List of compositions by Frank Bridge
Below is a sortable list of compositions by Frank Bridge. The works are categorized by genre, Hindmarsh catalogue[1] number (H.), date of composition and title.
Genre | H. | Date | Title | Scoring | Notes |
---|---|---|---|---|---|
Chamber music | 001 | 1900 | Piano Trio No.1 in D minor | for violin, cello and piano | |
Chamber music | 002 | 1900 | Romance: Une Lamentatione d'amour | for violin and piano | |
Chamber music | 003 | 1900 | String Quartet in B♭ major | for violins 22 violins, viola and cello | |
Chamber music | 004 | 1900 | Dances 33 Dances
| for violin or cello and piano | revised 1911 |
Vocal | 005 | 1901 | Sonnet: When Most I Wink | for voice and piano | words: Sonnet 43 by William Shakespeare |
Chamber music | 006 | 1901 | Scherzo Phantastick | for violins 22 violins, viola and cello | |
Chamber music | 007 | 1901 | String Quintet in E minor | for violins 22 violins, violas 22 violas and cello | |
Chamber music | 008 | 1901 | Berceuse in B♭ major | for violin or cello and piano | |
Concertante | 008 | 1901 | Berceuse in B♭ major | for violin and string orchestra | original for violin or cello and piano |
Orchestral | 008a8 | 1901 | Berceuse in B♭ major | for small orchestra | original version for violin or cello and piano |
Piano | 008b8 | 1901 | Berceuse in B♭ major | for piano | original version for violin or cello and piano; published in 1929 |
Vocal | 009 | 1901 | Berceuse | for soprano and orchestra | words by Dorothy Wordsworth |
Orchestral | 010 | 1901 | Coronation March | for orchestra | written for a competition celebrating the new King Edward VII |
Organ | 011 | 1901c.1901 | Adagio ma non troppo in G minor | for organ | |
Vocal | 012 | 1901c.1901 | If I Could Choose | for voice and piano | words by Thomas Ashe |
Vocal | 013 | 1901c.1901 | PrimroseThe Primrose | for voice and piano | words by James Merrick |
Vocal | 014 | 1902 | HagThe Hag | for baritone and orchestra | words by James Merrick |
Chamber music | 015 | 1902 | Piano Quartet in C minor | for violin, viola, cello and piano | |
Piano | 016 | 1902 | Pensées Fugitives I in F minor | for piano | Only the first of the intended Pensées Fugitives was actually completed; published by Thames Publishing |
Orchestral | 017 | 1902 | Valse Intermezzo à Cordes in E minor | for string orchestra | |
Orchestral | 018 | 1901–1902 | Trois Morceaux d'orchestre (3 Pieces for Orchestra)
| for small orchestra | |
Chamber music | 019 | 1901c.1902 | Scherzetto | for cello and piano (or orchestra) | |
Chamber music | 019a | 1901c.1902 | Scherzo | for cello and piano | revised version of H.19 |
Piano | 020 | 1902 | Scherzettino in G minor | for piano | published by Thames Publishing |
Vocal | 021 | 1903 | DirgeA Dirge | for medium voice and piano | words by Percy Bysshe Shelley |
Chamber music | 022 | 1903 | Con Moto | for violin and piano | |
Chamber music | 023 | 1903 | Serenade | for violin or cello and piano | |
Orchestral | 023a23 | 1903 | Serenade | for orchestra | original version for violin or cello and piano |
Piano | 023b23 | 1903 | Serenade | for piano | original version for violin or cello and piano |
Choral | 024 | 1903 | Autumn | for mixed chorus a cappella | words by Percy Bysshe Shelley |
Vocal | 025 | 1903 | Devon MaidThe Devon Maid | for medium voice and piano | words by John Keats |
Vocal | 026 | 1903 | Rising When the Dawn Still Faint Is | for voice and piano | words by Heinrich Heine |
Vocal | 026a | 1903 | Dawn and Evening | for voice and piano or orchestra | words by Heinrich Heine |
Vocal | 027 | 1903 | Songs after Heine2 Songs after Heine
| for tenor and piano | 2. also for tenor and small orchestra |
Vocal | 028 | 1903c.1903 | Mountain VoiceThe Mountain Voice | for voice and piano | words by Heinrich Heine; incomplete |
Piano | 029 | 1903 | Moderato in E minor | for piano | published by Thames Publishing |
