Antoine Vialon
Antoine Vialon (1814 – 4 March 1866) was a French draftsman and engraver who became music editor and composer of vocal music later in his life.[1] After playing music of other composers, he began writing and playing his own music with fatherly care. A meticulous artist with a large number of vocal works for one, two, three or four voices with or without accompaniment,[2] he left behind him a collection of musical pieces in numbered and standard notation, some of which won several medals in orpheonic competitions in many departments.[2] He was one of the first propagators of the Galin-Paris-Chevé system,[3] that he later abandoned in favor of a more practical point of view.[1] He was a steadfast and tireless artist who devoted his whole life to his art.
Works
- Fanfare du charlatan
- 3 duos concertans pour deux violons
- Chœur bouffe, pour 3 ou 4 voix d'hommes, sans accompagnement instrumental
- Danse pour tous, quadrille choral pour 3 ou 4 voix d'hommes, sans accompagnement instrumental
- Souvenirs de l'Orphéon français
- Harmonie el musique chorale en chiffres, œvres dramatiques de Jean-François Lesueur — Volume composé de 25 livraisons
References
- 1 2 Périodiques Musicales (1866). Le Guide Musical: Revue Internationale de la Musique Et de Theâtres Lyriques, Volumes 11-12 (in French). Brussels. p. 11. OCLC 1509855
- 1 2 Gazette musicale de Paris (1858). Gazette musicale de Paris, Volume 25 (in French). p. 140. OCLC 10231140
- ↑ Almanach de la musique (1868). Almanach de la musique, 1866 [1ère année] 1867 et 1868 (in French). Paris. p. 12. OCLC 405113398