Gazar

For the village in Iran, see Gazar, Iran.

Gazar (also gazaar) is a silk or wool plain weave fabric made with high-twist double yarns woven as one. Gazar has a crisp hand and a smooth texture.^[1]

Silk gazar is much used in bridal and evening fashion due to its ability to hold its shape. Gazar was developed by the Swiss textile firm Alexander in collaboration with Basque couturier Cristóbal Balenciaga, who featured silk gazar in his collections of 1960–68.^[2] Balenciaga's mastery of this gleaming, lightweight fabric with its "claylike" ability to hold its shape was exemplified by the trapezoid wedding gowns in his collections of 1967 and 1968.^[2]

Notes

↑ Tortora and Merkel (1996), p. 241
1 2 Schoeser (2007), p. 146

Alexander Fabrics - read Abraham Fabrics

References

Schoeser, Mary (2007). Silk. Yale University Press. ISBN 0-300-11741-8.
Tortora, Phyllis; Merkel, Robert S. (1996). Fairchild's Dictionary of Textiles (7 ed.). Fairchild. ISBN 0-87005-707-3.

Fabric

Woven	Aertex Airdura Airguard Barathea Barkcloth Batiste Bedford cord Bengaline silk Beta cloth Bombazine Brilliantine Broadcloth Buckram Bunting Burlap C change Calico Cambric Canvas Chambray Capilene Cedar bark Challis Char cloth Charmeuse Charvet Cheesecloth Chiffon Chino Chintz Cloqué Cloth of gold Cordura Corduroy Duck Coutil Crape Crêpe Cretonne Dazzle Denim Dimity Donegal tweed Dornix Dowlas Drill Drugget Eolienne Flannel Foulard Fustian Gabardine Gauze Gazar Georgette Ghalamkar Gingham Grenadine Grenfell Cloth Grosgrain Habutai Haircloth Harris Tweed Herringbone Himroo Hodden Irish linen Jamdani Kerseymere Khādī Khaki drill Kente cloth Lamé Lawn Linsey-woolsey Loden Longcloth Mackinaw Madapolam Madras Moleskin Muslin Nainsook Nankeen Ninon Oilskin Organdy Organza Osnaburg Ottoman Oxford Paduasoy Percale Pongee Poplin Rakematiz Rayadillo Rep Rinzu Ripstop Russell cord Saga Nishiki Samite Sateen Satin Saye Scarlet Seersucker Serge Scrim Shot silk Stuff Taffeta Tais Toile Tucuyo Tweed Twill Ultrasuede Vegetable flannel Ventile Vinyl coated polyester Viyella Voile Wadmal Wigan Whipcord Zephyr Zorbeez

Figured woven	Brocade Camlet Damask Lampas Songket

Pile woven	Baize Chenille Corduroy Crimplene Fustian Mockado Moquette Plush Polar fleece Terrycloth Velours du Kasaï Velvet Velveteen Zibeline

Nonwoven	Felt Cedar bark

Knitted	Boiled wool Coolmax Machine knitting Milliskin Jersey Velour

Netted	Bobbinet Carbon fiber Lace Mesh Needlerun Net Ninon Tulle

Technical	Ballistic nylon Ban-Lon Conductive Darlexx E-textiles Gannex Gore-Tex Silnylon Spandex Stub-tex SympaTex Windstopper

Patterns	Argyle Bizarre silk Chiné Herringbone Houndstooth Paisley Pin stripes Polka dot Shweshwe Tartan (Plaid) Tattersall

Textile fibers	Acrylic Alpaca Angora Cashmere Coir Cotton Eisengarn Hemp Jute Kevlar Linen Mohair Nylon Microfiber Olefin Pashmina Polyester Piña Ramie Rayon Sea silk Silk Sisal Spandex Spider silk Wool

Finishing and printing	Androsia Batik Beetling Bingata Bògòlanfini Burnout Calendering Decatising Devoré Finishing Fulling Heatsetting Mercerization Moire Nap Rogan printing Rōketsuzome Roller printing Sanforization Tenterhook Textile printing Warp printing Waxed cotton Woodblock printing Indienne

Fabric mills	Carlo Barbera Cerruti Dormeuil Drago Ermenegildo Zegna E. Thomas Holland & Sherry Larusmiani Loro Piana Reda Scabal Vitale Barberis Canonico

Related	Dyeing Fiber History of textiles History of silk Knitting Pandy Shrinkage Swatches and strike-offs Synthetic fabric Terminology Manufacturing Preservation Weaving Yarn

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