Jessica Lagunas
| Jessica Lagunas | |
|---|---|
| Born |
1971 Nicaragua |
| Education | Universidad Rafael Landívar (1992), Hunter College, City University of New York (2008), Art Students League, New York (2006–2011) |
| Spouse(s) | Roni Mocán |
| Website | artist's website |
Jessica Lagunas (born 1971) is an artist and graphic designer whose work focuses on "the condition of woman in contemporary society, questioning her obsessions with body image, beauty, sexuality and aging."[1] Lagunas was born in Nicaragua in 1971, but grew up in Guatemala, where she studied graphic design at the Universidad Rafael Landívar. In 2001, she moved to New York City with her husband, artist Roni Mocán, where they both currently live and work.
Lagunas works in a variety of formats and media, with particular interest in video performances and installation. Some of her pieces also make use of alternative media, such as hair.[2] Lagunas' work has been exhibited at a number of international biennials, including the Pontevedra Biennial (Spain, 2010), El Museo del Barrio's Biennial (New York, 2007), Tirana Biennial (Albania, 2005), Cuenca Biennial (Ecuador, 2001), Caribbean Biennial (Dominican Republic, 2001) and the Paiz Biennial (Guatemala, 2012, 2010, 2008). She has also been featured in group exhibitions at the Art Museum of the Americas (Washington, D.C., 2012), Bronx Museum of the Arts (New York, 2006), Jersey City Museum (New Jersey, 2010, 2007),[3] and the International Festival of Contemporary Arts–City of Women (Slovenia, 2010).
Work
Lagunas' work is concerned with the societal obsession with women's body image and physical appearance. In her video works, Lagunas applies makeup or performs beauty rituals repeatedly in an exaggerated manner.[4] In Para Verte Mejor (2005), for instance, she applies mascara to her eyelashes for the duration of the 57-minute video.[5][6] In a current, ongoing piece (as of March 2016), Lagunas weaves strands of human hair – provided by visitors and staff at the Museo del Barrio in New York, as well as by the artist herself – using a technique traditionally used by Mayan women in Guatemala. For the series "Forever Young" (ongoing), Lagunas embroiders her current age using gray strands of her own hair.
Lagunas is also interested in book arts, and was the 2012 Artist in Residence at the Center for Book Arts, NY. For Historias Íntimas (2009–11), the artist collected letters from female family members in which they recount the first time they experienced menstruation. Between 2012 and 2015, Lagunas worked on a book project titled Feminicidio en Guatemala (Femicide in Guatemala), in which she embroidered femicide statistics from 2000–2010 in Guatemala.
Violence against women, as well as the violence experienced in Guatemala during the 36-year armed conflict, are of interest to Lagunas.[7] Apart from Femicidio in Guatemala, the artist has created a number of pieces honoring and denouncing the prevalence of violence against women in the country,[8] including In Memoriam (2007),[9][10] and Para que nos recuerdes mejor. With 120 minutos de silencio (2008), a performance for which Lagunas cut shapes from a 40,00-yard piece of camouflage fabric, as well as with Deshilando el miedo (2010–12), Lagunas condemns the violent acts committed by the Guatemalan state during the civil war.
References
- ↑ "Jessica lagunas". Elizabeth A. Sackler Center for Feminist Art. Brooklyn Museum. Retrieved 31 March 2016.
- ↑ "Kickass Woman of the Day: Artist Jessica Lagunas Embroiders With Her Grey Hair". The Frisky. 9 September 2013. Retrieved 31 March 2016.
- ↑ "Jessica Lagunas". Show Studio. Retrieved 31 March 2016.
- ↑ Wren, Celia (28 June 2014). "Diaspora: 'Flow' at IDB Cultural Center; Kazakh music at the Kennedy Center". The Washington Post. Retrieved 31 March 2016.
- ↑ "Para Verte Mejor / The Better to See You With". Jessica Lagunas Art Portfolio. Retrieved 31 March 2016.
- ↑ Aponte 2011, p. 21.
- ↑ Aponte 2011, p. 20.
- ↑ Quiñones, Emilia (2012). "The Red Veil: Wedding Dresses Against Gender Based Violence in Latin American Art" (PDF). Saitabi: 168. Retrieved 31 March 2016.
- ↑ "In Memoriam". Jessica Lagunaas Art Portfolio. Retrieved 31 March 2016.
- ↑ Aponte 2011, p. 21-22.
Sources
- Aponte, Solmerina (2011). "Cultural Materialism and the Art of Latinas in New York: Creating a Revolutionary Visual Arts Discourse on Ethnicity, Women's Rights, Exile and the Latino/a Diaspora" (PDF). Camino Real. 3 (5): 11–36. Retrieved 31 March 2016.