American Gigolo

For the soundtrack to the film, see American Gigolo (soundtrack). For other uses, see American Gigolo (disambiguation).
American Gigolo

Theatrical release poster
Directed by Paul Schrader
Produced by Jerry Bruckheimer
Written by Paul Schrader
Starring
Music by Giorgio Moroder
Cinematography John Bailey
Edited by Richard Halsey
Distributed by Paramount Pictures
Release dates
 February 8, 1980
Running time
 117 minutes
Country United States
Language English
Budget $4,800,000
Box office $22,743,674[1] (domestic)

American Gigolo is a 1980 American romantic crime-drama[2] film starring Richard Gere, Lauren Hutton, Hector Elizondo, Nina Van Pallandt and Bill Duke, written and directed by Paul Schrader. It tells the story of Julian Kaye, a high-price male escort in Los Angeles who becomes romantically involved with a prominent politician's wife while simultaneously becoming the prime suspect in a murder case.

The film is notable for establishing Gere as a leading man, and was one of the first mainstream Hollywood films to include frontal male nudity from its main star. It is also notable for its accompanying soundtrack, composed by Giorgio Moroder and featuring the number-one hit single "Call Me" by Blondie.

Schrader considers it one of four similar films, which he calls "double bookends": Taxi Driver, bookended by Light Sleeper, and American Gigolo bookended by The Walker.[3]

Plot

Julian Kaye (Richard Gere) is a male escort in Los Angeles whose job supports his expensive taste in cars and clothes, and his plush Westwood apartment. He is blatantly materialistic, narcissistic and superficial; however, he claims to take some pleasure in his work from being able to sexually satisfy women.

Julian's procuress, Anne (Nina Van Pallandt), sends him on an assignment with a wealthy old widow, Mrs. Dobrun (Carole Cook), who is visiting town. Afterwards, he goes to the hotel bar and meets Michelle Stratton (Lauren Hutton), a senator's beautiful but unhappy wife, who becomes interested in him. Meanwhile, Julian's other pimp, Leon (Bill Duke), sends him to Palm Springs on an assignment to the house of Mr. Rheiman (Tom Stewart), a wealthy financier. Rheiman asks Julian to have rough, sado-masochistic sex with his wife Judy (Patricia Carr) while he watches them. The next day, Julian berates Leon for sending him to a "rough trick" and makes it clear he doesn't do kinky or gay assignments.

As Julian begins to get to know Michelle, he learns that Judy Rheiman has been murdered. Los Angeles Police Department Detective Sunday (Hector Elizondo) investigates Julian as a primary suspect. Though he was with another client, Lisa Williams (K Callan), on the night of the murder, she refuses to give Julian an alibi in order to protect her and her husband's reputations.

As Julian's relationship with Michelle deepens, evidence connecting him with the murder mounts. He soon realizes that he is being framed (finding jewels from the Rheiman house planted in his car) and grows increasingly desperate. His mounting anguish is visually represented by a degeneration in style; his clothes become dirty and rumpled, he goes unshaven, and he goes incognito in a cheap rental car, after discovering that someone is hiring people to follow him.

Julian finally concludes that Leon and Rheiman himself are the ones trying to frame him, and that one of Leon's other gigolos is the real murderer. He goes to confront Leon, telling him he knows everything, but Leon refuses to help him. Julian pleads with Leon to clear his name, even offering to work exclusively for him and do kink and gay assignments, but Leon remains implacable. During a brief scuffle, Julian accidentally pushes Leon over the apartment balcony and he falls to his death.

With no one to help him, Julian ends up in jail, awaiting trial for the Rheiman murder. However, when all seems lost, Michelle risks her reputation and her marriage to provide Julian with the alibi that can save him from prison.