Orchestral | 030 | 1903 | Mid of the Night, Symphonic Poem | for orchestra | |
Vocal | 031 | 1903 | Music When Soft Voices Die | for high voice and piano | words by Percy Bysshe Shelley |
Chamber music | 032 | 1903 | Tempo di Mazurka | for cello and piano | |
Vocal | 033 | 1903 | Blow, Blow Thou Winter Wind | for medium voice and piano | words by William Shakespeare |
Vocal | 034 | 1903 | Go Not, Happy Day | for voice and piano | words by Alfred, Lord Tennyson |
Vocal | 035 | 1903c.1903 | Recitations2 Recitations
| for speaker and piano | 1. words by Robert Browning 2. words by Matthew Gregory Lewis |
Vocal | 036 | 1904 | Night Lies on the Silent Highways | for medium voice and piano | words by Heinrich Heine |
Choral | 037 | 1904 | Music When Soft Voices Die | for mixed chorus a cappella | words by Percy Bysshe Shelley |
Vocal | 038 | 1904 | Dead VioletA Dead Violet | for medium voice and piano | words by Percy Bysshe Shelley |
Chamber music | 039 | 1904 | Sonata in E♭ major | for violin and piano | |
Vocal | 040 | 1904 | Songs 22 Songs
| for voice and orchestra | |
Vocal | 041 | 1904c.1904 | Harebell and Pansy | for voice and orchestra | incomplete |
Vocal | 042 | 1904 | Song Cycle
| for voice and piano | 3. incomplete |
Chamber music | 043 | 1904 | Pieces 33 Pieces | for violins 22 violins, viola and cello | |
Chamber music | 044 | 1904 | Novelletten3 Novelletten | for violins 22 violins, viola and cello | |
Chamber music | 045 | 1904 | Romanze | for violin and piano | |
Vocal | 046 | 1904c.1904 | Cradle Song | for voice and piano | words by Alfred, Lord Tennyson |
Chamber music | 047 | 1904 | ElegieÉlégie | for cello and piano | |
Chamber music | 048 | 1904 | Souvenir | for violin and piano | |
Chamber music | 049 | 1904–1905 | Piano Quintet in D minor | for violins 22 violins, viola, cello and piano | original version in 4 movements |
Chamber music | 049a | 1904–1905 1912 | Piano Quintet in D minor | for violins 22 violins, viola, cello and piano | revised version in 3 movements |
Vocal | 050 | 1905 | Lean Close Thy Cheek against My Cheek | for voice and piano | words by Heinrich Heine |
Vocal | 051 | 1905 | Fair Daffodils | for voice and piano | words by James Merrick |
Piano | 052 | 1905 | Capriccio No. 1 in A minor | for piano | published by Augener |
Chamber music | 053 | 1905 | Pieces 22 Pieces
| for viola and piano | 2. incomplete; The coda was completed by Paul Hindmarsh in 1980. |
Piano | 054 | 1905 | Solos for Piano 22 Solos for Piano
| for piano | published by Houghton and Co. |
Chamber music | 055 | 1905 | Phantasie String Quartet in F minor | for violins 22 violins, viola and cello | won second prize in the 1905 Cobbett Chamber Music Competition |
Organ | 056 | 1905 | First Book of Organ Pieces
| for organ | published by Winthrop Rogers |
Vocal | 057 | 1905 | Adoration | for medium voice and piano or orchestra | words by John Keats |
Piano | 058 | 1905 | Etude RhapsodiqueÉtude Rhapsodique in A minor | for piano | published by Thames Publishing |
Chamber music | 059 | 1905 | Amaryllis in D major | for violin and piano | |
Chamber music | 060 | 1905 | Norse Legend in G minor | for violin and piano | |
Piano | 060 | 1905 | Norse Legend in G minor | for piano | original version for violin and piano |
Orchestral | 060 | 1905, 1938 | Norse Legend in G minor | for small orchestra | original version for violin and piano |
Vocal | 061 | 1905 | So Perverse | for medium voice and piano | words by Robert Bridges |
Vocal | 062 | 1905 | Tears, Idle Tears | for medium voice and piano | words by Alfred, Lord Tennyson |
Organ | 063 | 1905 | Pieces for Organ 33 Pieces for Organ
| for organ | published by Novello |
Chamber music | 064 | 1905c.1905 | Pieces for String Quartet 33 Pieces for String Quartet | for violins 22 violins, viola and cello | |
Vocal | 065 | 1905–1906 | Songs of Robert Bridges2 Songs of Robert Bridges
| for high baritone and orchestra | words by Robert Bridges |
