Chris Campanioni

Chris Campanioni
Campanioni pictured in Eastern Michigan University's hall of distinguished speakers.
Born	Chris Campanioni (1985-04-17) April 17, 1985 Manhattan, New York City, New York, United States
Nationality	American, Cuban, Polish
Alma mater	Lehigh University, Fordham University
Occupation	Author, teacher, model
Website	www.chriscampanioni.com

Chris Campanioni is an American writer of Cuban and Polish descent. He was born in Manhattan and raised in New Jersey, studied English literature and journalism at Lehigh University, and graduated from the MA program at Fordham University in May 2013. He is the Senior Editor of PANK magazine ^[1] and a lecturer of English literature and creative writing at Baruch College, John Jay College of Criminal Justice and Pace University. To date, he has written a novel about fashion and the media titled Going Down (Aignos, 2013), a collection of poetry titled In Conversation (Aignos, 2014), Once in a Lifetime (Berkeley Press, 2014), and Tourist Trap (Black Rose, 2015), a novel that explores tourism and terrorism through the lens of new journalism and historical fiction.^[2] Along with Puerto Rican novelist Jonathan Marcantoni, he runs the YouNiversity,^[3] a non-profit digital workshop that provides students access to and experience with the publishing industry through media professionals in the United States, Europe, Latin America, and Africa. Unlike the curriculum and objectives of many MFA programs across the United States, the YouNiversity focuses on several different facets of a writer's literary development, including real-time interaction with editors, literary agents, graphic artists, publishers, and other readers and writers.^[4]

Style and Influence

Campanioni's work is affiliated with the Latin American neo-Surrealists along with Brion Gysin and his cut-up technique.^[5] While also influenced by the historic avant-garde (Dada, et al.), the coterie that haunts his first trilogy of novels is the Situationist International.^[6] In an interview at Cannes 2010, he said: “I infiltrated these areas of culture for a very specific reason, and that is to write about them from an insider’s perspective, unlike much other journalism or fiction, from the outside looking in.”

His writing reenacts the interferences that occur daily. His writing responds to the disintegration of language and consciousness; an attempt to suggest a new way of communicating, which is still taking shape.^[7] Campanioni has referenced quotes from William Burroughs to describe his own writing process in interviews, including the emphasis on displacement: "I wrote a trilogy out of order and then rearranged it, because the whole of life is like that--a cut-up--and when you cut into the present, the future leaks out."

Reactions

His poem "Transport (after 'When Ecstasy is Inconvenient')" was a finalist for the Zócalo Public Square Poetry Prize in 2015, awarded annually to the U.S. poet whose poem best evokes a connection to place.^[8] In March 2014, Campanioni became the youngest finalist for the International Latino Book Awards when Going Down was selected as Best Debut Novel.^[9]

Minor Literature(s) 2015 review of Campanioni's recent work focused on his parents' immigrant past and his own dislocated present, asserting that his poetry had found ways to re-evaluate technology as a conduit for connection and learning, especially linguistically.^[10]

The New York Post named Going Down one of its "must-read books" of the month in October 2013.^[11]

Going Down has been lauded by various media, including the Manhattan Times, for its realistic portrayal of the newsroom and the fashion industry from the Latino perspective.^[12] The novel has also garnered criticism for its dark tone and confusing meta-fiction writing style.^[13]

In the spring of 2013, Campanioni was awarded the Academy of American Poets Prize for In Conversation. From Susan L. Miller and the Academy of American Poets committee:

"Campanioni immediately draws the reader in with a sharp sensibility for the music of language. 'Forty faces, one line' demonstrates an aptitude for poetic structure as well as a contemporary sense of rhyme, and 'Billboards' focuses first in a prose-poem, then in quatrains, on the contrast between the self commodified and the loneliness of the soul inside of the commodified body. By focusing outside and inside the self in refreshing ways, Campanioni offers us meditations on 'body and soul' that include the elegant woman who’s dropped her dentures as well as the child yearning to eat cake. The poem 'Endnotes for Life' takes familiar territory (the story of Lot’s wife, the story of Orpheus and Eurydice, and the personal narrative) and makes a structure for it that calls into question the primacy of narrative in much American poetry. These sharp views of the human theater force us to examine our place in it, and to question what more exists in our own internal worlds."

His poetry, fiction, and nonfiction has been published in The Brooklyn Rail,^[14] Word Riot,^[15] Numéro Cinq,^[16] Fjords Review,^[17] San Francisco Chronicle, The Star-Ledger, The Record (Bergen County), Across the Margin,^[18] tNY Press,^[19] Literary Orphans,^[20] Blunderbuss Magazine,^[21] Rosebud Magazine, Quiddity, Prelude,^[22] Carbon Culture Review,^[23] and elsewhere. As an actor he has also appeared on “The Today Show,” “The View,” and in various speaking roles on “All My Children” and “One Life to Live,” in addition to commercials ranging from Dentyne Ice to Axe body spray, Ab Roller Evolution and Rocking Abs. He has been photographed for international magazines, books, and catalogues spanning Rio and Milan, Paris and Melbourne, including the cover of DNA. He is most known for his work with C-IN2, a campaign he has shot since June 2007, as well as his work with Tommy Hilfiger and Izod underwear.

Multimedia Work

In the month leading to the novel's release, Campanioni created an interactive video calendar featuring film adaptations from various scenes in Going Down. The calendar reevaluates the notion of "real time" and also broadens the ways in which readers can respond to and read a text. RealClear's December 2013 feature ("The Model Writer") compared Campanioni's work to Andy Warhol and French New Wave cinema.^[24][25]

^{[7] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36]}

References