Cast

Production

Christopher Reeve reportedly turned down the part of Julian Kaye despite being offered a million-dollar fee,[4] before Richard Gere became attached to the role. Gere said in 2012 that he was drawn to the role because of its gay subtext. "I read it and I thought, 'This is a character I don't know very well. I don't own a suit. He speaks languages; I don't speak any languages. There's kind of a gay thing that's flirting through it and I didn't know the gay community at all.' I wanted to immerse myself in all of that and I had literally two weeks. So I just dove in."[5]

John Travolta became interested in the part and briefly acted in it before getting "cold feet" and being replaced by Gere.[6][7] This is not the only role that Travolta has turned down only to be taken by Gere: it had previously happened with Days of Heaven (1978)[8] and occurred again when Travolta was offered the lead in both An Officer and a Gentleman (1982) and Chicago (2002).[9] Gere's very brief nude scenes marked the first time a major Hollywood actor was frontally nude in a film.[10][11] According to Gere, the nudity was not in the original script. "It was just in the natural process of making the movie. I certainly felt vulnerable, but I think it's different for men than women."[5]

Julie Christie was originally cast in the role of Michelle Stratton but her departure was precipitated by Gere's replacement of Travolta.[7] By the time Gere had returned to the project, Lauren Hutton had already been hired. Meryl Streep was also offered the part of Michelle but declined because she didn't like the tone of the film.[12]

Schrader acknowledges that Pickpocket (1959) by the French director Robert Bresson was a direct influence on the film;[13][14] the composition of the final shot draws heavily from the film,[15][16] as does the final dialogue.[17] Schrader later provided an introduction to the Criterion Collection DVD of Pickpocket. Schrader re-visited many of the themes of American Gigolo in his 2007 film, The Walker,[18] and says the idea for that film came about while wondering what would have become of the Julian Kaye character.[19]

The film is widely credited to have established Giorgio Armani in Hollywood, since the Italian designer's clothes are featured prominently in Julian Kaye's wardrobe. When John Travolta agreed to star in the film, Armani provided him with many outfits to wear as Julian Kay. When Travolta walked off the project, Schrader hired Richard Gere; Travolta was a svelte six-footer, whereas Gere was much shorter and more muscular, so Armani's wardrobe did not fit Gere. The designer's team had to make new clothing for the smaller actor.[20]

Soundtrack

Further information: American Gigolo (soundtrack)

The film's soundtrack was composed by Giorgio Moroder. The main theme song of the film is "Call Me" performed by Blondie. The song was written by Moroder and Blondie vocalist Debbie Harry, and became a huge worldwide hit in 1980. It peaked at number one in various countries including the US and the UK, and became the highest selling single of 1980 in the United States.

Reception

The film received mixed to positive reviews from critics, as the film holds a 67% rating on Rotten Tomatoes based on 21 reviews.

TV Show

In October 2014, Jerry Bruckheimer announced plans to adapt the movie into a television series.[21] However, the series has yet to go into production.