Piano | 066 | 1906 | Dramatic Fantasia | for piano | published by Thames Publishing |
Chamber music | 067 | 1906 | Idylls 33 Idylls | for violins 22 violins, viola and cello | movement 2 used as the theme of Variations on a Theme of Frank Bridge by Benjamin Britten |
Piano | 068 | 1906 | Sketches 33 Sketches
| for piano | published by Winthrop Rogers |
Orchestral | 068b | 1906, 1936 | Rosemary | for orchestra | orchestration of No. 2 of 3 Sketches for piano, H.68 |
Vocal | 069 | 1906 | Violets BlueThe Violets Blue | for voice and piano or string quartet | words by Heinrich Heine |
Chamber music | 070 | 1906 | String Quartet No. 1 in E minor | for violins 22 violins, viola and cello | |
Vocal | 071 | 1906 | Come to Me in My Dreams | for voice and piano | words by Matthew Arnold |
Vocal | 072 | 1906 | My Pent Up Tears Oppress My Brain | for voice and piano | |
Orchestral | 073 | 1906c.1906 | Dramatic Overture | for orchestra | |
Chamber music | 074 | 1906 | RagThe Rag | for violins 22 violins, viola and cello | |
Chamber music | 075 | 1904–1906c.1904–1906 | Valse Fernholt | for violin, viola, cello and piano | |
Vocal | 076 | 1906–1907 | Songs 33 Songs
| for medium voice, viola obbligato and piano | 1. words by Matthew Arnold 2. words by Heinrich Heine 3. words by Percy Bysshe Shelley |
Vocal | 077 | 1907 | All Things That We Clasp | for voice and piano | words by Heinrich Heine |
Orchestral | 078 | 1907 | Isabella, Symphonic Poem | for orchestra | after John Keats |
Chamber music | 079 | 1907 | Phantasie Piano Trio in C minor | for violin, cello and piano | won first prize in the 1908 Cobbett Chamber Music Competition |
Chamber music | 080 | 1907 | Gondoliera in E minor | for violin and piano | |
Vocal | 081 | 1907 | Love Is a Rose | for voice and piano | words by Leah Durand |
Chamber music | 082 | 1907–1908c.1907–1908 | Allegro Appassionato in B minor | for viola and piano | |
Chamber music | 083 | 1907–1908c.1907–1908 | Morceau Characteristique | for violin and piano | |
Orchestral | 084 | 1908 | Dance Rhapsody | for orchestra | |
Vocal | 085 | 1908 | Dear, When I Look into Thine Eyes | for voice and piano | words by Heinrich Heine |
Chamber music | 086 | 1908 | Irish MelodyAn Irish Melody | for violins 22 violins, viola and cello | movement I from Suite on Londonderry Air for string quartet, co-composed with Hamilton Harty, J. D. Davis (John David Davis), Eric Coates and York Bowen |
Orchestral | 086a | 1908, 1938 | Irish MelodyAn Irish Melody | for orchestra | original version for string quartet; based on The Londonderry Air |
Chamber music | 087 | 1908c.1908 | Miniatures for Piano Trio 13 Miniatures for Piano Trio, Set 1
| for violin, cello and piano | |
Chamber music | 088 | 1908c.1908 | Miniatures for Piano Trio 23 Miniatures for Piano Trio, Set 2
| for violin, cello and piano | |
Chamber music | 089 | 1908c.1908 | Miniatures for Piano Trio 33 Miniatures for Piano Trio, Set 3
| for violin, cello and piano | |
Piano | 090 | 1906–1908c.1906–1908 | ? | for piano | "untitled" work |
Choral | 091 | 1909 | Hilli-Ho! Hilli-Ho! | for mixed chorus a cappella | words by Thomas Moore |
Choral | 092 | 1909 | O Weary Hearts | for mixed chorus a cappella | words by Henry Wadsworth Longfellow |
Orchestral | 093 | 1909–1910 | Suite
| for string orchestra | |
Chamber music | 094 | 1910 | Phantasie Piano Quartet in F♯ minor | for violin, viola, cello and piano | |
Incidental | 095 | 1910 | Two HunchbacksThe Two Hunchbacks: 5 Entr'actes | incidental music for the play by Émile Cammaerts | |
Chamber music | 096 | 1910 | Cradle Song in F major | for violin or cello and piano | |
Orchestral | 097 | 1911 | Coronation March | for orchestra | written for a competition celebrating the new King George V |
Incidental | 098 | 1911 | Pageant of LondonThe Pageant of London | for military band and male chorus | incidental music for the Festival of Empire |
