Henry Burnell (author)

Henry Burnell (c.1590-c.1654) was an Irish politician, playwright and landowner. The details of his life are rather poorly recorded, but he was a prominent member of the Irish Confederacy, and belonged to a family who lost their possessions after the failure of the Irish Rebellion of 1641. He is now remembered mainly as the author of Landgartha, the first play by an Irish playwright to be produced in an Irish theatre, and as the father of the poet Eleanor Burnell.^[1]

Family

He was the son of Christopher Burnell of Balgriffin, and grandson of Henry Burnell, Recorder of Dublin, who died in 1614.^[2] The Burnell family had been landowners in Dublin since the late fourteenth century and were Lords of the Manors of Balgriffin and Castleknock. They had a long tradition of public service as judges, especially on the Court of Exchequer (Ireland); but they were stubbornly Roman Catholic in their religious beliefs and, as a result, after the Protestant Reformation their loyalty to the Crown was often suspect. Little is known of Henry's personal life, except that he was apparently rich enough to marry the Earl of Roscommon's daughter; much of his money was probably inherited from his grandfather, who made a fortune at the Irish Bar.

Landgartha

Landgartha, Burnell's only surviving play,^[3] was produced at the Werburgh Street Theatre on St. Patrick's Day 1640. it was the first work by an Irish playwright to be produced on the Irish stage^[4] and one of the last productions at Werburgh Street before the theatre closed in 1641.^[5] The text of the play was published in Dublin in 1641 under the title "Landgartha, a tragi-comedy as it was presented in the new theatre in Dublin with good applause". The foreword contains evidence that Burnell wrote other plays which have not survived.^[6] He is thought to have collaborated with the leading English dramatist James Shirley. The creation of a distinctive Irish theatre was a personal project of the Lord Deputy of Ireland, Thomas Wentworth, 1st Earl of Strafford, and Burnell benefitted from his patronage, despite Strafford's generally poor relations with the Anglo-Irish gentry.^[7]

Summary of the play

The main characters are the heroine Landgartha, a Norwegian "Amazon"; Frollo, King of Sweden and conqueror of Norway; Reyner, King of Denmark; Harald, his rival, and Uraca, daughter of Frollo.^[8]

Landgartha, seeking to free her country from Frollo's tyranny, makes an alliance with Reyner and agrees to marry him. They are triumphant and Landgartha kills Frollo herself. She and Reyner marry and have children but her happiness is short-lived; Reyner abandons her and contemplates remarrying Uraca, but when Reyner is threatened with destruction by Harald, Landgartha loyally comes to his aid and defeats Harald. The play ends on a note of reconciliation: it is agreed that the children of Landgartha and Reyner will rule both Denmark and Norway, while Uraca gives up her hope of marrying Reyner. Whether Landgartha and Reyner will live together once more as man and wife is left unclear. Burnell later defended the inconclusive ending, pointing out that his play was neither a comedy or a tragedy, but something in between, (in modern terms a "tragicomedy")^[9]

Are there political themes in Landgartha?

Because of the troubled period it was written in, and because of Burnell's later political career, some scholars, understandably, have looked for political themes in the play. It has been suggested that Landgartha symbolises the old Anglo-Irish class to which Burnell belonged, and that Reyner represents the New English aristocracy who, by denying the Anglo-Irish their full share in public life, abandoned them. A more elaborate parallel suggests that Reyner represents King Charles I of England and that the plot reflects the political turbulence which led to the English Civil War. There is however no compelling reason to think that Burnell intended his play to be seen as anything more than a good story.

Reputation as a playwright

Burnell refers to the "good applause" his play received, and quotes an English writer who called him "the true heir of Ben Jonson", an opinion which few critics then or later have shared .^[10] In more recent times, his patron Strafford's biographer gave the frank view that while Landgartha was an important milestone in the development of the Irish theatre, it has no merits whatsoever as a play.^[11] That this view was widely shared in Burnell's own time is suggested by his bitter reference to "the other babblers" (i.e. critics) who had apparently ridiculed his play, and whom he in turn regarded with contempt. His efforts to have an earlier play produced had apparently failed, due in his opinion to the hostility of his critics.^[12]

Irish Confederacy

Given his status as a leading Catholic landowner of the Pale, with a long family tradition of opposition to the Crown, it was natural that Burnell should be a prominent member of the Irish Confederacy. However little is known of his role in the events of 1641-9, except that he lost his estates at Balgriffin and Castleknock almost at once, and that his family never recovered them. He was living at another family estate at Castlerickard in County Meath in 1642, and was stil alive in 1654.^[13]

Family

Burnell married Frances Dillon, third daughter of James Dillon, 1st Earl of Roscommon and his wife Eleanor Barnewall; she died in 1640.^[14] They had four sons and five daughters. The most notable of their children was their daughter Eleanor, one of the few Irish women poets of the seventeenth century. Although her work consists only of a very few Latin verses, it has been said that she is unique as being the only female Anglo-Irish poet of her time.^[15]

References