Enamel paint

Spray can with enamel paint

Enamel paint is paint that air dries to a hard, usually glossy, finish, used for coating surfaces that are outdoors or otherwise subject to hard wear or variations in temperature; it should not be confused with decorated objects in "painted enamel", where vitreous enamel is applied with brushes and fired in a kiln. The name is something of a misnomer, as in reality, most commercially available enamel paints are significantly softer than either vitreous enamel or stoved synthetic resins, and are totally different in composition; vitreous enamel is applied as a powder or paste and then fired at high temperature. There is no generally accepted definition or standard for use of the term enamel paint, and not all enamel-type paints may use it.

Typically the term "enamel paint" is used to describe oil-based covering products, usually with a significant amount of gloss in them, however recently many latex or water-based paints have adopted the term as well. The term today means "hard surfaced paint" and usually is in reference to paint brands of higher quality, floor coatings of a high gloss finish, or spray paints. Most enamel paints are alkyd resin based. Some enamel paints have been made by adding varnish to oil-based paint.

Although "enamels" and "painted enamel" in art normally refer to vitreous enamel, in the 20th century some artists used commercial enamel paints in art, including Pablo Picasso (mixing it with oil paint), Hermann-Paul, Jackson Pollock, and Sidney Nolan. The Trial (1947) is one of a number of works by Nolan to use enamel paint, usually Ripolin, a commercial paint not intended for art, also Picasso's usual brand.[1][2] Some "enamel paints" are now produced specifically for artists.

Enamels paints can also refer to nitro-cellulose based paints, one of the first modern comercial paints of the 20th century. Eventually, they were substitute for new synthetic binding like alkyd, acrylic and vinyl (a type of "látex"), this mainly due to toxicity, safety and conservation (tendency to age yellow).[3] In art has been used also by Pollock with the comercial paint named Duco®. The artist experimented and created with many types of comercial or house paints during his career . Other artists: "after discovering various types of industrial materials produced in the United States in the 1930s, Siqueiros' produced most of his easel works with uncommon materials which include Duco paint, a DuPont brand name for pyroxyline paint, a tough and resilient type of nitro-cellulose paint manufactured for the automotive industry".[4] Nitro-cellulose enamels are also commonly known as modern lacquers.

Uses and categories of enamel paint

See also

Notes

  1. Nolan and Ripolin
  2. Picasso
  3. Edited by, Thomas J. S. Learner, Patricia Smithen, Jay W. Krueger, and Michael R. Schilling (2008). Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16–19, 2006, Tate Modern, London. Getty Publications.
  4. http://www.ocregister.com/articles/siqueiros-269099-city-pyroxylin.html
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