Ballerina (1937 film)
Ballerina | |
---|---|
Directed by |
Jean Benoit-Lévy Marie Epstein |
Produced by | Maurice Orienter |
Screenplay by |
Jean Benoit-Lévy Marie Epstein |
Based on | "La Mort du cygne" by Paul Morand |
Starring |
Yvette Chauviré Mia Slavenska Jeanine Charrat |
Music by |
Joseph-Etienne Szyfer Claude Delvincourt |
Cinematography |
Léonce-Henri Burel Henri Tiquet |
Production company |
Cinatlantica Films |
Distributed by | Comptoir Français du Film |
Release dates |
|
Running time | 100 minutes |
Country | France |
Language | French |
Ballerina is a 1937 French ballet film directed by Jean Benoit-Lévy and Marie Epstein, starring Yvette Chauviré, Mia Slavenska and Jeanine Charrat. The original French title is La mort du cygne, which means "the death of the swan". It tells the story of a 12-year-old girl who fears that her favourite performer at the Paris Opera will be replaced by a Russian ballerina, and sets out to engineer an accident for the rival.
The film is based on the 1933 short story "La mort du cygne" by Paul Morand. The choreography was done by Serge Lifar. The film was remade in the United States as The Unfinished Dance, released in 1947.[1]
Cast
- Yvette Chauviré as Mademoiselle Beaupré
- Mia Slavenska as Nathalie Karine
- André Pernet as Méphiste
- Jeanine Charrat as Rose Souris
- France Ellys as Madame Souris
- Jean Périer as Le directeur
- Mady Berry as Célestine
Reception
Anna Kisselgoff of The New York Times wrote in 1998: "The hard-nosed American critics raving about the film recognized its special and exquisite quality from the start. Rightly ignoring its surface sentimentality, they were clearly unnerved and impressed by Benoit-Levy's psychological insight into childhood innocence gone awry. Today the film is priceless in its haunting evocation of the Paris Opera on the eve of World War II." Kisselgoff continued: "The title ballet, not to be confused with Fokine's famous solo The Dying Swan, looks downright silly, but elsewhere Lifar's choreography is firmly grounded in the classical idiom. ... Ms. Charrat, as a child performer, and the two ballerinas are extraordinary."[1]
References
- 1 2 Kisselgoff, Anna (1998-11-20). "Ballerina Gone Bad: Unsought Swan Song". The New York Times. Retrieved 2014-10-09.