George (M*A*S*H)
"George" | |
---|---|
M*A*S*H episode | |
Episode no. |
Season 2 Episode 22 |
Directed by | Gene Reynolds |
Written by |
John W. Regier Gary Markowitz |
Production code | K422 |
Original air date | February 16, 1974 |
George is the 46th episode of the M*A*S*H television series, and 22nd episode of season two. The episode aired on February 16, 1974.
Plot
Among the latest batch of wounded soldiers treated at the 4077th is a young soldier, Private George Weston (Richard Ely), who is also heavily bruised in addition to the leg wound he received in battle. After brushing off Frank Burns' (Larry Linville) suggestions he had been involved in a fight, Weston confides to Hawkeye (Alan Alda) that he had been beaten up by soldiers from his unit after he inadvertantly admitted to being a homosexual. Back in their quarters, Hawkeye and Trapper (Wayne Rogers) discuss the beatings and Frank admits he finds Weston's sexuality "disgusting", in contrast to his initial admiration of Weston for being on frontline active service. Frank initiates moves to have Weston dishonorably discharged from the Army. In order to convince Frank not to proceed, Hawkeye and Trapper stage a mock argument, during which Trapper 'confesses' to having bought the answers for a medical school examination, which leads Frank to admit that he did, too. Hawkeye and Trapper admit their ruse and Frank is persuaded to drop his actions.
Critical response
Writing at a time when openly gay people were prohibited from serving in the United States armed forces ("Don't Ask, Don't Tell"), LGBT television historian Stephen Tropiano notes the continued relevance of "George" because it "expos[es] the ignorance behind the discrimination of homosexuals in the military". He notes that, unlike other LGBT-themed episodes of the era, "George" does not make its gay character the target of jokes except from the bigoted Frank Burns.[1]
Notes
- ↑ Tropiano, p. 197
References
- Tropiano, Stephen (2002). The Prime Time Closet: A History of Gays and Lesbians on TV. New York: Applause Theatre & Cinema Books. ISBN 1-55783-557-8.