La maja vestida

La maja vestida

Artist	Francisco Goya
Year	1800–1805
Medium	Oil on canvas
Dimensions	97 cm × 190 cm (38 in × 75 in)
Location	Museo del Prado

The Clothed Maja (Spanish: La maja vestida [la ˈmaxa βesˈtiða]) is a painting by the Spanish painter Francisco de Goya between 1800 and 1805. It is a clothed version of the earlier La maja desnuda (1797–1800) and is exhibited next to it in the same room at the Prado Museum in Madrid.^[1] The painting was first owned by Prime Minister Manuel de Godoy, who was known as an avid womanizer, and originally hung in his home in front of the Naked Maja in such a manner that the Naked Maja could be revealed at any time with the help of a pulley mechanism. It was twice in the collection of the Royal Academy of Fine Arts of San Fernando, also in Madrid, being "sequestered" by the Spanish Inquisition between 1814 and 1836, and has been in the Museo del Prado since 1901.^[2]

See also

• La maja desnuda (stamps of Spain)

References

Francisco Goya
List of works
Paintings	The rape of Europa (1772) Blind Guitarist (1778) Christ Crucified (1780) Maria Teresa de Borbon y Vallabriga (1783) Spring (or The Flower Girls) (1786–1787) The Swing (1787) St Francis Borja at the Deathbed of an Impenitent (1788) Manuel Osorio Manrique de Zúñiga (or Red Boy) (c. 1788) Self-portrait (c. 1790–1795) Little Giants (1791–1792) Portrait of Mariana Waldstein (c. 1792) Strolling Players (1793) Yard with Lunatics (1793–1794) Prison Interior (1793–1794) Marquesa de la Solana (c. 1794–1795) The Duchess of Alba and la Beata, 1795 The White Duchess, 1795 The Black Dutchess (1797) Self-Portrait with Eyeglasses (1797) Witches' Flight (1797–1798) The Spell (1797–1798) The Bewitched Man (1797–1798) The Witches' Kitchen (1797–1798) The Devil's Lamp (1797–1798) The Stone Guest (1797–1798) Witches' Sabbath (1798) Charles IV in his Hunting Clothes (1799) Countess of Chinchon (1800) Portrait of Manuel Godoy (1801) La maja desnuda Charles IV of Spain and His Family (1800–1801) La maja vestida Bartolomé Sureda y Miserol (c. 1803–1804) Portrait of Doña Isabel de Porcel (1804–1805) Portrait of Francisca Sabasa García (1804–1808) Doña Teresa Sureda (c. 1805) Majas on a Balcony (c. 1808–1812) The Colossus (c. 1808–1812) Time (c. 1810–1812) The Second of May 1808 (1814) The Third of May 1808 (1814) The Junta of the Philippines (1815) The Madhouse (1812–1819) The Inquisition Tribunal (1812–1819) The Burial of the Sardine (c. 1816) A Procession of Flagellants (c. 1816) The Forge (c. 1817) The Giant (1818) Self-portrait with Dr Arrieta (1820) Heads in a Landscape (1819–1823) The Milkmaid of Bordeaux (1825–1827) Tapestry cartoons The Parasol (c. 1777) The Grape Harvest (1786) Blind man's bluff (1789) Black Paintings (c. 1819–1823) Saturn Devouring His Son Judith and Holofernes Witches' Sabbath A Pilgrimage to San Isidro La Leocadia Two Old Men Men Reading Man Mocked by Two Women Fight with Cudgels Pilgrimage to the Fountain of San Isidro Atropos Asmodea Two Old Men Eating Soup The Dog
Etchings	Los Caprichos (1797–1798) The Sleep of Reason Produces Monsters (1797–1798) What a sacrifice! (1797–1798) They say yes and give their hand to the first comer (1797–1798) Que se la llevaron! (1797–1798) You who cannot (1797–1798) The Disasters of War (1810–1820) Contra el bien general (c. 1810) This is worse (c. 1812–1813) May the rope break! (c. 1815) La Tauromaquia (1815–1816) Unfortunate Events in the Front Seats of the Ring of Madrid, and the Death of the Mayor of Torrejón (1815–1816) Los Disparates (1815–1823) A way of flying
Related	Goya: A Life in Song (musical)