Jon Ingold

Jon Ingold
Born 1981 (age 34–35)
England
Occupation Writer
Nationality British
Website
threeedgedsword.wordpress.com

Jon Ingold (born 1981) is a British author of interactive fiction and co-founder of inkle, a company that makes interactive stories. His interactive fiction has frequently been nominated for XYZZY Awards and has won on multiple occasions, including Best Game, Best Story and Best Setting awards for All Roads in 2001. Ingold's works are notable for their attention to the levels of knowledge that the player and player character have of the in-game situation, with the effect often depending on a player who understands more than the character or vice versa.[1][2] Ingold has also written a number of plays, short stories and novels.

Biography

Ingold began writing interactive fiction as a teenager, after searching online for information on Infocom and discovering the Inform programming language. He published his first major work, The Mulldoon Legacy (1999), just before starting a Mathematics degree at the University of Cambridge. It was only a month later that he could view the Usenet newsgroup devoted to interactive fiction; he later recalled, "it's still one of the most startling moments of my life when I loaded up rec.games.int-fiction and there were Mulldoon posts everywhere".[3] Ingold continued to write IF during the university holidays[4] and also reviewed films for a student newspaper.[3] A trip to Venice provided the setting for his All Roads (2001).[3]

After graduating from Cambridge, Ingold worked as a mathematics teacher in London.[4][5] He later co-founded the company inkle, which has created interactive stories for tablet computers, as well as the Inklewriter development system.[6][7] Ingold told Gamasutra that he had found potential players of interactive fiction were frustrated by the parser interface, which led him and his colleagues to develop Inklewriter as a non-parser-based alternative.[8]

Interactive fiction

The protagonist of Ingold's Fail-Safe (2000) is the only living person on a damaged starship, who makes a distress call and asks for instructions. Commands entered by the player are treated as delivered to him within the story, collapsing the distinction usually made in IF between the parser/narrator and the player character.[9] Out-of-story actions such as saving progress are disabled and little text is displayed to the player apart from the survivor's dialogue, features which Jay Is Games reviewer John Bardinelli praised as contributing to the game's immersiveness.[10]

In All Roads (2001), the narrative viewpoint shifts between a number of characters in Renaissance Italy, as if a separate entity is controlling each of them in turn. The player is challenged not just to solve character-specific puzzles, but to understand the logic behind the changes of character.[11][12] The game was the first ever to win both the Interactive Fiction Competition (taking first place out of fifty-one entries in 2001) and the XYZZY Award for Best Game. It also received the XYZZY Awards for Best Story and Best Setting.[13][14][15] The Electronic Literature Organization anthologised All Roads in the first volume of its Electronic Literature Collection.[12] English professor Alf Seegert has used it as a case study in how interactive fiction can "generate presence", commending Ingold's integration of puzzles into the narrative.[16]

Dead Cities (2007) was Ingold's contribution to the "H. P. Lovecraft Commonplace Book Project", a collection of interactive fiction based on Lovecraft's unpublished notes that was assembled for an exhibition at the Maison d'Ailleurs in Yverdon-les-Bains (Switzerland). It won Best in Show among the three English-language entries.[17] Interactive fiction author Emily Short wrote a favourable review, calling the game "strange and challenging, evocative and opaque like Lovecraft's own stories".[18] However, Eliza Gauger's review for Destructoid criticised the parser as inadequate and the writing and pacing as inferior to those of Ecdysis, another contribution to the Project.[19]

In Make It Good (2009), the player controls a police detective investigating a murder in a house. Reviewers considered that this premise was inspired by Infocom's mysteries such as Deadline (1982), but that Ingold's detective was distinguished by his moral ambiguity and concealment of information from the player.[20][21] Emily Short commented that the distancing of the player from the protagonist brought out the "alienation and cynicism of genre noir".[21] John Bardinelli called Make It Good "a superb piece of interactive fiction on many levels", praising its active non-player characters and challenging puzzles.[22] Graham Smith felt that it was "probably the best text adventure about being an alcholic detective" [23] and enjoyed the way the game's complexity make it feel more like a story and less like a puzzle.