Chamber music | 099 | 1911 | MelodieMélodie in C♯ minor | for cello or violin and piano | |
Orchestral | 100 | 1910–1911 | SeaThe Sea, Suite
| for orchestra | |
Chamber music | 101 | 1911–1912 | Pieces 22 Pieces
| for violas 22 violas | 1. manuscript lost |
Vocal | 102 | 1912 | Isobel | for voice and piano | words by Digby Goddard-Fenwick |
Vocal | 103 | 1912c.1912 | Easter Hymn (Ein frölicher Gesang) | for voice and piano | 17th century German Hymn arrangement |
Choral | 103 | 1912c.1912 | Easter Hymn (Ein frölicher Gesang) | for mixed chorus | original for voice and piano |
Chamber music | 104 | 1912c.1912 | Short Pieces 44 Short Pieces
| for violin or cello and piano | |
Vocal | 105 | 1912c.1912 | O That It Were So | for voice and piano or orchestra | words by Walter Savage Landor |
Organ | 106 | 1901c.1901 1912 1901c.1901 | Second Book of Organ Pieces
| for organ | originally published in The Organ Loft, Books 100 (December 1913), 103 (March 1914), and 105 (May 1914) |
Chamber music | 107 | 1906–1912 | String Sextet in E♭ major | for violins 22 violins, violas 22 violas and cellos 22 cellos | |
Piano | 108 | 1901, 1912 1912 1912 | Pieces 33 Pieces
| for piano | published by Augener |
Vocal | 109 | 1913 | Strew No More Red Roses | for voice and piano | words by Matthew Arnold |
Choral | 110 | 1913 | BeeThe Bee | for mixed chorus a cappella | |
Orchestral | 111 | 1913 | Dance Poem | for orchestra | |
Piano | 112 | 1913–1914 1913 1914 1914 1914 | Characteristic Pieces 44 Characteristic Pieces
| for piano | published by Winthrop Rogers. First three published as 3 Poems with Arabesque published separately. |
Vocal | 113 | 1914 | Where She Lies Asleep | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
Vocal | 114 | 1914 | Love Went A-Riding | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
Chamber music | 115 | 1914–1915 | String Quartet No. 2 in G Minor | for violins 22 violins, viola and cello | |
Orchestral | 116 | 1914–1915 | Summer, Symphonic Poem | for orchestra | |
Orchestral | 117 | 1915 | Lament (for Catherine, aged 9 "Lusitania" 1915) | for string orchestra | also a version for piano; commemorating the sinking of RMS Lusitania |
Piano | 117 | 1915 | Lament for Catherine | for piano | original for string orchestra; commemorating the sinking of RMS Lusitania |
Orchestral | 118 | 1915 | Poems after Richard Jefferies2 Poems after Richard Jefferies
| for orchestra | |
Chamber music | 119 | 1916 | Old English Songs2 Old English Songs
| for violins 22 violins, viola and cello | |
Orchestral | 119a119 | 1916 | Old English Songs2 Old English Songs
| for string orchestra | original version for 2 violins, viola and cello |
Piano | 119b119 | 1916 | Old English Songs2 Old English Songs
| for piano 4-hands | original version for 2 violins, viola and cello |
Choral | 120 | 1916 | Lullaby | for female chorus and piano or string orchestra | words by Veronica Mason |
Choral | 121 | 1916 | Graceful Swaying WattleThe Graceful Swaying Wattle | for 2-part chorus and piano or string orchestra | words by Veronica Mason |
Choral | 122 | 1916 | For God and King and Right | for unison chorus and piano or orchestra | words by Veronica Mason |
Choral | 123 | 1916 | Peter Piper | for chorus of 3 equal voices a cappella | traditional words |
Vocal | 124 | 1917 | Thy Hand in Mine | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
Chamber music | 125 | 1913–1917 | Sonata in D minor | for cello and piano | |
Piano | 126 | 1917 | Characteristic Pieces 44 Characteristic Pieces
| for piano | published by Winthrop Rogers |
Piano | 127 | 1917 | Miniature Pastorals, Set 13 Miniature Pastorals, Set 1 | for piano | published by Winthrop Rogers |
Piano | 128 | 1917 | Fairy Tale, Suite
| for piano | published by Augener |
Vocal | 129 | 1917 | To You in France | for voice and piano | words by Helen Dircks |
Vocal | 130 | 1918 | So Early in the Morning, O | for high voice and piano | words by James Stephens |
