Madeleine Isaksson
Madeleine Isaksson (born 1956) is a Swedish composer.
Biography
Madeleine Isaksson studied at the Royal Academy of Music in Stockholm from 1979 to 1987. She received a diploma as a piano and ensemble teacher after studying under Gunnar Hallhagen, and then studied composition under teachers including Gunnar Bucht and Sven-David Sandström (composition), Pär Lindgren (electroacoustic music), Arne Mellnäs (instrumentation), and Bo Wallner (music theory and analysis). In 1987 she lived in Amsterdam for a year of studies with the composer Louis Andriessen. In the early 1990s, she moved to France, where she lives and works near Paris still today.[1][2]
Works
Isaksson has composed for solo, duo, trio, quartet, ensemble, orchestra and vocal music.[3]
Instrumental
- Chaconne for piano (1982)
- 7 formade frön ("7 Formed Seeds") for piano (1984)
- Seaweed for English horn, basson, bass clarinet, contrabass clarinet, harp, harpsichord, cello and double bass (1984)
- Modell Maddes Modul Tvärskur for wind instruments (1985)
- Vindflöjel ("Weathervane") for piccolo and alto flute (1986/1988)
- Pirum parum, music for dance for 4 horn and tuba (1987)
- Påtår ("A Second Cup") for clarinet and bass clarinet (1987)
- Pariscope for electric violin, electric guitar, accordion, synthesizer and drum kit (1988)
- Capriola for baritone saxophone and trombone (1989)
- Lillmunkens flykt for viol (1989)
- Stråkvåg ("String Wave") for string quartet (1990)
- Tjärnöga – Ö blå ("The Eye of the Lake – Blue Island") for horn solo (1990)
- färde for violin and open grand piano (1991)
- Som om ("As If")for alto flute, bass clarinet, viola, cello, double bass and percussion (1991)
- States – Distances for 16 musicians (1992)
- inné ("innate") for flute, oboe, saxophone (clarinet), horn, bassoon, violin, viola, cello and double bass (1993)
- Fästen o fall ("Handholds and downfalls") for chamber orchestra (double wind quintet, bass clarinet and 17 strings) (1995–96)
- Andelek ("Spirit Game") for saxophone quartet (sopranino, 2 sopranos, baritone) (1997)
- Ici est ailleurs ("Here is Somewhere Else") for flute, percussion, violin, viola, cello and double bass (1998/2001)
- Rooms for alto flute, bass clarinet, cello and percussion (1999–2000)
- Ambo for alto flute and violin (2001)
- Axis for violin (with whisper/voice) and percussion (2002)
- Failles ("Gaps") for trombone, recorder and cello (2003)
- Fibres for flute, viola and 10-stringed guitar (2004)
- Îlots ("Islets") for orchestra (strings, saxophone, accordion) (2005–07)
- Les sept vallées ("The Seven Valleys") for recorder solo (2006)
- Infra for violin duo (2007)
- Sondes ("Sounding Lines") for bass flute/alto flute, English horn/oboe, alto saxophone (or clarinet, violin, cello, piano and percussion (2009)
- Far ... for alto guitar and electronics (2011)
- Flux for brass quintet (2 trumpets, horn, trombone, tuba) (2012)
- Isär ("Apart") for flute, clarinet, violin, viola, cello, piano and percussion (2012)
- Vide supra ("See Above") for violin duo (2014)
- Vågkammar for piano left hand (2015)
Vocal
- Three songs for soprano, clarinet and piano, text by Sten Hagliden (1982)
- "Vara sin formel trogen"
- "Någon faller mitt liv i talet"
- "Sången om ljung"
- Mitt i förvirringen for mezzo-soprano and harpsichord, text by Bodil Lindfors (1983)
- Löp ("Run") for soprano, mezzo-soprano, accordion and 5 percussions, text by the composer (1986)
- In Between for mezzo-soprano and electric guitar (1987)
- Så for mezzo-soprano, recorder, guitar and percussion (1991)
- Å svävare for soprano, mezzo, baritone, viola and cello (1993–95)
- "Wir sehen dich", text by Paul Celan (soprano, mezzo, viola)
- "Wie soll ich", text by Rainer Maria Rilke and Juan dela Cruz (soprano, baritone, cello)
- "Oh cauterio suave", text by Juan dela Cruz and Susanne Marten (soprano, mezzo, cello)
- "Cuan manso y amoroso", text by Juan dela Cruz (soprano, mezzo, baritone, viola, cello)
- "Doch alles was uns", text by Rainer Maria Rilke & Susanne Marten (mezzo, baritone, viola)
- "Grå tak", text by Katarina Frostenson (soprano)
- "Skorstenshalsar", text by Katarina Frostenson (soprano, viola, cello)
- Triptyk, three poems for mezzo-soprano/baritone and orchestra, text by Bengt Emil Johnson (1987)
- Och ("And") for accordion, cello, drum kit and soprano, traditional text (1987)
- Blad över blad / Feuille sur feuille for soprano, mezzo and cello with text by the composer (2000)
- Ciels ("Skies") for six solo voices (soprano, mezzo, alto, tenor, baritone, bass) with text by Gérard Haller (2009–10)
- Dans l'air for 2 sopranos and mezzo-soprano with text from Météoriques by Gérard Haller (2010)
- Terre de l'absence ("Earth of Absence") for six soloist voices: soprano, mezzo-soprano, alt, tenor, baritone and bass with text by Adunis in French translation by Anne Wade Minkowski (2012)
- Hemligheten ("The Secret") for countertenor, recorder, baroque violin, viol and theorbo, text by Tomas Tranströmer (2013)
- Várije ("Towards the Mountains") for children's opera choir (with two soprano soloists) and children's yoik choir (2013)
References
- ↑ Engström, Andreas (translation: George Kentros). "Extracts from Voices weave and converge". Retrieved 27 September 2010.
- ↑ Sadie, Stanley; Tyrrell, John (2001). The new Grove dictionary of music and musicians, Volume 12. Retrieved 11 November 2010.
- ↑ "Music". Retrieved 27 September 2015.
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