Giuseppe Becce
Giuseppe Becce (February 3, 1877 – October 5, 1973) was an Italian-born film score composer who enriched the German cinema.
Biography
Becce was born in Lonigo/Vicenza, Italy. He showed his musical talents early and was named the director of the student musical orchestra at the Padua University when he studied geography. In 1906 he moved to Germany and studied musical composition with Arthur Nikisch and Ferruccio Busoni. In the 1913 silent movie Richard Wagner, directed by Carl Froelich, Becce played the title role and wrote the accompanying music. He continued to write such music for a series of subsequent movies. A collection of these pieces, the so-called "Kinothek" was published between 1919 and 1933 by the Verlag Schlesinger'sche Buchhandlung in Berlin.
From 1915 to 1923, Becce was the director of the little orchestra of the Berlin Mozartsaal am Nollendorfplatz. After World War I, he was named to direct the music department of the Decla-Bioscop AG and chief director of its movie orchestra, later to become the Universum Film AG (UFA) orchestra. He also worked at major movie theatres as director of the orchestras, among them the UFA-Pavillon am Nollendorfplatz, the Tauentzien-Palast, and the Gloria Palast. In this position he worked with the famous directors of the German silent movie era, namely Fritz Lang, Friedrich Wilhelm Murnau, Georg Wilhelm Pabst, Ernst Lubitsch, Ludwig Berger, Joe May and Berthold Viertel; he arranged and composed music for their movies. In 1920 Becce published the magazine Film-Ton-Kunst.[1][2] In 1927 he published, together with Hans Erdmann and Ludwig Brav, the Allgemeines Handbuch der Filmmusik; it was based on his Kinothek, amongst other items, and enabled the pianist of silent movies to accompany movies in the generalized style and motifs of renowned composers.
With the arrival of sound movies Becce worked on musical movies and movies covering opera or operetta themes. He worked with Leni Riefenstahl, Luis Trenker, and Harald Reinl whose mountain films he scored. Becce was very prolific providing music to movies for more than four decades; he commonly mixed his own compositions with creations of other composers.
Becce died in Berlin and is buried in the cemetery of Berlin-Wilmersdorf, Berliner Straße.
Selected filmography
- Richard Wagner (1913). Director: Carl Froelich
- Frau Eva (1916)
- The Robber Bride (1916)
- The Queen's Love Letter (1916)
- The Man in the Mirror (1917)
- The Marriage of Luise Rohrbach (1917)
- The Princess of Neutralia (1917)
- Countess Kitchenmaid (1918)
- The Son of Hannibal (1918)
- Her Sport (1919)
- Rose Bernd (1919)
- The Cabinet of Dr. Caligari (1920)
- Hamlet (1921)
- The Vulture Wally (1921)
- Scherben (1921). Director: Lupu Pick
- Der müde Tod (1921). Director: Fritz Lang
- Sodom and Gomorrah (1922). Director Michael Curtiz
- The Stone Rider (1923). Director: Fritz Wendhausen
- Der letzte Mann (1924). Director: Friedrich Wilhelm Murnau
- Comedy of the Heart (1924)
- The Wonderful Adventure (1924)
- The Other Woman (1924)
- Peter the Pirate (1925)
- Destiny (1925)
- The Telephone Operator (1925)
- One Minute to Twelve (1925)
- Shadows of the Metropolis (1925)
- Wege zu Kraft und Schönheit (1925). Director: Nicholas Kaufmann, Wilhelm Prager
- The Fiddler of Florence (1926)
- The Last Horse Carriage in Berlin (1926)
- People to Each Other (1926)
- Tartüff (1926). Director: Friedrich Wilhelm Murnau
- Die Abenteuer eines Zehnmarkscheines (1926). Director: Berthold Viertel
- Geheimnisse einer Seele (1926). Director: Georg Wilhelm Pabst
- Am Rande der Welt (1927). Director: Karl Grune
- The Catwalk (1927)
- Heaven on Earth (1927)
- Queen of the Boulevards (1927)
- Doña Juana (1927)
- The Prince of Pappenheim (1927)
- Leontine's Husbands (1928)
- Folly of Love (1928)
- The Last Night (1928)
- The Serfs (1928)