Vocal | 131 | 1918 | Mantle of Blue | for voice and piano or orchestra | words by Padraic Colum |
Vocal | 132 | 1918 | Blow Out, You Bugles | for tenor and orchestra, or piano with optional trumpet | words by Rupert Brooke |
Chamber music | 133 | 1918 | Morning Song | for cello and piano | |
Piano | 134 | 1918 | Improvisations 33 Improvisations
| for piano left-hand | written for pianist Douglas Fox, who lost his right arm in World War I; published by Winthrop Rogers |
Choral | 135 | 1918 | LitanyA Litany | for female chorus with organ ad libitum | words by Phineas Fletcher |
Vocal | 136 | 1918 | Last InvocationThe Last Invocation | for voice and piano | words by Walt Whitman |
Choral | 137 | 1918 | Sister, Awake | for female chorus (sopranos) and piano | words by Thomas Bateson |
Vocal | 138 | 1918 | Lay a Garland on My Hearse | for 2-part vocal canon with piano | words by Beaumont and Fletcher |
Organ | 139 | 1918 | Lento (In Memoriam C.H.H.P.) | for organ | originally written for the funeral service of Hubert Parry; published by H.F.W. Deane and Sons (No. 7 of The Little Organ Book) |
Choral | 140 | 1916, 1918 | PrayerA Prayer | for mixed chorus and orchestra | words by Thomas à Kempis |
Vocal | 141 | 1918 | Variations on Cadet Rousselle3 Variations on "Cadet Rousselle" | for voice and piano | |
Orchestral | 141 | 1918 | Variations on Cadet Rousselle3 Variations on "Cadet Rousselle" | for orchestra | original version for voice and piano |
Vocal | 142 | 1919 | When You Are Old | for high voice and piano | words by William Butler Yeats |
Vocal | 143 | 1919 | Into Her Keeping | for voice and piano | words by Henry Dawson Lowry |
Choral | 144 | 1919 | Lantido Dilly | for female chorus and piano | anonymous words (17th century) |
Vocal | 145 | 1919 | What Shall I Your True Love tell? | for voice and piano | words by Francis Thompson |
Vocal | 146 | 1919 | Tis But a Week 'Tis But a Week | for voice and piano | words by Gerald Gould |
Piano | 147 | 1919c.1919 | Turtle's RetortThe Turtle's Retort, One-step | for piano | originally published by Winthrop Rogers under the pseudonym John L. More |
Piano | 148 | 1919–1920 | Hour GlassThe Hour Glass, Suite
| for piano | published by Augener |
Piano | 149 | 1921 | Miniature Pastorals, Set 23 Miniature Pastorals, Set 2 | for piano | |
Piano | 150 | 1921 | Miniature Pastorals, Set 33 Miniature Pastorals, Set 3 | for piano | |
Piano | 151 | 1921 | Threads: 2 Intermezzi
| for piano | incidental music to the play by Frank Stayton; orchestrated in 1938 |
Incidental | 151 | 1921, 1938 | Threads: 2 Intermezzi
| for orchestra | incidental music to the play by Frank Strayton; original for piano |
Piano | 152 | 1921 | In the Shop, Ballet | for piano 4-hands | |
Choral | 153 | 1922 | Golden Slumbers | for female chorus a cappella | words by Thomas Dekker |
Choral | 154 | 1922 | Hence care | for female chorus a cappella | anonymous words (1595) |
Chamber music | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | for violins 22 violins, viola and cello | |
Orchestral | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | for orchestra | original version for 2 violins, viola and cello |
Orchestral | 155 | 1922, 1938 | Sir Roger de Coverley: A Christmas Dance | for string orchestra | original version for 2 violins, viola and cello |
Choral | 156 | 1922 | Fairy RingThe Fairy Ring | for female chorus with optional piano | anonymous words |
Choral | 157 | 1922 | Spring SongA Spring Song | for unison voices and piano or string orchestra | words by Mary Howitt |
Choral | 158 | 1922, 1924 | Pan's Holiday | for female chorus and piano (1922) or string orchestra (1924) | words by James Shirley |
Choral | 159 | 1922 | Evening Primrose | for female chorus and piano | words by John Clare |
Piano | 160 | 1921–1924 | Sonata | for piano | sketches dated 1921–1922; published by Augener |
