Gaspar Cassadó

This is a Catalan name. The paternal family name is Cassadó and the maternal family name is Moreu.

Gaspar Cassadó i Moreu (30 September 1897 – 24 December 1966) was a Spanish cellist and composer of the early 20th century from Catalonia. He was born in Barcelona to a church musician father, Joaquim Cassadó, and began taking cello lessons at age seven. When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris.

He was also the author of several notable musical hoaxes, notably the "Toccata"[1] that he attributed to Frescobaldi.[2]

The personal papers of Cassadó's father are preserved in the Biblioteca de Catalunya. Gaspar's own papers, along with those of his wife, the pianist Chieko Hara, are preserved at the Tamagawa University Museum of Education.[3]

Gaspar Cassado during first of three acclaimed tours of Southern Africa, organised by Hans Adler

Compositions

Original works

Cassadó's many transcriptions are listed below his original works.

Concertos

This piece, like the Suite for Cello Solo, is influenced by Spanish and Oriental folk music, and Impressionism. Cassado studied composition with Maurice Ravel, and a Ravel-influenced "carnival music" appears in the second theme of the first movement. The second movement is a theme and variations which leads directly to a pentatonic Rondo.

Solo cello works

The Suite, like the Cello Concerto and the Piano Trio, came from one Cassadó's most prolific periods, in the mid-1920s. It consists of three dance movements: Preludio-Fantasia (a Zarabanda); Sardana; and Intermezzo e Danza Finale (a Jota). The first movement includes quotations from Zoltán Kodály's Sonata for Cello Solo, Op. 8, and the famous flute solo from Maurice Ravel's ballet Daphnis et Chloé. The sardana of the second movement is a traditional dance from Catalonia.

Solo guitar works

Works for cello and piano

Chamber works

Transcriptions

Concerto transcriptions

Cassadó transformed nine of Tchaikovsky's pieces into a concerto. He used No. 18 Scene dansante (Invitation au trepak), No. 3 Tendres Reproches and No. 14 Chant Elegiaque in the first movement; No. 5 Meditation and No. 8 Dialogue in the second and No. 4 Danse Caracteristique, No. 2 Berceuse, No. 17 Passe Lointain and No. 1 Impromptu in the third. This concerto was a favorite of Cassadó's. It was published in 1940 by Edition Schott No.3743.
Cassadó completely rewrote the Concerto for his colleague Andrés Segovia. The transcription features a solo string quartet, and trumpet fanfares make it reminiscent of Rodrigo.

Transcriptions for solo cello

Cassadó transposed the suite to F major from its original key of E-flat major.

Transcriptions for cello and piano

References

  1. ↑ https://www.youtube.com/watch?v=yX76aMi1w-Q
  2. ↑ http://www.cello.org/newsletter/articles/cassado/chapter2.htm
  3. ↑ http://www.cello.org/Newsletter/Articles/cassado/appxa.htm

External links

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