Hello Americans

Hello Americans
Genre Docudrama
Running time 30 minutes
Country United States
Language(s) English
Home station CBS
Hosted by Orson Welles
Starring Orson Welles
Mercury Players
Written by Orson Welles
John Tucker Battle
Robert Meltzer
Richard Brooks
Milton Geiger
others
Directed by Orson Welles
Produced by Orson Welles
Air dates November 15, 1942 to January 31, 1943
No. of series 1
No. of episodes 12

Hello Americans (1942–43) is a CBS Radio series produced, directed and hosted by Orson Welles. Created to promote inter-American understanding and friendship during World War II, the series aired Sundays at 8 p.m. ET beginning November 15, 1942. Its last broadcast was January 31, 1943.[1] Sponsored by the Office of the Coordinator of Inter-American Affairs, the drama series featured many of the actors from Welles's Mercury Theatre repertory ensemble.

Hello Americans was produced concurrently with Welles's other CBS series, Ceiling Unlimited, a salute to the aviation industry, and his work was considered a significant contribution to the war effort.[2]

History

Orson Welles produced Hello Americans under the auspices of the Office of the Coordinator of Inter-American Affairs, created by President Franklin D. Roosevelt in July 1941 "to provide for the development of commercial and cultural relations between the American Republics and thereby increasing the solidarity of this hemisphere and furthering the spirit of cooperation between the Americas in the interest of hemisphere defense."[3]

"The best good-will propaganda is to sell South America to North America," Welles wrote coordinator Nelson Rockefeller.[4] Welles drew upon the research amassed earlier in 1942 for It's All True, the film project he had embarked upon also at the request of Rockefeller, who was a major RKO Pictures stockholder and Welles admirer as well as Coordinator of Inter-American Affairs. It was hoped that the dramatizations would counteract German and Italian propaganda and build solidarity among American republics in the hemisphere.[5]

"It belongs to a period when hemispheric unity was a crucial matter and many programs were being devoted to the common heritage of the Americas," broadcasting historian Erik Barnouw wrote of a contemporaneous project Welles created — a radio play called Admiral of the Ocean Sea,[6]:3 broadcast on Cavalcade of America October 12, 1942:[7]:373

Many such programs were being translated into Spanish and Portuguese and broadcast to Latin America, to counteract many years of successful Axis propaganda to that area. The Axis, trying to stir Latin America against Anglo-America, had constantly emphasized the differences between the two. It became the job of American radio to emphasize their common experience and essential unity.[6]:3

An entertaining and factual look at the legend of Christopher Columbus, Admiral of the Ocean Sea (also known as Columbus Day) begins with the words, "Hello Americans" — the title Welles would choose for his own series five weeks later.[7]:373

"The pan-American cause, with its inclusiveness, its celebration of diversity and its challenge to the values of white Anglo-Saxon Protestantism, was something to which Welles felt deeply attracted," explained biographer Simon Callow. "Welles constantly sought the most vivacious method of presentation … interviewing the great dead as if they were alive, evoking the country in question in sounds and atmospheres, dramatising the historical while never forgetting the present reality: conquistadores rub shoulders with civil engineers.[8]

"They were good shows, I thought," Welles told filmmaker Peter Bogdanovich:

All inter-American affairs. I did the A-B-Cs of the Caribbean. And they were very amusing. I didn't really do much of it — the writers were awfully good. And it was a good form. A-B-C: "A" is for "Antilles," "Antigua," and so on. We went through like that and did little things and big things, with music and stories each week. I'm queer for the Caribbean anyway — not as it exists, but as it was in my mind in the 18th and 19th centuries. The Caribbean is just great stuff. All of it. The whole idea of all these empires fighting over tiny little islands, and black independence and Spanish pride and the War of Jenkins' Ear and those great earthquakes.[7]:374

The series finished at the end of January 1943, when its sponsor concluded that the program failed to attract a sufficient audience.[9]

Episodes

The episodes of Hello Americans are described in an annotated chronology of Welles's career created by Jonathan Rosenbaum for the 1992 book, This is Orson Welles.[10]

