspilline, Norway
  10. ↑ Lincolnshire Pride magazine
  11. ↑ Norfolk Concerts
  12. ↑ International Cultural Dialogue
  13. ↑ Review in Gramophone Magazine
  14. ↑ MusicWeb International - CD Review site
  15. ↑ Review in Gramophone Magazine
  16. ↑ Review in Gramophone Magazine
  17. ↑ Review in The Independent newspaper
  18. ↑ The Strad Magazine
  19. ↑ Klassisk Musik Magasin, Norway
  20. ↑ MusicWeb International - CD Review site
  21. ↑ Review in Neue Musikzeitung
  22. ↑ Czech Philharmonic Orchestra
  23. ↑ Andreas Pecht - Culture Journalist
  24. ↑ Sinfonie Orchester Biel Solothurn
  25. ↑ Rutland Online
  26. ↑ Cultural News Magazine
  27. ↑ Kontrasts Music Festival, Lviv, Ukraine
  28. ↑ King's Lynn Festival
  29. ↑ University of Leeds
  30. ↑ Gramophone Magazine 2013
  31. ↑ Music-Web International
  32. ↑ Gramophone Magazine 2013
  33. ↑ Gramophone Magazine 2014
  34. ↑ {http://www.gramophone.co.uk/review/arnold-concerto-for-two-violins-and-strings-atterburg-suite Gramophone Magazine]
  35. ↑ http://www.grappa.no/en/simax-classics/edvard-munch-suite-with-henning-kraggerud-limited-edition-in/ SIMAX
  36. ↑ The Independent October 2013
  37. ↑ The Classical Reviewer 2015
  38. ↑ The Strad December 2015
  39. ↑ The Classical Reviewer 2015

External links


Sheva Collection CD label - Italy
Simax CD label - Norway
Gramophone Magazine
The Strad

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