- Sajenko the Soviet (1928)
- The Burning Heart (1929)
- Fight of the Tertia (1929)
- The Woman One Longs For (1929). Director: Curtis Bernhardt
- The Son of the White Mountain (1930)
- Skandal um Eva (1930). Director: Georg Wilhelm Pabst
- Mountains on Fire (1931). Director: Karl Hartl, Luis Trenker
- Zweierlei Moral (1931). Director: Gerhard Lamprecht
- The Rebel (1932)
- Razzia in St. Pauli (1932). Director: Werner Hochbaum
- Das Blaue Licht (1932). Director: Leni Riefenstahl
- Ekstase (1933) Director: Gustav Machatý
- The Marathon Runner (1933)
- The Peak Scaler (1933)
- Hans Westmar. Einer von vielen (1933). Director: Franz Wenzler
- Der ewige Traum (1934). Director: Arnold Fanck
- The Prodigal Son (1934). Director: Luis Trenker
- Madame Bovary (1937)
- Der Berg ruft (1938). Director: Luis Trenker
- Woman in the River (1939)
- Viel Lärm um Nixi (1941). Director: Erich Engel
- Clarissa (1941)
- The Jester's Supper (1942)
- The Courier of the King (1947)
- Mountain Crystal (1949), Director: Harald Reinl
- Veronika the Maid (1951)
- Nacht am Mont-Blanc (1951). Director: Harald Reinl
- Der Herrgottschnitzer von Ammergau. (1952) Director: Harald Reinl
- Tiefland (1954). Director: Leni Riefenstahl
- Das Schweigen im Walde (1955). Director: Helmut Weiss
- Der Edelweißkönig (1957). Director: Gustav Ucicky
List of Kinothek works
(by reference number) [3]
- Kinothek 11 – Situazione Pericolosa (Agitato)
- Kinothek 12 – Emotional Conflict (Sostenuto)
- Kinothek 13 – Battle-Tumult-Blaze (Allegro Agitato)
- Kinothek 14 – Tragic Moments (Andanted Mosso)
- Kinothek 15 – Agony of the Soul (Tragedia dell'Anima)
- Kinothek 16 – Insequimento E Fuga (Agitato)
- Kinothek 17 – Largo Tragico
- Kinothek 18 – Notte Misteriosa (Sinister)
- Kinothek 19 – Grave Humor (Intermezzo Serio)
- Kinothek 20 – Patience Under Pain (Resignation)
- Kinothek 21 – In a Critical Situation (Allegro Agitato)
- Kinothek 22 – Agitato Misterioso
- Kinothek 23 – The Hour of Ghosts (Heavy Mysterious)
- Kinothek 24 – Battle and Disturbance (Agitato)
- Kinothek 25 – Andante Appassionato
- Kinothek 26 – Mob-Rule (Agitato)
- Kinothek 27 – Fanatic Dervish Dance
- Kinothek 28 – Lynch-Law (Agitato)
- Kinothek 29 – Disperazione (Molto Largo-Agitato-Largo)
- Kinothek 30 – Sinister Agitato
- Kinothek 31 – Insurrezione (Agitato Vivace)
- Kinothek 32 – Grand Appassionato
- Kinothek 33 – Facing Death (Andante, Largo)
- Kinothek 34 – Semi Oriental Maetoso
- Kinothek 35 – A Critical Moment (Vivace)
- Kinothek 41 – Cryptic Shadows (Agitato Mysterioso)
- Kinothek 42 – Dramatic Climax
- Kinothek 43 – Wild Chase (Allegro Vivace)
- Kinothek 44 – Threatening Danger (Andante Dramatic)
- Kinothek 45 – Happy Ending (Andante Largo)
- Kinothek 46 – Infatuation (Andante Largo)
- Kinothek 47 – Witchcraft (Semi Mysteriou Andante)
- Kinothek 48 – Anticipation of Danger
- Kinothek 49 – Emotional Climax
- Kinothek 50 – Chariot Race
Other musical works
- 1910 "Das Bett der Pompadour", operetta
- 1912 "Tullia", opera.
Notes
- ↑ "Deutsches Filminstitut". deutsches-filminstitut.de.
- ↑ Hans Traub, Hanns W. Lavies: Das Deutsche Filmschrifttum. Bibliographie der Bücher und Zeitschirften über das Filmwesen 1896–1939. Hiersemann, Leipzig 1940, Stuttgart 1980(Repr.), S.20, 221. ISBN 3-7772-8016-X
- ↑ Advertisement for Schlesinger-Belwin publication of Kinothek, 1926.
References
- The start of this article is based on a translastion of the German Wikipedia, accessed on 2/24/2008.
Literature
- Hans Erdmann, Giuseppe Becce, Ludwig Brav: Allgemeines Handbuch der Film-Musik. Schlesinger'sche Buchh., Berlin-Licherfelde 1927.
- Film-Ton-Kunst. Eine Zeitschrift für die künstlerische Musikillustration des Lichtbildes. Gegr. v. G. Becce. Schlesinger'sche Buchhandlung, Berlin 1.1920–6.1927.
External links
- Giuseppe Becce at the Internet Movie Database
- Cyranos Biography in German
- Biographie (German)