# Date Program
1 November 15, 1942 "Brazil", script by Robert Meltzer, music by Lucien Moraweck[7]:374
Cast: Orson Welles, Carmen Miranda, Lud Gluskin and His Orchestra[11]
"Broadcasting from Brazil … by dramatic license"[12]
The story of samba, including lessons on technique and instrumentation
Discussion of Brazil's unique ethnic mix, products and natural resources, and the importance of conserving the Amazon jungle
Welles joins Miranda in singing Ary Barroso's samba, "No Tabuleiro da Baiana"[13]
2 November 22, 1942 "The Andes", with Edmond O'Brien (Bolivar), Agnes Moorehead, Ray Collins, Elliott Reid, Barbara Jean Wong, Hans Conried, others[14]
Two music compositions by Justin Elie and Antônio Carlos Gomes
Poetry by Norman Rosten
3 November 29, 1942 "The Islands", about the abolition of slavery in Haiti led by Toussaint Louverture and the reign of Henri Christophe[15]
Cast: Ray Collins, Hans Conried, Elliott Reid, the Haitian Chorus
4 December 6, 1942 "The Alphabet: A to C", in part about the Mexican revolutionary Bolivar, referring back to Christophe the early 19th-century Haitian King
Guest singer: Miguelito Valdés
5 December 13, 1942 "The Alphabet: C to S"
6 December 20, 1942 "The Alphabet: Slavery (Abednego) to End of Alphabet", by Orson Welles and John Tucker Battle
Cast: Orson Welles (Sir Barnaby Finch), Elliott Reid (Abednego), Norman Field (Toussaint Louverture), Gerald Mohr (Henri Christophe)
7 December 27, 1942 "The Bad-Will Ambassador", by Richard Brooks
Cast: Norman Field, Pedro de Cordoba, John Tucker Battle, Hans Conried, Martin Stone, Orson Welles
8 January 3, 1943 "Ritmos de las Americas"
Music for the people of two continents (Orson Welles unable to appear due to illness)
Cast: Tito Guízar (host), Dick Joy (announcer), Miguelito Valdés, Sir Lancelot, Lud Gluskin and his Orchestra[11][12]
9 January 10, 1943 "Mexico", stories of Montezuma and Benito Juárez
10 January 17, 1943 "Feed the World" by Milton Geiger
Cast: Frank Readick (narrator), Eddie Jerome (Gaucho), Orson Welles (Famine), Carl Swenson, Joseph Cheshire (Cotten), Jack Moss, Louis Solomon
11 January 24, 1943 "Ritmos de las Americas"
Rhythms of the Americas (Orson Welles unable to appear due to illness)[16]
Cast: Truman Bradley (host), Diana Gayle, Miguelito Valdés, Carlos Ramírez, Lud Gluskin and His Orchestra[12][17]
12 January 31, 1943 "Bolivar's Idea"
Inter-American democracy and why it is essential in the war
Incorporates excerpts of Milton Geiger's poem to human civilization, "I Will Not Go Back" (later the centerpiece of the April 1945 broadcast of This Is My Best dedicated to the late President Franklin Roosevelt)
Cast: Orson Welles, Ray Collins, Lud Gluskin and His Orchestra[12]

Preservation status

All 12 episodes of Hello Americans have survived and are available at the Internet Archive.[12]

"Brazil" is one of four of Welles's wartime radio broadcasts included as supplementary material in the Kino Classics restoration of The Stranger (1946), released on DVD and Blu-ray Disc in October 2013.[18]

References

  1. ↑ Hickerson, Jay, The Ultimate History of Network Radio Programming and Guide to All Circulating Shows. Hamden, Connecticut, second edition December 1992, page 303
  2. ↑ Orson Welles on the Air: The Radio Years. New York: The Museum of Broadcasting, catalogue for exhibition October 28–December 3, 1988, page 64
  3. ↑ Roosevelt, Franklin D., "Executive Order 8840 Establishing the Office of Coordinator of Inter-American Affairs", July 30, 1941. Online by Gerhard Peters and John T. Woolley, The American Presidency Project, University of California, Santa Barbara
  4. ↑ Callow, Simon, Orson Welles: Hello Americans. New York: Viking Penguin 2006 ISBN 0-670-87256-3 page 159
  5. ↑ Brady, Frank, Citizen Welles: A Biography of Orson Welles. New York: Charles Scribner's Sons, 1989 ISBN 0-385-26759-2 pages 334 and 351
  6. 1 2 Barnouw, Erik (ed.), Radio Drama in Action: 25 Plays of a Changing World. New York: Farrar & Rinehart, 1945. Written by Orson Welles in collaboration with Robert Meltzer and Norris Houghton, the radio play Columbus Day appears on pp. 4–13.
  7. 1 2 3 4 Welles, Orson, and Peter Bogdanovich, edited by Jonathan Rosenbaum, This is Orson Welles. New York: HarperCollins Publishers 1992 ISBN 0-06-016616-9.
  8. ↑ Callow, Simon, Orson Welles: Hello Americans, page 159
  9. ↑ Callow, Simon, Orson Welles: Hello Americans, page 160
  10. ↑ Welles, Orson, and Peter Bogdanovich, This is Orson Welles, Welles's career chronology by editor Jonathan Rosenbaum pp. 374–376, 324
  11. 1 2 "Hello Americans". RadioGOLDINdex. Retrieved 2014-04-06.
  12. 1 2 3 4 5 "Hello Americans". Internet Archive. Retrieved 2014-04-06.
  13. ↑ "Hello Americans — Brazil". The Paley Center for Media. Retrieved 2014-04-06.
  14. ↑ Hello Americans — "The Andes", Paley Center for Media; retrieved June 11, 2012
  15. ↑ Hello Americans — "The Islands", Paley Center for Media; retrieved June 11, 2012
  16. ↑ "Orson Welles Sent to Bed By Doctor". The Port Arthur News (United Press), January 25, 1943, page 1. "Orson Welles, wonder-boy of the entertainment world, was in bed today for an extended rest on orders of his physician. Welles collapsed early yesterday while writing and rehearsing a network radio show." Welles was back at work January 25 on his penultimate episode of Ceiling Unlimited.
  17. ↑ "The Definitive Mercury Theatre on the Air". The Digital Deli. Retrieved 2014-04-06.
  18. ↑ The Stranger at Kino Lorber, Inc. Retrieved 2013-10-05.
This article is issued from Wikipedia - version of the 10/25/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.