Eric Emerson

Eric Emerson
Born (1945-06-23)June 23, 1945
Died May 28, 1975(1975-05-28) (aged 29)
New York City, New York, U.S.
Years active 1967–1975
Partner(s) Elda Gentile
Jane Forth
Barbara Winter

Eric Emerson (June 23, 1945 – May 28, 1975) was an American musician, dancer, and actor. Emerson is best known for his roles in films by pop artist Andy Warhol, and as a member of the seminal glam punk group, the Magic Tramps.[1]

Career

Growing up in New Jersey, Emerson trained as a classic ballet dancer. It was this talent that caught the eye of artist and filmmaker Andy Warhol. After seeing Emerson dancing at The Dom in April 1966, Warhol asked Emerson to be in one of his underground films. Emerson made his film debut in 1967's Chelsea Girls, and soon became a Factory regular. Emerson would go on to star in other Warhol films; most notably, Lonesome Cowboys, San Diego Surf, and Heat. Heat would be Emerson's last film.[2]

Emerson began his musical career with the band, The Magic Tramps. The band, which began in Hollywood in 1969, relocated to New York City in 1971 after Emerson joined as lead vocalist. The Magic Tramps played under various names, including Messiah and Star Theater, and would go on to play gigs at Max's Kansas City, a favorite hangout among Factory regulars. They were one of the first bands to play at CBGB. Later that year, Emerson appeared in Jackie Curtis' play Vain Victory: Vicissitudes of the Damned, with Ondine, Holly Woodlawn, and Candy Darling, and music by the Magic Tramps and Lou Reed.[3]

Album cover lawsuit

When the debut album of The Velvet Underground and Nico was first issued, the main back cover photo (taken at an Exploding Plastic Inevitable performance) featured an image of Emerson projected upside-down on the wall behind the band. Emerson threatened to sue over this unauthorized use of his image, unless he was paid.[4] Rather than complying, MGM recalled copies of the album and halted its distribution until Emerson's image could be airbrushed from the photo on subsequent pressings. Copies that had already been printed were sold with a large black sticker covering the actor's image. The image was restored for the 1996 CD reissue.

Personal life

Emerson's bisexuality was well known within Warhol's circle and he had relationships with many of the Factory regulars. When Emerson's father accused his son of being "a little sweet", Emerson responded by saying, "What he don't understand is that my generation can swing both ways".[5] On July 21, 1969, Emerson agreed to marry Warhol superstar, Jackie Curtis. When Emerson failed to show up, Curtis married a wedding guest. The wedding, which was a publicity stunt arranged by Curtis, was covered by The Village Voice.[2]

Emerson's first child was a daughter, Erica, born in 1967. Emerson had a long relationship with Elda Gentile, founding member of the band The Stilettoes , whom he met in 1968. The two had a son, Branch Emerson. In 1970 he began a relationship with model and actress Jane Forth, who appeared Warhol's Women in Revolt, L'Amour, Trash, and Bad. Together, they had a son, Emerson Forth.[3]

At the time of his death, Emerson was living with Barbara Winter, ex-wife of musician Edgar Winter.[3]

Death

On May 28, 1975, Emerson's body was found next to his bicycle, near the West Side Highway, in Manhattan. Emerson's death is listed officially as a hit and run. He was 29 years old.[3] To date, no one has been arrested or charged in connection with his death. Following a weekend-long wake hosted by Max's Kansas City owner Mickey Ruskin,[6] Emerson was buried in Wharton, New Jersey.[3]

After Emerson's death, various reports surfaced that he was not killed in a hit and run accident, but overdosed on heroin in a different location, and was dumped as a staged hit and run.[6] These reports have never been substantiated, and Emerson's official cause of death has never been changed.

In the book Making Tracks, Debbie Harry provided an account of the circumstances surrounding Emerson's death:

One night we were over at Eric's apartment working on a tape of "Heart of Glass" on his Teac fourtrack tape recorder, when he suddenly staggered out of the kitchen looking ashen. He looked even more distraught and sad when we left. Being satisfied drove him crazy in the end, because he had everything so he didn't care about anything anymore. He used to go out jogging every day, and did feats of physical endurance like strapping twenty-pound weights to each ankle and then bicycling up to the Factory. The next day we were sitting around the house just after we woke up when Barbara called with the bad news. "Oh, Eric got hit by a truck." He had been a good friend and inspiration to so many people. We didn't quite understand what had happened, but we went up to a party/wake held for him and saw a lot of people from the earlier glitter days. Eric's death definitely marked an end to the glitter period. We still miss him.[7]

"Although there will never be closure about Eric's death When Barbara Winter's contacted me and tried to tell me Eric was hit on his bike I went to Independence Plaza where Eric was staying with her and verified with the door man of the building that he indeed died of an overdose. That evening Barbara, Ronnie Cutrone and Jane came to my apartment not knowing what I knew and upon questioning them I was told there were 8 people hanging out at the apartment when Eric died. I still wonder how the bicycle story came about and live with this tragedy every day " -Elda

References

  1. ↑ Hilly Crystal. "The History of CBGB and OMFUG". Installment Vol 3. CBGB.com. Archived from the original on April 17, 2009. Retrieved 2 July 2010.
  2. 1 2 "Eric Emerson". Warholstars.org. Retrieved 2013-12-04.
  3. 1 2 3 4 5 "History". Magic Tramps. Retrieved 2013-12-04.
  4. ↑ Harvard, Joe (2007) [2004]. The Velvet Underground and Nico. 33⅓. New York, NY: Continuum International Publishing Group. ISBN 0-8264-1550-4.
  5. ↑ Watson, Steven, Factory Made: Warhol and the Sixties, Pantheon Books, 2003, ISBN 0-679-42372-9. page 275
  6. 1 2 Watson, Steven, Factory Made: Warhol and the Sixties, Pantheon Books, 2003, ISBN 0-679-42372-9. page 427
  7. ↑ Harry, Debbie; Stein, Chris; Bockris, Victor (1998-08-21). Making Tracks: The Rise Of Blondie. Da Capo Press. p. 31. ISBN 0-306-80858-7.

External links

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