Leonid Soybelman
Leonid Soybelman | |
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Born | 20 July 1966 |
Origin | Bălţi, Moldova |
Genres | Experimental music, alternative rock, free jazz, electronic music, |
Occupation(s) | Musician, composer |
Instruments | Guitar, vocals |
Years active | 1986 – present |
Labels | NoMansLand, Tzadik |
Associated acts | Ne Zhdali, Kletka Red, Poza |
Leonid Soybelman (born 20 July 1966 in Bălţi, USSR (now Moldova)) is a Berlin-based musician and film composer of Jewish origin, leader of the band Ne Zhdali.[1] The guitarist and singer, he also collaborated with Alec Kopyt in the "Poza" project, with bands Auktyon, The Billy Tipton Memorial Saxophone Quartet and many others. His musical style has roots from eastern European traditional Yiddish folk music, yet is played in more modern arrangements on the electric guitar, often accompanied by a band. His work, especially with Ne Zhdali, is well known in Russia and countries of the former Soviet Union.
Originally from Moldavia, he grew up in Tallinn, USSR (now Estonia), where he founded in the late 1980s the band Ne Zhdali together with his classmate Ilya Komarov.[1] Later Soybelman moved to Berlin, Germany and Komarov to Zürich, Switzerland.[2] In the 1990s they reunited with Ne Zhdali in Western Europe, continuing touring and producing new albums.
As frontman of "Kletka Red" he performed together with Tony Buck, Andy Ex and Joe Williamson. Their album Hijacking was produced by John Zorn at his label Tzadik Records in the "Radical Jewish Culture" series.
Soybelman composed the music for the Czech film Something like happiness (Czech: Štěstí) 2005, portraying the melancholy lives of four friends who grew up together in the same block of flats in a former industrial town in northern Bohemia. The somewhat bleak backdrop of the film fits snugly with Soybelman's sombre and heartfelt music.
References
Wikimedia Commons has media related to Leonid Soybelman. |
External links
- Leonid Soybelman at the Internet Movie Database
- Štěstí official website
- Estonias Unexpected Rock Artists, article by Artemy Troitskii from 1990