Ingold was the writer for Textfyre's The Shadow in the Cathedral (2009), a steampunk adventure story that was one of the few commercially published interactive fictions of the 2000s.[24] In a column for GameSetWatch, Emily Short described the game's prose as an important element in its worldbuilding.[25]

Bibliography

Interactive fiction
Short stories

Jon Ingold has published short fiction in several issues of Interzone magazine:[26]

Technical credits

References

  1. ↑ Montfort, Nick (2003). Twisty Little Passages: An Approach to Interactive Fiction. Cambridge, MA: The MIT Press. p. 220. ISBN 0-262-13436-5. Ingold's main contribution so far has been in his greater sensitivity to the levels of the interactor's and player character's awareness ...
  2. ↑ Ricard, Mark (2 January 2013). "SPAG Specifics: Creating, inverting and making good the detective genre". SPAG. 61. Retrieved 4 July 2013. The most significant distinctive of Make It Good is how it plays with what the player knows compared to the player character, who initially knows far more than the player. ... Ingold himself used this in his earlier games Fail-Safe and Insight.
  3. 1 2 3 "Jon Ingold, author of "All Roads"". SPAG. 27. 4 January 2002. Retrieved 24 June 2013.
  4. 1 2 Grassi, Roberto (June 2004). "Interview with Jon Ingold". Terra d'IF. 3. Archived from the original on 24 January 2007. Retrieved 24 June 2013.
  5. ↑ "Jon Ingold and Mike Sousa, authors of "Till Death Makes a Monk-fish Out Of Me!"". SPAG. 31. 3 January 2003. Retrieved 24 June 2013.
  6. ↑ "About us". inkle. Retrieved 24 June 2013.
  7. ↑ Alexander, Leigh (14 March 2013). "Roundtable: The Interactive Fiction Renaissance". Gamasutra. Retrieved 24 June 2013. Reprinted from Game Developer.
  8. ↑ Alexander, Leigh (2 July 2013). "New, free tools allow any novice to make an accessible text adventure". Gamasutra. Retrieved 5 July 2013.
  9. ↑ Reed, Aaron (2011). Creating Interactive Fiction with Inform 7. Boston, MA: Course Technology, CENGAGE Learning. p. 264. ISBN 978-1-4354-5506-1.
  10. ↑ Bardinelli, John (28 May 2009). "Fail-Safe". Jay Is Games. Retrieved 24 June 2013.
  11. ↑ Montfort, Nick (2003). Twisty Little Passages: An Approach to Interactive Fiction. Cambridge, MA: The MIT Press. p. 220. ISBN 0-262-13436-5.
  12. 1 2 "All Roads". Electronic Literature Collection. College Park, MD: Electronic Literature Organization. 1. October 2006. ISSN 1932-2011. Retrieved 24 June 2013.
  13. ↑ Dickens, Evan (23 September 2002). "IF Week Part 3: The Top Five IF Games". Adventure Gamers. p. 2. Retrieved 4 July 2013.
  14. ↑ "7th Annual Interactive Fiction Competition: The Results". Interactive Fiction Competition. Retrieved 4 July 2013.
  15. ↑ "XYZZY Awards: Winning Games of 2001". XYZZYnews. Retrieved 4 July 2013.
  16. ↑ Seegert, Alf (1 May 2009). "'Doing there' vs. 'being there': performing presence in interactive fiction". Journal of Gaming & Virtual Worlds. 1 (1): 23–37. doi:10.1386/jgvw.1.1.23_1.
  17. ↑ Nepstad, Peter (3 December 2007). "The H.P. Lovecraft Commonplace Book Project". SPAG. 50. Retrieved 4 July 2013.
  18. ↑ Short, Emily (15 August 2007). "IF Games from The Commonplace Book Project". Jay Is Games. Retrieved 4 July 2013.
  19. ↑ Gauger, Eliza (8 September 2007). "Interactive Friction: Lovecraftian abortions resurrected as text-adventure games". Destructoid. Retrieved 4 July 2013.
  20. ↑ Ricard, Mark (2 January 2013). "SPAG Specifics: Creating, inverting and making good the detective genre". SPAG. 61. Retrieved 4 July 2013.
  21. 1 2 Short, Emily (26 April 2009). "Make It Good: Darkest Noir". Play This Thing. Archived from the original on 10 February 2013. Retrieved 4 July 2013.
  22. ↑ Bardinelli, John (16 September 2009). "Make It Good". Jay Is Games. Retrieved 4 July 2013.
  23. ↑ Smith, Graham. "Book 'Em: Make It Good Is IF About An Alcoholic Detective". Rock Paper Shotgun. Rock Paper Shotgun Ltd. Retrieved 5 May 2014.
  24. ↑ Short, Emily (16 November 2009). "The Shadow in the Cathedral: Gears within gears". Play This Thing. Archived from the original on 10 February 2013. Retrieved 5 July 2013.
  25. ↑ Short, Emily (4 December 2009). "Gaslight and Cog". GameSetWatch. Retrieved 5 July 2013.
  26. ↑ Bibliography of Interzone magazine
  27. ↑ Homepage for Adventure Book, from archive.org archives http://web.archive.org/web/20071120072512/http://www.ingold.fsnet.co.uk/adbook.htm
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