See also

References

  1. ↑ Box Office Mojo. 2010. American Gigolo (1980). [Online] IMDb.com, Inc. (Updated 2010) Available at: http://www.boxofficemojo.com/movies/?id=americangigolo.htm [Accessed 24 January 2010]. Archived at http://www.webcitation.org/5n28WEaQl.
  2. ↑ http://m.imdb.com/title/tt0080365/
  3. ↑ "American Cinema of the 70s". The Story of Film: An Odyssey. Season 1. 2011. Event occurs at 28 minutes in. More4.
  4. ↑ Holley, J., 2004. A Leading Man for Spinal Cord Research. The Washington Post, [internet] 12 October. Available at http://www.washingtonpost.com/wp-dyn/articles/A23222-2004Oct11.html [Accessed 25 January 2010]. Archived at http://www.webcitation.org/5n3XvSoO5.
  5. 1 2 Richard Gere Accepted American Gigolo Role Because of Gay Subtext
  6. ↑ Jones, C. 2002. Richard Gere: On guard. [Online] BBC (Updated 27 Dec 2002) Available at: http://news.bbc.co.uk/1/hi/in_depth/uk/2000/newsmakers/2591237.stm [Accessed 25 January 2010]. Archived at http://www.webcitation.org/5n2vlsIV6?url=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fin_depth%2Fuk%2F2000%2Fnewsmakers%2F2591237.stm.
  7. 1 2 Yahoo! Movies. 2010. Julie Christie Biography. [Online] Yahoo! (Updated 2010) Available at: http://movies.yahoo.com/movie/contributor/1800020090/bio [Accessed 26 January 2010]. Archived at http://www.webcitation.org/5n4P3DZgY.
  8. ↑ Gilbey, R. 2009. Who's next for a Mickey Rourke-style comeback?. [Online] Guardian.co.uk (Updated 17 Feb 2009) Available at: http://www.guardian.co.uk/film/filmblog/2009/feb/16/mickey-rourke-wrestler [Accessed 25 January 2010]. Archived at http://www.webcitation.org/5n2wXCKBR.
  9. ↑ Lawrence, W., 2007. Travolta as you've never seen him before. Times Online, [internet] 30 June. Available at http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article1989219.ece [Accessed 25 January 2010]. Archived at http://www.webcitation.org/5n2wl0xoV.
  10. ↑ Persall, S., 2009. Male movie stars' naughty bits are nothing new. St. Petersburg Times, [internet] 7 March. Available at http://www.tampabay.com/features/movies/article981982.ece [Accessed 24 January 2010]. Archived at http://www.webcitation.org/5n26DnQUF.
  11. ↑ Dirks, T. 2009. History of Sex in Cinema: The Greatest and Most Influential Sexual Films and Scenes. [Online] Filmsite.org (Updated 2009) Available at: http://www.filmsite.org/sexinfilms.html (part 27) [Accessed 24 January 2010]. Archived at http://www.webcitation.org/5n26j4TVJ?url=http%3A%2F%2Fwww.filmsite.org%2Fsexinfilms27.html.
  12. ↑ Smurthwaite, N., 1984. The Meryl Streep Story. Beaufort Books. ISBN 978-0-8253-0229-9.
  13. ↑ Thompson, R.J., 1998. Pickpocket. Senses of Cinema, [online] 1998. Available at: http://archive.sensesofcinema.com/contents/cteq/00/7/pickpocket.html [Accessed 27 January 2010]. Archived at http://www.webcitation.org/5n6kr6A2S.
  14. ↑ Auty, C. 2008. Robert Bresson's Pickpocket. [Online] Film Forum (Updated 4 Aug 2008) Available at: http://www.filmforum.org/films/pickpocket.html [Accessed 27 January 2010]. Archived at http://www.webcitation.org/5n6lFFD91.
  15. ↑ Johnston, S., 2003. Film-makers on film: Paul Schrader. Telegraph.co.uk, [internet] 25 January. Available at http://www.telegraph.co.uk/culture/film/3589003/Film-makers-on-film-Paul-Schrader.html [Accessed 26 January 2010]. Archived at http://www.webcitation.org/5n5CfRHMB.
  16. ↑ Dawson, T. 2005. Pickpocket (2005). [Online] BBC (Updated 3 Apr 2005) Available at: http://www.bbc.co.uk/films/2005/04/04/pickpocket_2005_review.shtml [Accessed 26 January 2010]. Archived at http://www.webcitation.org/5n5CyDtou.
  17. ↑ Sight & Sound. 2007. Robert Bresson: Alias Grace. British Film Institute, [internet] November 2007. Available at: http://www.bfi.org.uk/sightandsound/feature/49407 [Accessed 26 January 2010]. Archived at http://www.webcitation.org/5n5DP9fzc.
  18. ↑ Malcolm, D., 2007. American gigolo in the frame. London Evening Standard, [internet] 9 August. Available at http://www.thisislondon.co.uk/film/review-23407689-american-gigolo-in-the-frame.do [Accessed 27 January 2010]. Archived at http://www.webcitation.org/5n65HEfVh.
  19. ↑ Schrader, P. 2007. The Walker. [Online] Landmark Theatres (Updated 2007) Available at: http://www.landmarktheatres.com/mn/walker.html [Accessed 27 January 2010]. Archived at http://www.webcitation.org/5n65msC6g.
  20. ↑ http://clothesonfilm.com/american-gigolo-armani-gere/13314/
  21. ↑ Goldberg, Lesley. "Jerry Bruckheimer Adapting 'American Gigolo' for Paramount TV". Thehollywoodreporter.com. Retrieved 11 January 2016.

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