Loreena McKennitt

Loreena McKennitt
Background information
Birth name	Loreena Isabel Irene McKennitt
Born	(1957-02-17) February 17, 1957 Morden, Manitoba, Canada
Origin	Stratford, Ontario, Canada
Genres	Celtic, world, new-age
Occupation(s)	Musician, singer-songwriter, producer
Instruments	Vocals, piano, harp, accordion
Years active	1985-98, 2006-Present
Labels	Quinlan Road, Warner Bros., Verve Forecast/Universal
Website	loreenamckennitt.com

Loreena Isabel Irene McKennitt, CM OM (born February 17, 1957) is a Canadian musician, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined and clear dramatic soprano vocals.^[1] She has sold more than 14 million records worldwide.^[2]

Early life

McKennitt was born in Morden, Manitoba, of Irish and Scottish descent to parents Jack (died 1992) and Irene McKennitt (1931–2011). In 1981, she moved to Stratford, Ontario, where she still resides.

When she was young McKennitt wanted to become a veterinarian; she would later state that music chose her rather than she it.^[3] Developing a passion for Celtic music, she learned to play the Celtic harp and began busking at various places, including St. Lawrence Market in Toronto in order to earn money to record her first album.^[4]

Career

McKennitt's first album, Elemental, was released in 1985, followed by To Drive the Cold Winter Away (1987), Parallel Dreams (1989), The Visit (1991), The Mask and Mirror (1994), A Winter Garden (1995), The Book of Secrets (1997), An Ancient Muse (2006), A Midwinter Night’s Dream (2008), and The Wind That Shakes the Barley (2010). All of her work is released under her own label, Quinlan Road.

In 1990, McKennitt provided the music for the National Film Board of Canada documentary The Burning Times, a feminist revisionist account of the Early Modern European witchcraft trials. The main theme song would later be rerecorded by her and her band on her album The Visit under the title "Tango to Evora."

In 1993, she toured Europe supporting Mike Oldfield. In 1995, her version of the traditional Irish song "Bonny Portmore" was featured in the Highlander series. McKennitt's single "The Mummers' Dance" received airplay in North American markets during the spring of 1997, and was used as the theme song for the short-lived TV series Legacy. It also saw use in the trailer for a wide-release 1998 Drew Barrymore film Ever After.^[5]

Her music appeared in the movies The Santa Clause, Soldier, Jade, Holy Man, The Mists of Avalon and Tinkerbell; and in the television series Roar, Due South, and Full Circle (Women and Spirituality).

On November 30, 2012, McKennitt lent her support to Kate Winslet’s Golden Hat Foundation together with Tim Janis, Sarah McLachlan, Andrea Corr, Hayley Westenra, Sleepy Man Banjo Boys, Dawn Kenney, Jana Mashonee, Amy Petty and a choir etc performing on "The American Christmas Carol" concert in Carnegie Hall.^[6][7][8]

Personal life

In July 1998, McKennitt's fiancé Ronald Rees, his brother Richard and their close friend Gregory Cook drowned in a boating accident on Georgian Bay. She was deeply affected by the event and subsequently founded the Cook-Rees Memorial Fund for Water Search and Safety in the same year.

At the time of the incident, she was working on a live album of two performances called Live in Paris and Toronto. The proceeds from this album were donated to the newly created memorial fund, totaling some three million dollars.^[9] After the release of the live album, McKennitt decided to substantially reduce the number of her public performances and did not release any new recordings until the studio album An Ancient Muse in 2006.

Honours

• Juno Award, Best Roots/Traditional Album 1992, for The Visit
• Juno Award, Best Roots/Traditional Album 1994, for The Mask and Mirror
• Billboard Music Award for International Achievement, 1997
• Headline performer for Queen Elizabeth II and Prince Philip at The Golden Jubilee Celebrations, Province of Manitoba, 2002
• Honorary Doctor of Letters, Wilfrid Laurier University, 2002
• Member of the Order of Manitoba, July 2003
• Member of the Order of Canada, July 2004
• Honorary Doctor of Laws, University of Manitoba, June 2005
• Canadian Ambassador, Hans Christian Andersen Bicentennary, June 2005
• Honorary Doctor of Laws, Queen's University, October 2005
• Investiture as Honorary Colonel, 435 Transport and Rescue Squadron, Royal Canadian Air Force, December 2006^[10]
• Nominated for a Grammy award, Best Contemporary World Music Album, in 2007
• Western Canadian Music Awards Lifetime Achievement Award, September 2009
• Performed at Vancouver 2010 Winter Olympics, Opening Ceremonies, February 12, 2010
• Honorary Bachelor of Applied Business, George Brown College, June 2010
• Nominated for a Grammy award, Best New Age Album, in 2012
• Knight of the National Order of Arts and Letters of the Republic of France, 2013
• Appointment as Honorary Colonel of the Royal Canadian Air Force, September 2014 ^[11]

Genre and work

McKennitt's music has generally been classified as World or Celtic music even though it contains aspects and characteristics of music from around the globe and is sometimes classified as folk music in record stores.

Before McKennitt composes any music, she engages in considerable research on a specific subject which then forms the general concept of the album.^[12] Before creating Elemental and Parallel Dreams, she travelled to Ireland for inspiration from the country's history, folklore, geography and culture. The album The Mask and Mirror was preceded by research in Spain where she engaged in studying Galicia, a Celtic section of Spain, along with its abundant Arabic roots.^[13] The result was an album that included elements of Celtic and Arabic music. According to the jacket notes, her album An Ancient Muse was inspired by travels among and reading about the various cultures along the Silk Road.

