Luke Milbourne

Luke Milbourne or Milbourn (1649–1720) was an English clergyman, known as a High Church supporter of Henry Sacheverell, and also as a critic and poet.

Life

He was the son of Luke Milbourne (1622–1668), an ejected minister who was the incumbent of Wroxhall, Warwickshire, where he was born. His mother's name was Phœbe. He was educated at Pembroke Hall, Cambridge, where he matriculated in 1667, and graduated B.A. in 1670.[1] After graduating he appears to have held chaplaincies to the English merchants at Hamburg and Rotterdam.

He was afterwards at Harwich, and was beneficed in the beginning of William III's reign at Great Yarmouth. There he associated much with Rowland Davies, later dean of Cork, and wrote a lampoon on the town, entitled Ostia. In 1688 he had become lecturer of St. Leonard's, Shoreditch, and in 1704 he succeeded Samuel Harris as rector of St. Ethelburga's, London. He is ‘the priest of the church of England and rector of a church in the city of London’ who, in a published Letter (1713) to Roger Laurence, author of ‘Lay Baptism Invalid,’ rejected the validity of lay baptism by the authority of Calvin and of French Protestant writers.

Many of his numerous printed sermons touched on the martyrdom of Charles I, and enforcing the duty of passive obedience. After listening to one of Milbourne's high-flying sermons in January 1713, Bishop White Kennett asked indignantly ‘why he did not stay in Holland?’ and ‘why he is suffered to stay in England?’

He died in London 15 April 1720.

Critic

Milbourne is mainly remembered on account of his strictures on John Dryden's translation of Virgil, and of the retaliation made upon him both by Dryden, and by Alexander Pope on Dryden's behalf. He was coupled with Sir Richard Blackmore in Pope's Art of Criticism as the type of all that is contemptible in a critic.

Milbourne attempted an English rendering of Virgil before Dryden. According to an advertisement[2] Milbourne had then issued The First Book of Virgil's Æneis made English. No copy may be now known. Dryden's translation appeared in 1697, and its success inspired Milbourne's attack on it.[3] In order to demonstrate his own superiority, Milbourne supplemented criticisms by specimens of his own translation of the first and fourth Eclogues and the first Georgic. Dryden complained in the preface to the Fables (1700) that his critic's scurrility was unprovoked. One of Milbourne's avowed reasons for not sparing Dryden was that Dryden had never spared a clergyman. Dryden replied that if he had fallen foul of the priesthood he had only to ask pardon of good priests, and was afraid Milbourne's ‘part of the reparation would come to little.’ ‘I am satisfied,’ he concludes, ‘that while he and I live together I shall not be thought the worst poet of the age.’ The morals of Milbourne, who, according to Dryden, had lost his living for libelling his parishioners, were severely handled in a poem entitled The Pacificator, 1699.

Works

He contributed Latin verses to Lacrymæ Cantabrigienses, 1670, on the death of Henrietta, Duchess of Orleans. Milbourne's other works, apart from 31 single sermons and some tracts, are:

Family

A son, Thomas Milbourne, was fellow of St. John's College, Cambridge, and died in October 1743.

Notes

  1. "Milbourne, Luke (MLBN665L)". A Cambridge Alumni Database. University of Cambridge.
  2. At the close of ‘The Comparison of Pindar and Horace: written in French by M. Blondel, Master in Mathematics to the Dauphin. English'd by Sir Edward Sherburn,’ and published in 1696.
  3. In his Notes on Dryden's Virgil, in a Letter to a Friend, with an Essay on the same Poet,London, 1698.

References

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