Piano | 161 | 1921–1924 1921 1922 1924 | Lyrics 33 Lyrics
| for piano | published by Augener |
Chamber music | 161a | 1921 | Heart's Ease | for violin and piano | original for piano |
Piano | 162 | 1924 | In Autumn
| for piano | published by Augener |
Chamber music | 163 | 1925 | Pneu WorldThe Pneu World | for cello and piano | parody on the opening bars of The Star-Spangled Banner |
Vocal | 164 | 1922–1925 1922 1924 1925 | Songs of Rabindranath Tagore3 Songs of Rabindranath Tagore
| for voice and piano or orchestra | words by Rabindranath Tagore |
Vocal | 165 | 1925 | Golden Hair | for voice and piano | words by James Joyce |
Piano | 166 | 1925 | Vignettes de Marseille
| for piano | 3 movements also orchestrated as Vignettes de Danse; published by Thames Publishing |
Orchestral | 166 | 1925, 1938 | Vignettes de Danse
| for orchestra | 1938 orchestration of 3 movements from Vignettes de Marseille for piano |
Vocal | 167 | 1925 | Journey's End | for tenor or high baritone and piano | words by Humbert Wolfe |
Piano | 168 | 1925 | Winter Pastoral | for piano | published by Augener |
Piano | 169 | 1926 | Canzonetta (Happy South) | for piano | also orchestrated; published by Hawkes and Sons |
Orchestral | 169 | 1926 | Canzonetta (Happy South) | for small orchestra | original for piano |
Piano | 170 | 1926 | Graziella | for piano | published by Hawkes and Sons |
Piano | 171 | 1926 | DedicationA Dedication | for piano | published by Augener |
Piano | 172 | 1926c.1926 | Hidden Fires | for piano | published by Hawkes and Sons |
Orchestral | 173 | 1927 | There Is a Willow Grows Aslant a Brook, Impression | for small orchestra | title taken from Act IV of William Shakespeare's Hamlet; Benjamin Britten transcribed the work for viola and piano |
Orchestral | 174 | 1926–1927 | Enter Spring, Rhapsody (Symphonic Poem) | for orchestra | |
Chamber music | 175 | 1925–1927 | String Quartet No. 3 | for violins 22 violins, viola and cello | |
Chamber music | 176 | 1928 | Rhapsody Trio | for violins 22 violins and viola | |
Piano | 177 | 1928 | Gargoyle | for piano | published by Thames Publishing |
Chamber music | 178 | 1928–1929 | Piano Trio No. 2 | for violin, cello and piano | |
Opera | 179 | 1909–1929 | Christmas RoseThe Christmas Rose | Children's Opera in 3 scenes; libretto by Margaret Kemp-Welch and Constance Cotterell | |
Concertante | 180 | 1929–1930 | Oration, Concerto Elegiaco | for cello and orchestra | |
Piano | 181 | 1931 | Todessehnsucht (Come Sweet Death) | for piano | |
Chamber music | 181 | 1931, 1936 | Todessehnsucht (Come Sweet Death) | for string orchestra | original version for piano |
Concertante | 182 | 1931 | Phantasm, Rhapsody | for piano and orchestra | |
Chamber music | 183 | 1932 | Sonata | for violin and piano | |
Orchestral | 184 | 1934 | Royal Night of VarietyA Royal Night of Variety, Epilogue | for orchestra | |
Chamber music | 185 | 1934 | Merry, Merry XmasA Merry, Merry Xmas | for oboe, clarinet, trombone and piano | |
Chamber music | 186 | 1935–1936c.1935–1936 | Sonata | for viola and piano | incomplete, sketches only |
Chamber music | 187 | 1936c.1936 | Movement for String Quartet | for violins 22 violins, viola and cello | |
Chamber music | 188 | 1937 | String Quartet No. 4 | for violins 22 violins, viola and cello | |
Chamber music | 189 | 1934–1938 1937 1937 1937 1938 | Divertimenti
| for flute, oboe, clarinet and bassoon | first version dated 1934 |
Organ | 190 | 1939 | Pieces 33 Pieces
| for organ | published by J. Curwen |
Orchestral | 191 | 1940 | Rebus, Overture | for orchestra | |
Orchestral | 192 | 1940–1941 | Allegro Moderato | for string orchestra | fragment of a Symphony |
Sources
- Hindmarsh, Paul. Frank Bridge: A Thematic Catalogue, 1900-1941. London: Faber Music, 1983.
References
- ↑ Hindmarsh, Paul (1983). Frank Bridge: A Thematic Catalogue, 1900–1941. London: Faber Music.
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