McKennitt is occasionally compared to Enya, but McKennitt's music is more grounded in traditional and classical invocations, using literary works as sources of lyrics and springboards for interpretation such as "The Lady of Shalott" by Lord Tennyson, "Prospero's Speech" (the final soliloquy in William Shakespeare's The Tempest), "Snow" by Archibald Lampman, "Dark Night of the Soul" by St. John of the Cross, Dante's Inferno, William Blake's "Lullaby", Yeats' "The Stolen Child", "The English Ladye and the Knight" by Sir Walter Scott and "The Highwayman" by Alfred Noyes.

Court case

In 2005, McKennitt was involved in an acrimonious court case in England when her former friend and employee, Niema Ash, published a book that contained intimate details of their friendship. McKennitt argued that much of the book contained confidential personal information that Ash had no right to publish. The English courts found that there had indeed been a breach of confidence and a misuse of McKennitt's private information, and the case is likely to set important precedents in the law of England and Wales on the privacy of public figures.^[14] The House of Lords affirmed the lower court's decisions in 2007.

2006 and later

In September 2006, McKennitt performed live at the Alhambra. The performance premiered on PBS and in August 2007 was released on a three-disc DVD/CD set titled Nights from the Alhambra.

In 2008, McKennitt wrote and composed a song she titled "To The Fairies They Draw Near" as the theme song for Disney's direct-to-video animated film Tinker Bell. She also provided the narration for the film.^[15]

In early 2008, she returned to Peter Gabriel's Real World Studios to record A Midwinter Night’s Dream, an extended version of her 1995 mini-album A Winter Garden: Five Songs for the Season. The album was released on October 28, 2008.^[16]

Since the release of An Ancient Muse, McKennitt has toured consistently, with a European and North American tour in 2007 and another extensive tour across Canada and United States later in 2007, a tour of Europe in 2008 and a Mediterranean tour in 2009 with stops in Greece,^[17] Turkey, Cyprus, Lebanon, Hungary and Italy.

On September 17, 2009, McKennitt announced that she planned to release a two-disc album titled A Mediterranean Odyssey. The first CD, "From Istanbul to Athens", consisted of 10 new live recordings made during her 2009 Mediterranean tour, including songs she had never before recorded in concert. The second CD, "The Olive and the Cedar", had a Mediterranean theme which McKennitt herself curated. It contained previously released studio recordings created between 1994 and 2006.

November 16, 2010, saw the US release (November 12 for Europe) of McKennitt's latest studio album, The Wind That Shakes the Barley. Recorded at the Sharon Temple, Ontario, it consists of nine traditional Celtic songs. "Every once and again there is a pull to return to one's own roots or beginnings, with the perspective of time and experience, to feel the familiar things you once loved and love still", said McKennitt.^[18]

When McKennitt released The Wind that Shakes the Barley she visited several countries to help promote the album. During the promotional tour she performed an hour-long concert in the studios of German radio station SWR1, accompanied only by Brian Hughes (guitars) and Caroline Lavelle (cello) who have long been part of her tours and recordings. This live concert was released on CD in 2011. Called Troubadours on the Rhine, the album was nominated for a 2012 Grammy for Best New Age Album.

Documentaries

Late in the 1990s, McKennitt created No Journey's End, a half-hour documentary, for American television in which she discussed the influences behind her music. No Journey's End contained excerpts from several songs from the albums Parallel Dreams, The Visit, and The Mask and Mirror It also shows live performances of the songs "The Lady of Shalott", "Santiago", and "The Dark Night of the Soul". It was later released on DVD and VHS, the former also containing music videos for "The Mummers' Dance" and "The Bonny Swans." A bonus copy of the DVD was included with the 2004 remastered versions of McKennitt's CDs.

In 2008, McKennitt released A Moveable Musical Feast, based on her 2007 An Ancient Muse tour. The DVD included interviews with McKennitt, her band, crew, fans and professional colleagues from the Canadian music industry.

Discography

Studio albums

Live albums

EPs

Compilations

Boxed sets

Singles

Videos

• The Mummers' Dance (1997)
• The Bonny Swans
• Nights from the Alhambra (2007, live concert in Spain premiered on PBS)^[30]
• A Moveable Musical Feast (2008, a tour documentary from Loreena's 2007 North American Tour)^[30]

Other

• No Journey’s End (half-hour profile, aired on PBS; DVD)
• Heaven on Earth (TV movie 1987 – played "Lady Traveler")
• Highlander III: The Sorcerer (Soundtrack contribution)
• The Santa Clause (Soundtrack contribution, "The Bells of Christmas")
• Léolo (Soundtrack contribution)
• Una casa con vista al mar (Soundtrack contribution)
• The Mists of Avalon (Soundtrack use)
• The Burning Times (Soundtrack contribution)
• Due South (Soundtrack use)
• Northern Exposure (Soundtrack use)
• Tinker Bell (Direct-to-DVD movie, 2008 – Narrator)
• Soldier (Soundtrack use)

Quinlan Road label

Quinlan Road
Founded	1985
Founder	Loreena McKennitt
Genre	Folk, Celtic, world, new-age
Country of origin	Canada
Official website	www.quinlanroad.com

Quinlan Road is an independent record label founded in 1985 and based in Stratford, Ontario, Canada. It is maintained by its sole artist, Loreena McKennitt. Quinlan Road started out at McKennitt's home where she sold recordings by mail order. Today Quinlan Road music is distributed internationally by Verve Records, Universal Music Group, Keltia Musique, and SPV GmbH.^[31]

See also

• Eileen McGann – fellow Irish-Canadian female Celtic folksinger. During McKennitt's early career McGann played many of the same venues, and they appeared together on several early compilation recordings.

References

External links

Wikiquote has quotations related to: Loreena McKennitt

Wikimedia Commons has media related to Loreena McKennitt.

• Official website
• Loreena McKennitt interview from the Echoes public radio show